Thursday, April 30, 2015

17C Woman - Henrietta Maria riding side-saddle


We have few depictions of women in the 17C British American colonies, but contemporary European prints allow us to see the hairstyles & fashions being worn on the other side of the Atlantic during the early years of the English colonization of America. 

Jean Leblond 1605-1666 Henrica Maria,  Jérôme David (Print made by) Henrietta Maria on horseback, riding side-saddle, holding a fan and the reins, with wide hat


Wednesday, April 29, 2015

18C Gardens in Portraits of Children from America


1710 Justus Engelhardt Kuhn (Colonial American artist, fl 1707-1717)  Henry Darnall III



1710 Justus Engelhardt Kuhn (Colonial American artist, fl 1707-1717)  Henry Darnall III


Tuesday, April 28, 2015

1700s Times of Day - Richard Houston (Irish printmaker, c.1721-1775)



Richard Houston (Irish printmaker, c.1721 - 1775) Times of Day - Morning 



Richard Houston (Irish printmaker, c.1721 - 1775) Times of Day - Noon



Richard Houston (Irish printmaker, c.1721 - 1775) Times of Day - Evening



Richard Houston (Irish printmaker, c.1721 - 1775) Times of Day - Night 


1600s Times of Day - Jean Leblond 1605-1666



 Jean Leblond 1605-1666 The Times of the Day - Morning



 Jean Leblond 1605-1666 The Times of the Day - Midday



 Jean Leblond 1605-1666 The Times of the Day - Evening



Jean Leblond 1605-1666 The Times of the Day - Night


1500s Times of Day - Jan Saenredam (Dutch printmaker, c 1565-1607



Jan Saenredam (Dutch printmaker, c 1565-1607) The Times of Day - Morning



Jan Saenredam (Dutch printmaker, c 1565-1607) The Times of Day - Midday



Jan Saenredam (Dutch printmaker, c 1565-1607) The Times of Day - Evening



Jan Saenredam (Dutch printmaker, c 1565-1607) The Times of Day - Night


17C Woman - Marie de Rohan, the wife of Claude de Lorraine with amazing pearls


We have few depictions of women in the 17C British American colonies, but contemporary European prints allow us to see the hairstyles & fashions being worn on the other side of the Atlantic during the early years of the English colonization of America. 

Jean Leblond 1605-1666 Charles David (Print made by); Ferdinand Elle (After) Marie de Rohan, the wife of Claude de Lorraine, Duke of Chevreuse; bust-length, turned to right with curled hair, pearl earrings


Monday, April 27, 2015

1612-20 The Seven Deadly Sins by Jan Collaert II 1571-1633


1612-1620 Septem Peccata Mortalia Print made by: Jan Collaert II (printmaker; Flemish; Male; c.1561-c.1620) Published by: Theodoor Galle (publisher/printer; printmaker; dealer/auction house; Flemish; Male; 1571-1633)

The Seven Deadly Sins; Adam and Eve in central image; surrounded by seven roundels with biblical scenes showing the seven deadly sins ('Pride' as the fallen angels [Isaiah 14]; 'Avarice' as Ananias and Sapphira dropping dead in front of St Peter after withholding part of profits [Acts 5]; 'Gluttony' as a corpulent man surrounded by other men [1 Kings 25]; 'Lust' as Phinehas killing Zimri and Cosbi [Numbers 25]; 'Sloth' as king Solomon and the idler [Proverbs 6]; 'Envy' as Joseph and his brothers [Genesis 37]; 'Wrath' as Cain and Abel [Genesis 4]); undescribed state with address of Theodor Galle


1630 The Seven Deadly Sins by George Glover (1625-1635) + a little fashion!



 George Glover (1625-1635) c.1630  Envy



 George Glover (1625-1635) c.1630  Gluttony



 George Glover (1625-1635) c.1630  Luxuria



 George Glover (1625-1635) c.1630  Sloth



 George Glover (1625-1635) c.1630 Covetness



 George Glover (1625-1635) c.1630 Pride



George Glover (1625-1635) c.1630 Wrath


1650 The Seven Deadly Sins by After Abraham Bosse -1639-1650



 After Abraham Bosse -1639-1650 Avarice



 After Abraham Bosse -1639-1650 Envy



 After Abraham Bosse -1639-1650 Gluttony



 After Abraham Bosse -1639-1650 Luxuria



 After Abraham Bosse -1639-1650 Pride



 After Abraham Bosse -1639-1650 Sloth



After Abraham Bosse -1639-1650 Wrath


1541 The Seven Deadly Sins by Georg Pencz (c. 1500-1550)



 Georg Pencz (c. 1500-1550) 1541 Avarice


 Georg Pencz (c. 1500-1550) 1541 Superbia



 Georg Pencz (c. 1500-1550) 1541 Gula


 Georg Pencz (c. 1500-1550) 1541 Invidia



 Georg Pencz (c. 1500-1550) 1541 Ira


 Georg Pencz (c. 1500-1550) 1541 Luxuria



Georg Pencz (c. 1500-1550) 1541 Pigrita


The Evolution of the Seven Deadly Sins


In the Book of Proverbs 6:16-19, among the verses traditionally associated with King Solomon, it states that the Lord specifically regards "six things the Lord hateth, and 7 that are an abomination unto Him:"
A proud look
A lying tongue
Hands that shed innocent blood
A heart that devises wicked plots
Feet that are swift to run into mischief
A deceitful witness that uttereth lies
Him that soweth discord among brethren


Tableau de mission François Marie Balanant.  An allegorical image depicting the human heart subject to the seven deadly sins, each represented by an animal (clockwise: toad = avarice; snake = envy; lion = wrath; snail = sloth; pig = gluttony; goat = lust; peacock = pride).

The modern concept of the 7 deadly sins is linked to the works of the 4C monk Evagrius Ponticus, who listed 8 evil thoughts in Greek as follows:
Γαστριμαργία (gastrimargia) gluttony
Πορνεία (porneia) prostitution, fornication
Φιλαργυρία (philargyria) avarice
Ὑπερηφανία (hyperēphania) hubris – in the Philokalia, this term is rendered as self-esteem
Λύπη (lypē) sadness – in the Philokalia, this term is rendered as envy, sadness at another's good fortune
Ὀργή (orgē) wrath
Κενοδοξία (kenodoxia) boasting
Ἀκηδία (akēdia) acedia – in the Philokalia, this term is rendered as dejection

In AD 590, a little over 2 centuries after Evagrius wrote his list, Pope Gregory I revised this list to form the more common Seven Deadly Sins.
luxuria (lechery/lust)
gula (gluttony)
avaritia (avarice/greed)
acedia (sloth/discouragement)
ira (wrath)
invidia (envy)
superbia (pride)

Beginning in the early 14C, the popularity of the Seven Deadly Sins brought them to become a theme among European artists.



17C Woman


We have few depictions of women in the 17C British American colonies, but contemporary European prints allow us to see the hairstyles & fashions being worn on the other side of the Atlantic during the early years of the English colonization of America. 

Jean Leblond 1605-1666 Bradamante;  François Ragot (Print made by); Young woman, bust-length; hat adorned with feather, chin-length curly hair, pearl necklace with lozenge-shaped pendants and dress trimmed with lace


Sunday, April 26, 2015

17C Woman as Shepherdess (or perhaps Diana)


Jean Leblond 1605-1666  Leonide Bergere; print; Jeremias Falck (Print made by); Paris three-quarter length female shepherdess, stepping to right; a quiver slung across her back, holding a bow in her right hand. This woman has spectacular pearls in her hair, at her neck & wrist.  (ed. - This shepherdess looks like a depiction of Diana.)


17C Woman as Shepherdess


Jean Leblond 1605-1666 Shepherdesss Astree; print; Jeremias Falck (Print made by); Paris. This woman has huge pearls at her neck and wrists, as well as sewn onto her dress at the neckline.


1641 The most esteemed qualities of a Gentlewomen


The Gentleman & Gentlewoman - front page engraving by William Marshall to the 3rd edition of Richard Braithwaite’s book 1641 


Saturday, April 25, 2015

1636 One of The Seven Liberal Arts by Jean Leblond 1605-1666


Jean Leblond 1605-1666 Geometry c 1636

Unfortunately, I have not yet located the other six from this series. Still looking...


1630 The Seven Liberal Arts by George Glover + a little Fashion



 George Glover-1625-1635 Arithmetic



 George Glover-1625-1635 Astronomy


 George Glover-1625-1635 Geometry



 George Glover-1625-1635 Grammar



 George Glover-1625-1635 Music



George Glover-1625-1635 Rhetoric


George Glover-1625-1635 Dialects