1796 Gilbert Stuart (American artist, 1755-1828) George Washington Lansdowne Portrait
When Stuart had returned to the United States, fleeing debt collectors in Ireland, he wrote to his uncle Joseph Anthony (1738–1798) in Newport, "The object of my journey is only to secure a picture of the President & finish yours." He mentioned nothing of his debts across the Atlantic. He was successful in securing a sitting with Washington in Philadelphia in 1795, completing a portrait which he would recopy & sell at least 12 times. Martha Washington commissioned new portraits of herself & her husband, and convinced The President to sit once again for Stuart. The President allowed Stuart another sitting in 1796, for what would become the Lansdowne Portrait. However, Martha Washington would never receive her portrait or her husband's; because Stuart, until his death, made many copies of the new sitting for sale. Martha often fretted to her husband about never receiving her portraits.
1800-02 Gilbert Stuart (1755-1828) The Poet Sarah Wentwort Morton
Gilbert Stuart was born in Rhode Island in 1755, and died in Boston, Massachusettes in 1828. He fled the colonies in fear of the American Revolution, and he fled the British Isles in fear of creditors. After nearly 20 years in England and Ireland, he returned to the United States to become the leading portraitist of the Federal period.
1800 Gilbert Stuart (1755-1828). Arabella Maria Smith (Mrs. Alexander James Dallas)
Stuart's parents, Jacobite Scot snuff grinders Gilbert Stuart and his wife Elizabeth Anthony, ran a shop in Newport, Rhode Island. When he was reportedly only 10, Stuart painted a very successful depiction of a local Scot Jacobite physician's hounds.
1800 Gilbert Stuart (1755-1828). Abigail Smith (Mrs. John Adams).
The doctor introduced the young boy to fellow Scot portrait painter Cosmo Alexander (1724-1772) in 1769. Stuart traveled with the artist to Philadelphia, Delaware, Virginia, and Edinburgh, learning the art of the portrait along the way, until his tutor died in 1772.
1800 Gilbert Stuart (1755-1828). Henrietta Marchant (Mrs. Robert Liston).
Stuart made his way back to Rhode Island, where he painted several portraits of women; before his loyalist father moved the family to Nova Scotia in 1775, and Stuart headed for London. In 1777, he went to work there for Pennsylvania ex-patriot Benjamin West. As Stuart told artist Matthew Jouett (1787–1827), he was "allowd half a guinea a week for paint(ing) draperies & finishing up Wests portraits."
1800s Gilbert Stuart (1755-1828). Portrait of a Lady.
In 1777, Stuart exhibited a portrait at the Royal Academy of Arts in London. Stuart helped West with his history paintings until 1782, while he personally continued to paint portraits of prominent English gentry, married, had 12 children, and ran up massive debts. His daughter Jane later explained, "the manner in which he lived should not be called extravagant, as his employment warranted the outlay; his distinction as an artist entitled him to it; the class of persons he painted for required it."
1800s Gilbert Stuart (1755-1828). Marcia Burnes Van Ness.
To persistant escape creditors, Stuart fled London in 1787, heading for Ireland, where his debts piled up again. Leaving unfinished portraits and ever mounting debts behind in Ireland, Stuart moved his family to New York in 1793.
1800s Gilbert Stuart (1755-1828). Mrs Barney Smith.
Martha Washington commissioned several portraits of herself & her husband; however, she would never receive her portrait or her husband's, now known as the "Athenaeum" portraits; because Stuart until his death, made many copies of the paintings he would offer for sale, when he needed extra money. Martha fretted to her husband about never receiving her portraits.
1800s Gilbert Stuart (1755-1828). Sarah Homes Tappan.
Stuart was notorious for not completing his portraits. Mary Tyler Peabody (1804-94) wrote in 1825, "At Stewart's room I saw a portrait of Webster, Mr. Quincy, President Adams and lady, Bishop Griswold, Mr. Taylor, &c. They were all unfinished."
1802 Gilbert Stuart (1755-1828) Mrs Edward Stow
Twenty years after sitting for Stuart, Thomas Jefferson was still attempting to obtain his portrait from the artist. In response to an inquiry about Stuart from artist Mather Brown (1761–1831), Catherine Byles wrote, "We are told he is one of the best painters in the world & excels in his likeness; he has taken a number of portraits, his price is a hundred dollars; he is indeed very excentrick, he loves a cheerful bottle and does no work in the afternoon; he is very dilatory in finishing his pictures."
1804 Gilbert Stuart (1755-1828). Elizabeth-Beltzhoove (Mrs John Thomson Mason).
But the people who sat for Stuart and did receive their portraits held him in high regard. Female poet Sarah Wentworth Morton was painted by Stuart and wrote in the Philadelphia journal The Port Folio on June 18, 1803, To Mr. Stuart, On His Portrait of Mrs. M
STUART, thy portraits speak, with skill divine;
Round the bright Graces flows the waving line.
Expression in its finest utterance lives,
And a new language to creation gives.
Each varying trait the gifted artist shews,
Wisdom majestic in the bending brows;
The warrior's open front, his eyes of fire,
Or when the charms of bashful youth retire;
Or patient plodding, and with wealth content,
The man of commerce counts his cent per cent.
1804 Gilbert Stuart (1755-1828). Anna Payne Cutts. White House Collection.
Gilbert Stuart died in debt in Boston in 1828. Less than 2 months after his death, the Boston Athenaeum presented memorial exhibition of his portraits for the benefit of his widow and 4 daughters. Almost 250 Stuart portraits, many of Bostonians, were loaned for the highly successful benefit exhibition. His wife would move to Newport, where she would live until 1845.
1775 Gilbert Stuart (American artist, 1755-1828) Sarah Rivera (Mrs Aaron Lopez) and son Joshua.
1780 Gilbert Stuart (American artist, 1755-1828) Christian Stelle Banister & Son John.
1794 Gilbert Stuart (American artist, 1755-1828) Matilda Stoughton de Jaudenes y Nebot. The Metropolitan Museum of Art tells us that the 16-year-old bride of Josef de Jáudenes, Matilda Stoughton (1778–after 1822), was an American whose father served as Spain’s consul in Boston for 30 years. Although her richly fashionable costume & jewelry would have been regarded as excessive for a young Anglo-Saxon, the splendor was completely appropriate for the wife of a wealthy & ambitious Spanish diplomat. This portrait is a superb example of Stuart’s firm, brilliant style just after his return to the United States from England. The coat of arms & the inscription at the upper left are later additions, made in Spain by another hand.
1796 Gilbert Stuart (American artist, 1755-1828) Elizabeth Parke Custis Law
1796 Gilbert Stuart (American artist, 1755-1828) Mrs. Robert Morris.
1796 Gilbert Stuart (American artist, 1755-1828) Mrs. Thomas Lea.
1796 Gilbert Stuart (American artist, 1755-1828) Martha Washington.
1797 Gilbert Stuart (American artist, 1755-1828) Mary Willing Clymer
1797 Gilbert Stuart (American artist, 1755-1828) Anne Willing Bingham.
1798 Gilbert Stuart (American artist, 1755-1828) Elizabeth Corbin Griffin Gatliff & Daughter Elizabeth.
1804 Gilbert Stuart (1755-1828). Sarah McKean, Marquesa de Casa Yrujo.
1804 Gilbert Stuart (1755-1828). Anna Powell Mason.
1804 Gilbert Stuart (1755-1828). Dolley Payne Todd Madison.
1804 Gilbert Stuart (1755-1828) Elizabeth Patterson Bonaparte
1805 Gilbert Stuart (1755-1828). Ann Penington.
1806 Gilbert Stuart (1755-1828). Hepzibah Clarke Swan.
1808 Gilbert Stuart (1755-1828) Lydia Smith
1809 Gilbert Stuart (1755-1828). Mrs. Harrison Gray Otis.
1810 Gilbert Stuart (1755-1828). Elizabeth Tuckerman
1811 Gilbert Stuart (1755-1828). Mrs Polly Hooper.
1815 Gilbert Stuart (1755-1828). Mrs. Nathan Bond.
1817 Gilbert Stuart (1755-1828). Mrs. James Smith Colburn.
1819 Gilbert Stuart (1755-1828). Mrs. Joseph Story.
1820 Gilbert Stuart (1755-1828). Mrs. Andrew Sigourney. The Metropolitan Museum of Art tells us that Elizabeth Williams (1765–1843) was the eldest daughter of Elizabeth Bell & Henry Howell Williams. In 1797, she married Andrew Sigourney, a prominent Bostonian. Over the course of his life, Sigourney served as treasurer of the Ancient & Honorable Artillery Company, treasurer of the town of Boston, & representative in the Massachusetts state legislature. Here, Stuart has toned down the almost sensual quality he lent many female sitters in order to emphasize Mrs. Sigourney’s knowing intelligence & prosperity.
1823 Gilbert Stuart (1755-1828). Elizabeth Porter Wheeler.
1824 Gilbert Stuart (1755-1828) Ann Woodward Haven.
1824 Gilbert Stuart (1755-1828). Miss Clementina Beach.
1824 Gilbert Stuart (1755-1828). Lydia Pickering Williams.
Gilbert Stuart (American artist, 1755-1828) Ann Barry
Gilbert Stuart (American artist, 1755-1828) Mrs Blades and her daughter
Gilbert Stuart (American artist, 1755-1828) Henrietta Hillegas Mrs Joseph Anthony Jr. The Metropolitan Museum of Art tells us thatMrs. Joseph Anthony Jr., born Henrietta Hillegas in 1766, was one of 10 children of Michael & Henrietta Hillegas of Philadelphia. Her father made his fortune in sugar refining & iron manufacturing, & served as the 1st treasurer of the United States. Henrietta married Joseph Anthony in 1785. As with many of Stuart’s portraits of Philadelphia society women, Mrs. Anthony’s likeness is endowed with an individuality & a sensuousness rare in American portraiture.
Gilbert Stuart (American artist, 1755-1828) Louisa Catherine Johnson Mrs John Quincy Adams