Tuesday, March 29, 2016
Icons of Madonna & Child
Chiliandari Icon of the Mother of God of the Akathistos Holy Mount Athos
Icons of Mary holding her son Jesus have been popular, since the 431 AD Council of Ephesus declared Mary to be the Mother of God.
Icon Kazan of the Most Holy Mother of God
The word "icon" derives from the Greek "eikon" meaning any image or representation, but the word usually is restricted to a religious image. Although the word "icon" applies to all kinds of religious images -- those painted on wooden panels (icons proper), on walls (frescoes), those fashioned from small glass tesserae (mosaics) or carved in stone, metal or ivory -- the term is it most often with paintings on wood.
Icon of the Mother of God of St Peter of Moscow c 1306
Early Christian images appeared around the 3rd century. That may indicate that for the first 200 years of its existence, Christianity was probably influenced by the Old Testament 2nd Commandment, "Thou shall not make unto thee any graven images" (Exodus 20:4).
Mother of God of Kiev & Arapetsk, Arabic Russian
"When Christians turned to promote their religion, they found many examples in the earlier art of religions in the art of the Roman Empire. For their images, they incorporated various elements from a number of sources: from Hellenic art they borrowed gracefulness & clarity of composition; from the Roman art they took the hierarchical placement of figures & symmetry of design; from Syrian art they took dynamic movements & energy of the represented characters; and from Egyptian funeral portraits they borrowed large almond-shaped eyes, long, thin noses, & small mouths. By the time Christianity became the official religion of the Byzantine Empire (313), the iconography was developing vigorously & the basic compositional schemes were well established." (From Alexander Boguslawski)
The Otokos of Passion
Some speculate that the earliest icon painters in Russia were Greeks or Byzantinized South Slavs. They are thought to have become teachers of the 1st Russian icon painters instructing them in the traditional Byzantine style. Their compositions were monumental, uncluttered, & simple. Some early icons exhibit close affinities with the art of classical antiquity. However, the Russians quickly abandoned the Byzantine tradition of portraying a severe religious images & developed more "humane" depictions.
Icon Russian Icon, The Vladimir Mother of God, 12C
Icon of Theophanes the Greek (c 1330-c 1410) The Virgin of the Don 1392
Icon Russian Icon, The Virgin Hodegetria of Tikhvin (mid-16C from the Moscow School)
Icon Ukranian Icon The Virgin Eleusa From the Church of St. Luke in the village of Dorosyni, Volhynia region, 15C
In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art. In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.