Saturday, September 20, 2014

Fruits & Vegetables - Historic American Seed & Plant Catalogs from Smithsonian Institution Libraries




A Shaker Community, Pleasant Hill, Kentucky


Some time ago, I visited Pleasant Hill, Kentucky, which was a Shaker religious community from 1805 through 1910. Shakertown, as it is known by the locals, is about 25 miles southwest of Lexington, in the state's bluegrass region.



By 1800, Mother Ann Lee's (1736-1784) religious movement had already established 11 Shaker communities in New York state & throughout New England. About this time, the community sent 3 Shaker missionaries across the Cumberland Gap & through Ohio to find converts in the west. Shakers practiced celibacy & their numbers would die out without new converts.




The Pleasant Hill community was begun by 44 converts who signed a covenant of mutual support & common property ownership of the 140 acres on which they were living. It did not take long for the community to expand & the property to grow to 4,369 acres.




The Shakers chose a peaceful way of life. They were celibate and believed in equality of race & sex and in freedom from prejudice. A quest for simplicity & perfection is reflected in their fine craftsmanship.



The Shakers were skilled farmers, and over the years they expanded land holdings by acquiring adjacent farms for orchards & fields. The Shakers at Pleasant Hill became known for their excellent livestock & engineering accomplishments. Their location near the Ohio River was ideal for agricultural & economic commerce.



By 1816, they regularly traveled to larger communities to sell their wares: brooms, shoes, preserves, garden seeds, & herbs. The Shakers sold their wares in cities and towns up & down the Ohio & the Mississippi rivers, some at great distances, such as New Orleans.



The Shakers, known for their beautifully simple furniture & architecture, also invented many labor-saving processes to serve their large community. In the early 1830s, they constructed a water tower on a high plot of ground. A horse-drawn pump lifted water into the tower, and from there a system of pipes carried it downhill to kitchens, cellars, & wash houses.



In the wash houses, horse-powered washing machines were built to reduce the enormous chore of laundering the community's clothes & linens.



Music was also an important part of Shaker life, with songs, hymns, & anthems written by both men & women. Their dancing or shaking was the origin of the name Shaker.



The community began to decline with the advent of the Civil War & controversies over slave ownership. The last resident on the property died in 1923. The 14 original buildings of the religious community were restored in the 1960s, & it is now the largest restored Shaker community in America, a National Historic Landmark.


Suzanne Valadon (1865-1938) paints Landscapes



Suzanne Valadon (1865-1938) View of a Garden

Suzanne Valadon (1865-1938) The Sacred Heart from the garden of the Rue Cortot 1919-1920


Suzanne Valadon (1865-1938) The Church of Irigny (Rhône) 1918


Suzanne Valadon (1865-1938) The Garden in the Rue Cortot 1928


Suzanne Valadon (1865-1938) La Ferme du Montcorin Irigny 1918


Suzanne Valadon (1865-1938) Tour du Chateau St. Bernard 1924


Suzanne Valadon (1865-1938) View from My Window Genets in Brittany in 1922


Suzanne Valadon (1865-1938) The Village of Saint-Bernard, Ain, 1929


Suzanne Valadon (1865-1938) paints Women



Suzanne Valadon (1865-1938) Marie Coca and her daughter in 1913



Suzanne Valadon (1867-1938) The Blue Room (Odalisque) 1923



Suzanne Valadon (1865-1938) Portrait of Miss Lily Walton with Raminou



Suzanne Valadon (1865-1938) Reclining Nude 1928


Suzanne Valadon (1865-1938) Portrait of Lily Walton 1923



Suzanne Valadon (1865-1938) Reclining Woman on Sofa


Suzanne Valadon (1865-1938) Portrait of Mrs. Coquiot 1918


Suzanne Valadon (1865-1938) Portrait of Mrs. Zamaron 


Suzanne Valadon (1865-1938) Reclining Nude on Sofa 1928



Suzanne Valadon (1865-1938) Young Woman Seated



Suzanne Valadon (1865-1938) Gilbert, Nude Fixing Her Hair 1920


Suzanne Valadon (1865-1938) Portrait of an Old Lady 1912



Suzanne Valadon (1865-1938) Woman in White Stockings 1924



Suzanne Valadon (1865-1938) Reclining Nude Catherine is Leopard Skin 1923


Suzanne Valadon (186-1938) Woman with a Double Bass 1914