As the 19th century approached, after the Declaration of Independence had been signed & the war had been won; the new country grew & faced increasing challenges, & Lady Liberty changed to reflect the times.
Classical Temple Dedicated to Liberty, Justice, and Peace. James Trenchard. Temple of Liberty. The Columbian Magazine, (Philadelphia) 1788. Engravings like this would inspire the design of the United States Capitol building.
Below this engraving is written,
"Behold a Fabric now to Freedom rear'd,
Approved by friends, and ev'n Foes rever'd,
Where Justice, too, and Peace, by us ador'd,
Shall heal each Wrong, and keep ensheath'd the Sword,
Approach then, Concord, fair Columbia's Son,
And faithful Clio, write that "We Are One."
In 1788, Philadelphia's Columbian Magazine published an engraving by James Trenchard called the Temple of Liberty. Trenchard, born in 1746, at Penns Neck in Salem County, New Jersey, was an engraver & seal cutter in Philadelphia, and the artist for many of the plates for the Columbian Magazine, whose circulation was the largest of any 18th century magazine published in America.
The engraving of a classical temple building depicts statues on the roof, including Libertas (liberty), Justicia or Themis (justice), & Ceres (peace). Libertas is at the peak with the others on the corners. In the background a rising sun radiating beams of light with one shining upon Libertas holding her staff & freedom cap. Emerging from the pure, bright sunlight in the distance is the new nation--lady Columbia with an eagle headdress. Standing below is Concordia holding a horn of plenty; Columbia's winged son holding a scroll with CONSTITUTION written on it; and Clio, the muse of history, beginning to write the history of the new nation. Scrolling across the front of the classical temple are the words: SACRED TO LIBERTY, JUSTICE AND PEACE.

Samuel Harris Columbia 1804
The image America as Columbia, whose name recalls the discovery of America by Christopher Columbus, as a personification of America began as early as the late 17th century, but became particularly popular at the time of the Revolution. Columbia did not have either the feathered or plumed headdress, but often either went bareheaded or had the helmet associated with Minerva. She was usually dressed in classical white robes or sometimes the national banner. She also was usually accompanied by other symbols of America, such as the shield, flag, and eagle.
John J. Barralet (ca. 1747-1815) was an Irish artist who came to Philadelphia about 1795.
Lady Liberty with an eagle holding a liberty cap and resting on a shield.
A silk embroidered Goddess of Liberty by Betsey Cheney of Middlebury, Vermont 1860
Lady Liberty Civil War
1865 by Kimmel & Forster of New York City, “The Outbreak of the Rebellion in the United States 1861.” Abraham Lincoln, Winfield Scott, Lady Liberty and the Goddess of Justice atop a stone precipice with a fissure
Joe Miller Our Country Is Free 1870

John Gast (1842-a 1877) American Progress or Manifest Destiny (1872)
Edward Moran ((1829-1901) Unveiling The Statue of Liberty 1886

1892 Lady Liberty
In a 1898 newspaper cartoon, Uncle Sam watches as the Goddess of Liberty heralds freedom for Cuba, Puerto...
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