Sunday, July 24, 2022

European Illuminated Manuscripts 6-16C - Plants, Gardens,& Landscapes

Landscape with a Watermill, Image taken from Le Tresor des Histoires: a universal history from the Creation to the time of Pope Clement VI. Treasure of Stories (15th C) - BL Cotton MS Augustus V. British Library - Cotton ms Augustus V Technically, the mill evolved a lot during the Middle Ages. The mechanisms were being used for increasingly diverse functions & the variety of hydraulic installations associated with them was growing.
Mostly intended for wheat, they were equipped with horizontal wheels trained by a pirouette (in France they are found in Occitania, Basque Country, Corsica & Finistere), more commonly vertical (receiving water below or above). The latter, the most powerful, were also the most expensive because of the gear they were equipped with. They are all settled on the bank of a stream, or on a boat (newmill). Hydraulic force-activated mussels could grind wheat but also crush eye seed, tinctorial plants, crush ore.


Plants, Gardens,& Landscapes in Illuminated Manuscripts 6C -16C

Illuminations date back to the end of the 4C. Codex, the 1st type of manuscript book replaced the prior written "paper" or parchment roll. The need to illustrate books usually developed with a style specific to each distinct region, civilization & time period. This function, "illuminare" in Latin, was mostly decorative & ornamental at this time & often reflected the myths of times passed.

In Western Europe, from the 6C until the 12C, the illustrated manuscript was mainly religious, created by monk copyists (usually the main scholars of the particular order) in abbeys to spread Christianity. After the Fall of the Roman Empire, Christian monestaries were often the center of 
social, medical, &  religious activities for the local populations.

Towards the 13C, with the development of universities; the demand for books increased, & lay workshops were created. The art of illumination became a craft in its own right. At the end of the 15C, the invention of the Western printing press quickly reduced the time-consuming production
 of books copied & painted by the hand of mankind.

During the 10 centuries of illuminations in the Middle Ages in Europe, several styles evolved: Island Style (British Isles) & Merovingian (before the 9C), Carolingian style (9-10C), Romanesque Style (10-12C), Transitional Period (13C), Gothic Style (14-16C).

Thursday, July 21, 2022

Plants in Early American Gardens - Sea Lavender was Dried in the Fall 1793

Sea Lavender (Statice) (Limonium latifolium)

Limonium latifolium bears clouds of delicate, lavender-blue flowers that are perfect for arrangements, both fresh and dried, and also blend beautifully in rock gardens, coastal gardens, and other well-draining sites.

Long admired as a cut flower, Statice was included in the Garden Notes of 1793 by Lady Jean Skipwith of Virginia, who noted “dried - it retains its colour which renders it ornamental for a Mantel-piece in Winter.”

 In The English Flower Garden, first published in 1883, William Robinson called this larger species of Sea Lavender “the finest of all.” 

Tuesday, July 19, 2022

Plants in Early American Gardens - Globe Thistle

 

 Globe Thistle (Echinops ritro)
Globe Thistle (Echinops ritro)

Globe Thistle, a Mediterranean plant long in cultivation throughout Europe, is an undemanding perennial suitable for the border or the wild garden.

Williamsburg’s John Custis might have received this species, or its more vigorous cousin, E. sphaerocephalus, from his English patron Peter Collinson in 1738. Both varieties are listed in Parkinson’s early 17th-century herbal, and Philip Miller’s 18th-century botanical dictionary. 

Thomas Jefferson’s gardening mentor, Bernard McMahon, also included Small Globe Thistle in his 1806 American Gardener’s Calendar. 

Today it is popular as a cut flower and for drying, and the flowers attract butterflies.

Sunday, July 17, 2022

Plants for Early American Gardens - Musk Geranium

Musk Geranium (Geranium macrorrhizum)

A European native, Geranium macrorrhizum can be used to scent perfumes and potpourris. In Bulgaria, musk geranium oil is called zdravetz oil, and is sometimes used in perfumery. 

The scientific name comes from the Greek for crane, geranos, referring to the crane-shaped seed heads, while macrorrhizum translates to big root. 

Musk Geranium has been cultivated in gardens since at least 1658, when it was grown in the Oxford Botanic Garden in England.

Wednesday, July 13, 2022

Seeds with Stories: Flax (Linum usitatissimum)

Old Salem Museums & Gardens tells us in its series Seeds with Stories: Flax (Linum usitatissimum) that Flax, one of the oldest cultivated plants, was first domesticated in the Fertile Crescent region about 9000 years ago. People in China, India, Switzerland & Germany all cultivated flax at least 5000 years ago. 

In North America, colonists introduced flax where it flourished & was an important crop in Salem. Flax seeds can be ground into a meal or turned into linseed oil. Linseed oil, obtained by pressing, is a drying oil that can be used in wood finishing & as a pigment binder in oil paints. Linseed oil is also edible & high in omega-3 fatty acid. In addition, flax fibers are used to make linen. The many uses of flax are reflected in its Latin epithet usitatissimum, which means “most useful.”
 
A common practice one might have seen in Salem was flax retting, the process of separating the flax fibers from the stalks, where flax is laid out in a large field & dew is allowed to collect on it. This process normally takes a month or more but is generally considered to provide the highest quality flax fibers.  

Old Salem explores the diverse cultural history of the early South, with special emphasis on the Moravians in North Carolina, enslaved & free people of African descent, & Indigenous peoples of the Southern Woodland.

Tuesday, July 12, 2022

How Do We Know Mankind Is Made of "Starstuff?"

The answer to this fundamental question of astrophysics was discovered in 1925 by Cecilia Payne (1900-1979) & explained in her Ph.D. thesis. Payne showed how to decode the complicated spectra of starlight in order to learn the relative amounts of the chemical elements in the stars. In 1960 the distinguished astronomer Otto Struve referred to this work as “the most brilliant Ph.D. thesis ever written in astronomy.”

Cecilia Payne was born in Wendover, England. After entering Cambridge University she soon knew she wanted to study a science but was not sure which one. She then chanced to hear the astronomer Arthur Stanley Eddington (1882-1944) give a public lecture on his recent expedition to observe the 1919 solar eclipse, an observation that proved Einstein’s Theory of General Relativity. 

She later recalled her exhilaration: “The result was a complete transformation of my world picture. When I returned to my room I found that I could write down the lecture word for word.” She realized that physics was for her.

Later, at Cambridge Observatory Cecilia told Professor Eddington, that she wanted to be an astronomer. He suggested a number of books for her to read, but she had already read them. Eddington then invited her to use the Observatory’s library, with access to all the latest astronomical journals. 

"There is no joy more intense than that of coming upon a fact that cannot be understood in terms of currently accepted ideas." declared Cecilia Payne

Payne realized early during her Cambridge years, that a woman had little chance of advancing beyond a teaching role, & no chance at all of getting an advanced degree in England. 

Women in the USA had only won the right to vote in national elections in 1920, just 3 years before Payne left England in 1923 for the United States. Here she met Professor Harlow Shapley (1885-1952), the new director of the Harvard College Observatory, who offered her a graduate fellowship. 

Cecilia Payne became the 1st person to earn a PhD in astronomy from Harvard University. Her 1925 graduate thesis proposed that the Sun & other stars were made predominantly of hydrogen, & described as "the most brilliant PhD thesis ever written in astronomy." (Payne received the 1st Ph.D. in astronomy from Radcliffe College for her thesis, since Harvard did not grant doctoral degrees to women.)

But Harvard did have the world’s largest archive of stellar spectra on photographic plates. Astronomers obtain such spectra by attaching a spectroscope to a telescope. This instrument spreads starlight out into its “rainbow” of colors, spanning all the wavelengths of visible light. The wavelength increases from the violet to the red end of the spectrum, as the energy of the light decreases. A typical stellar spectrum has many narrow dark gaps where the light at particular wavelengths (or energies) is missing. These gaps are called absorption “lines,” & are due to various chemical elements in the star’s atmosphere that absorb the light coming from hotter regions below.

The study of spectra had led to the science of astrophysics. In 1859, Gustav Kirchoff & Robert Bunsen in Germany heated various chemical elements & observed the spectra of the light given off by the incandescent gas. They found that each element has its own characteristic set of spectral lines—its uniquely identifying “fingerprint.” In 1863, William Huggins in England observed many of these same lines in the spectra of the stars. The visible universe, it turned out, is made of the same chemical elements as those found on Earth.

Beginning in the 1880s, astronomers at Harvard College such as Edward Pickering, Annie Jump Cannon, Williamina Fleming, & Antonia Maury had succeeded in classifying stars according to their spectra into seven types: O, B, A, F, G, K, & M. It was believed that this sequence corresponded to the surface temperature of the stars, with O being the hottest & M the coolest. In her Ph.D. thesis (published as Stellar Atmospheres [1925]), Payne used the spectral lines of many different elements & the work of Indian astrophysicist Meghnad Saha, who had discovered an equation relating the ionization states of an element in a star to the temperature to definitively establish that the spectral sequence did correspond to quantifiable stellar temperatures. Payne also determined that stars are composed mostly of hydrogen & helium. However, she was dissuaded from this conclusion by Princeton astronomer Henry Norris Russell (1877-1957), who thought that stars surely would have the same composition as Earth. (Russell conceded in 1929 that Payne was correct.) 

In principle, it seemed that one might obtain the composition of the stars by comparing their spectral lines to those of known chemical elements observed in laboratory spectra. Astronomers had identified elements like calcium & iron as responsible for some of the most prominent lines, so they naturally assumed that such heavy elements were among the major constituents of the stars. In fact, Princeton's Henry Norris Russell at Princeton had concluded that if the Earth’s crust were heated to the temperature of the Sun, its spectrum would look nearly the same.


When Cecilia Payne arrived at Harvard, a comprehensive study of stellar spectra had long been underway. Annie Jump Cannon (1863-1941) whose cataloging work was instrumental in the development of contemporary stellar classification.  Annie was nearly deaf throughout her career. She was a suffragist & a member of the National Women's Party.

Annie Jump Cannon (1863-1941)

Annie had sorted the spectra of several hundred thousand stars into seven distinct classes. She had devised & ordered the classification scheme, based on differences in the spectral features. Astronomers assumed that the spectral classes represented a sequence of decreasing surface temperatures of the stars, but no one was able to demonstrate this quantitatively.

Cecilia Payne, who studied the new science of quantum physics, knew that the pattern of features in the spectrum of any atom was determined by the configuration of its electrons. She also knew that at high temperatures, one or more electrons are stripped from the atoms, which are then called ions. The Indian physicist M. N. Saha had recently shown how the temperature & pressure in the atmosphere of a star determine the extent to which various atoms are ionized.

Payne began a long project to measure the absorption lines in stellar spectra, & within two years produced a thesis for her doctoral degree, the first awarded for work at Harvard College Observatory. In it, she showed that the wide variation in stellar spectra is due mainly to the different ionization states of the atoms & hence different surface temperatures of the stars, not to different amounts of the elements. She calculated the relative amounts of eighteen elements & showed that the compositions were nearly the same among the different kinds of stars. She discovered, surprisingly, that the Sun & the other stars are composed almost entirely of hydrogen & helium, the two lightest elements. All the heavier elements, like those making up the bulk of the Earth, account for less than two percent of the mass of the stars.

Most of the mass of the visible universe is hydrogen, the lightest element, & not the heavier elements that are more prominent in the spectra of the stars! This was indeed a revolutionary discovery. Harlow Shapley sent Payne’s thesis to Professor Russell at Princeton, who informed her that the result was “clearly impossible.” To protect her career, Payne inserted a statement in her thesis that the calculated abundances of hydrogen & helium were “almost certainly not real.”

She then converted her thesis into the book Stellar Atmospheres, which was well-received by astronomers. Within a few years it was clear to everyone that her results were both fundamental & correct. Cecilia Payne had showed for the first time how to “read” the surface temperature of any star from its spectrum. She showed that Cannon’s ordering of the stellar spectral classes was indeed a sequence of decreasing temperatures & she was able to calculate the temperatures. The so-called Princeton Hertzsprung-Russell diagram, a plot of luminosity versus spectral class of the stars, could now be properly interpreted, & it became by far the most powerful analytical tool in stellar astrophysics.

From the time she finished her Ph.D. through the 1930s, Payne advised students, conducted research, & lectured—all the usual duties of a professor. Yet, because she was a woman, her only title at Harvard was “technical assistant” to Professor Harlow Shapley. 

In 1933, Payne traveled to Europe to meet Russian astronomer Boris Gerasimovich, who had previously worked at the Harvard College Observatory & with whom she planned to write a book about variable stars. In Göttingen, Ger., she met Sergey Gaposchkin, a Russian astronomer who could not return to the Soviet Union because of his politics. Payne was able to find a position at Harvard for him. They married in 1934 & often collaborated on studies of variable stars. She was named a lecturer in astronomy in 1938, but even though she taught courses, they were not listed in the Harvard catalog until after World War II.

In collaboration with colleague John Whitman, she rendered this early X-ray image of the supernova remnant Cassopeia-A in 1976 using yarn & needlepoint. 

Despite being indisputably one of the most brilliant & creative astronomers of the 20C, Cecilia Payne was never elected to the elite National Academy of Sciences. But times were beginning to change. In 1956, she was finally made a full professor (the 1st woman so recognized at Harvard) & chair of the Astronomy Department.

Her fellow astronomers certainly came to appreciate her genius. In 1976, the American Astronomical Society awarded her the prestigious Henry Norris Russell Prize. In her acceptance lecture, she said, “The reward of the young scientist is the emotional thrill of being the 1st person in the history of the world to see something or to understand something.” 

See:

American Museum of Natural History: Cecilia Payne & the Composition of the Stars

Encyclopedia Britannica: Cecilia Payne-Gaposchkin 

Archival Collections:

Collections of Cecilia Payne- & Sergei Gaposchkin. Wolbach Library, Harvard & Smithsonian Center for Astrophysics, Cambridge, Mass.

Papers of Harlow Shapley, 1906-1966; HUG 4773.10 Box 89. Harvard University Archives, Harvard University, Cambridge, Mass.

Papers of Cecilia Helena Payne-Gaposchkin, 1924, circa 1950s-1990s, 2000; HUGB P182.5, P182.50. Harvard University Archives, Harvard University, Cambridge, Mass. Link.

Project PHaEDRA. Wolbach Library, Harvard & Smithsonian Center for Astrophysics, Cambridge, Mass. Link.

Radcliffe College Alumnae Association Records, ca.1894-2004; RG IX, Series 2, box 241. Schlesinger Library, Radcliffe Institute, Harvard University, Cambridge, Mass.

Wilbur Kitchener Jordan Records of the President of Radcliffe College, 1943-1960; RG II, Series 3, boxes 27, 60. Radcliffe College Archives, Schlesinger Library, Radcliffe Institute, Harvard University, Cambridge, Mass.

Bibliography: 

Bartusiak, Marcia. 1993. “The Stuff of Stars.” The Sciences, no. September/October: 34–39.

Boyd, Sylvia. 2014. Portrait of a Binary : The Lives of Cecilia Payne & Sergei Gaposchkin. Penobscot Press.

DeVorkin, David. 2010. “Extraordinary Claims Require Extraordinary Evidence: C.H. Payne, H.N. Russell & Standards of Evidence in Early Quantitative Stellar Spectroscopy.” Journal Od Astronomical History & Heritage 13 (2): 139–44.

Gaposchkin, Cecilia Helena Payne. 1984. Cecilia Payne-Gaposchkin: An Autobiography (“The Dyer’s Hand”) & Other Recollections. Cambridge ; New York: Cambridge University Press.

Gaposchkin, Sergei. 1970. The Divine Scramble. Self-Published.

Gingerich, Owen, Katherine Haramundanis, & Dorrit Hoffleit. 2001. The Starry Universe: The Cecilia Payne-Gaposchkin Centenary. L. Davis Press.

Popova, Maria. 2017. “Stitching a Supernova: A Needlepoint Celebration of Science by Pioneering Astronomer Cecilia Payne.” Brain Pickings (blog). May 10, 2017. 

Woodman, Jennifer. 2016. “Stellar Works: Searching for the Lives of Women in Science.” Dissertations & Theses, June.

"We Are Made of Starstuff.”

This landscape of “mountains” & “valleys” speckled with glittering stars is actually the edge of a nearby, young, star-forming region called NGC 3324 in the Carina Nebula. Captured in infrared light by NASA’s James Webb Space Telescope, this image reveals for the 1st time previously invisible areas of star birth. (NASA)

Dear old Hubble & the new James Webb Telescope, the largest space observatory to date, & thousands of scientists around the world will lead us into countless universes & 100 billion galaxies of composed of dying stars expelling dust & gas - elements & gases interchangeable with ours. We are part of infinity living on a tiny blue dot in space. “The nitrogen in our DNA, the calcium in our teeth, the iron in our blood, the carbon in our apple pies were made in the interiors of collapsing stars. We are made of starstuff.”

“Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam.

"The Earth is a very small stage in a vast cosmic arena. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot.

"Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.

"The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.

"It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.”

―American astronomer Carl Sagan (1934-1996), Pale Blue Dot: A Vision of the Human Future in Space

Saturday, July 9, 2022

Seeds with Stories: Wisteria

Old Salem Museums & Gardens tells us in its series Seeds with Stories: Wisteria that depending on who you talk to, it is a beautiful, fragrant bloom or an unstoppable, invasive curse that is devastating to gardens & the grounds around them.

The most common varieties are wisteria sinensis, introduced from China in 1816 & wisteria floribunda, introduced from Japan in 1830.  These highly invasive varieties were sought after for the larger size of their blooms compared to the native wisteria frutescens, which has smaller, slightly less fragrant blooms. 

The introduced varieties offer 2 weeks of blooms in April & May while growing aggressively in sun or shade, up to 25 feet per year.  Fuzzy seed pods are often carried by birds to unsuspecting & unprepared innocent landscapes.  These varieties can choke out all other plants.  

The vines climb on the ground as well as up trees, fences, & woods girdling the trees until they die to get more sunlight to the vines growing upon the ground, which then pushes up more flowers to seed.  

If you admire these introduced varieties but don’t want your landscape overrun perhaps the native variety, wisteria frutescens may work.  Despite its quick growth, 15 feet per year, it is often considered the dwarf wisteria, because the leaves & blooms are smaller in size.

The fragrant flowers range from purple to  blue. The individual flowers resemble pea flowers. This super pollinator blooms on new wood from May to July & can be trained to grow in tree form or on a trellis by astute pruning in the winter. 

Old Salem explores the diverse cultural history of the early South, with special emphasis on the Moravians in North Carolina, enslaved & free people of African descent, & Indigenous peoples of the Southern Woodland.

Monday, July 4, 2022

Mary Katharine Goddard, the Woman who Promoted the Declaration of Independence

An illustration of Mary Goddard (Brown Library) Mary Katharine Goddard (1738-1816), likely the United States’ first woman employee, this newspaper publisher was a key figure in promoting the ideas that fomented the Revolution



"As British forces chased George Washington’s Continental Army out of New Jersey in December 1776, a fearful Continental Congress packed the Declaration of Independence into a wagon and slipped out of Philadelphia to Baltimore. Weeks later, they learned that the Revolution had turned their way: Washington had crossed the Delaware River on Christmas Day and beaten the redcoats at Trenton and Princeton. Emboldened, the members of Congress ordered a second printing of the Declaration – and, for the first time, printed their names on it.

"For the job, Congress turned to one of the most important journalists of America’s Revolutionary era. Also Baltimore’s postmaster, she was likely the United States government’s first female employee. At the bottom of the broadside, issued in January 1777, she too signed the Declaration: “Baltimore, in Maryland: Printed by Mary Katharine Goddard.”

"For three years after taking over Baltimore’s six-month-old Maryland Journal from her vagabond, indebted brother, Goddard had advocated for the patriot cause. She’d editorialized against British brutality, reprinted Thomas Paine’s Common Sense, and published extra editions about Congress’ call to arms and the Battle of Bunker Hill. In her 23-year publishing career, Goddard earned a place in history as one of the most prominent publishers during the nation’s revolutionary era.

“The ever memorable 19th of April gave a conclusive answer to the questions of American freedom,” Goddard wrote in the Journal after the battles of Lexington and Concord in 1775. “What think ye of Congress now? That day. . . evidenced that Americans would rather die than live slaves!”

"Born June 16, 1738, into a Connecticut family of printers and postmasters, Goddard was taught reading and math by her mother, Sarah, a well-tutored daughter of a wealthy landowner. She also studied Latin, French, and science in New London’s public school, where girls could receive hour-long lessons after the boys’ schooling was done for the day.

"In 1755, the family’s fortunes changed when Goddard’s father, postmaster Giles Goddard, became too ill to work. Sarah sent Goddard’s younger brother, 15-year-old William, to New Haven to work as a printer’s apprentice. Seven years later, after Giles’s death, the Goddards moved to Providence, and Sarah financed Rhode Island’s first newspaper, the Providence Gazette. William, then 21, was listed as publisher. “[It] carried his imprint,” wrote Sharon M. Murphy in the 1983 book Great Women of the Press, “but displayed from the start his mother’s business sense and his sister’s steadiness.”

"Over the next 15 years, William, a restless and impulsive young entrepreneur, moved from Providence to Philadelphia to Baltimore to start newspapers, always putting his mother or sister in charge of his previous businesses as he went. In 1768, William sold the Providence paper and convinced Sarah and Mary Katharine to move to Philadelphia to help run his Pennsylvania Chronicle. In 1770, Sarah died, and William, who was feuding with his financial partners, left the Chronicle in his sister’s hands.

“She was dependable and he brilliantly erratic,” Ward L. Miner wrote in his 1962 biography, William Goddard, Newspaperman. Mary Katharine kept her brother’s businesses running while he did time in debtor’s prison in 1771 and 1775. In February 1774, William handed control of his fledgling Maryland Journal over to her. That allowed him to concentrate on building his most enduring business: a private postal service, free of British control, which later became the U.S. Post Office.

"Mary Katharine Goddard took over the Maryland Journal just as the colonists’ anger at British rule surged toward revolution. By June 1774, she was publishing reports on Britain’s blockade of Boston Harbor. In early April 1775, she endorsed the women-led homespun movement against British textiles, encouraging women to raise flax and wool and embrace frugality. She published Common Sense in two installments in the paper, and covered the Revolution’s first battles with fervor. “The British behaved with savage barbarity,” she wrote in her edition of June 7, 1775.

"That July, the Continental Congress adopted William Goddard’s postal system, then promptly appointed the more reliable Benjamin Franklin as postmaster general. Mary Katharine was named Baltimore’s postmaster that October, which likely made her the United States’ only female employee when the nation was born in July 1776. When Congress turned to her to print copies of the Declaration the following year, she recognized her role in a historical moment. Though she usually signed her newspaper “M.K. Goddard,” she printed her full name on the document.

"The war years were tough on Goddard’s businesses. Because of its meager treasury, Congress often failed to pay her, so she paid post riders herself. She published the Maryland Journal irregularly in 1776, probably because of paper shortages. In 1778, she announced her willingness to barter with subscribers, accepting payment in beeswax, flour, lard, butter, beef or pork. Yet she was able to boast, in a November 1779 issue, that the Journal had as extensive a circulation as any newspaper in the United States.

"Goddard “supported her Business with Spirit and Address, amidst a Complication of Difficulties,” wrote her brother and his new partner, Eleazer Oswald, in a 1779 advertisement. In the same broadsheet, they declared that their new paper mill would not interfere “in the smallest Degree” with Goddard’s business.

"But in January 1784, William Goddard apparently forced his sister out of the business and took her position as publisher of the Maryland Journal for himself. Later that year, the siblings published competing almanacs. William included a screed that attacked his sister as “a hypocritical character” and insulted her “double-faced Almanack,” “containing a mean, vulgar and common-place Selection of Articles.”

"There’s no evidence that Goddard and her brother ever spoke again. When William got married in Rhode Island in 1786, Mary Katharine did not attend. A mutual friend, John Carter, wrote her a letter describing the wedding and suggesting, probably in vain, that the siblings reconcile. “Dear Miss Katy,” begins the letter -- a rare window into her personal relationships.

"In October 1789, she lost her job as postmaster of Baltimore. The newly appointed postmaster general, Samuel Osgood, replaced her with John White of Annapolis. John Burrell, Osgood’s assistant, justified the move on sexist grounds. Since supervision of nearby post offices was being added to the job description, Burrell said, “more travelling might be necessary than a woman could undertake.”

"Two hundred prominent Baltimore residents signed a letter demanding Goddard’s reinstatement. Goddard herself appealed to President George Washington and the U.S. Senate for her job back. Her petition echoes the disappointment she must’ve also felt when her brother pushed her out of the Journal.

“She hath been discharged without the smallest imputation of any Fault,” Goddard wrote, in the third person, to the Senate in January 1790, when she was 51. “These are but poor rewards indeed for fourteen Years faithful Service, performed in the worst of times,” she argued. Her “little Office,” Goddard added, was “established by her own Industry in the best years of her life, & whereon depended all her future Prospects of subsistence.”

"Washington refused to intervene, and the Senate never answered Goddard’s letter. She spent the next 20 years running a bookstore in Baltimore and selling dry goods. Never married, she died in Baltimore on August 12, 1816, at age 78, leaving her property to her servant, Belinda Starling, “to recompense the faithful performance of duties to me.

"Goddard, as a contemporary of hers declared, was “a woman of extraordinary judgment, energy, nerve, and strong good sense.” Though sex discrimination and her ne’er-do-well brother ended her career too soon, Goddard left a mark as one of the Revolutionary era’s most accomplished publishers and a female pioneer in the U.S. government. None of Goddard’s letters survive, and she revealed little about herself in her journalism. Instead, our best evidence of her personality is her work, steady yet animated by a passion for American liberty." 

United States of America Declaration of Independence

The unanimous Declaration of the thirteen united States of America

When in the Course of human events it becomes necessary for one people to dissolve the political bands which have connected them with another and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. — That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, — That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn that mankind are more disposed to suffer, while evils are sufferable than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security. — Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.

He has refused his Assent to Laws, the most wholesome and necessary for the public good.

He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.

He has refused to pass other Laws for the accommodation of large districts of people, unless those people would relinquish the right of Representation in the Legislature, a right inestimable to them and formidable to tyrants only.

He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their Public Records, for the sole purpose of fatiguing them into compliance with his measures.

He has dissolved Representative Houses repeatedly, for opposing with manly firmness his invasions on the rights of the people.

He has refused for a long time, after such dissolutions, to cause others to be elected, whereby the Legislative Powers, incapable of Annihilation, have returned to the People at large for their exercise; the State remaining in the mean time exposed to all the dangers of invasion from without, and convulsions within.

He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.

He has obstructed the Administration of Justice by refusing his Assent to Laws for establishing Judiciary Powers.

He has made Judges dependent on his Will alone for the tenure of their offices, and the amount and payment of their salaries.

He has erected a multitude of New Offices, and sent hither swarms of Officers to harass our people and eat out their substance.

He has kept among us, in times of peace, Standing Armies without the Consent of our legislatures.

He has affected to render the Military independent of and superior to the Civil Power.

He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his Assent to their Acts of pretended Legislation:

For quartering large bodies of armed troops among us:

For protecting them, by a mock Trial from punishment for any Murders which they should commit on the Inhabitants of these States:

For cutting off our Trade with all parts of the world:

For imposing Taxes on us without our Consent:

For depriving us in many cases, of the benefit of Trial by Jury:

For transporting us beyond Seas to be tried for pretended offences:

For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these Colonies

For taking away our Charters, abolishing our most valuable Laws and altering fundamentally the Forms of our Governments:

For suspending our own Legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.

He has abdicated Government here, by declaring us out of his Protection and waging War against us.

He has plundered our seas, ravaged our coasts, burnt our towns, and destroyed the lives of our people.

He is at this time transporting large Armies of foreign Mercenaries to compleat the works of death, desolation, and tyranny, already begun with circumstances of Cruelty & Perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the Head of a civilized nation.

He has constrained our fellow Citizens taken Captive on the high Seas to bear Arms against their Country, to become the executioners of their friends and Brethren, or to fall themselves by their Hands.

He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.

In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince, whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people.

Nor have We been wanting in attentions to our British brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.

We, therefore, the Representatives of the United States of America, in General Congress, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by Authority of the good People of these Colonies, solemnly publish and declare, That these united Colonies are, and of Right ought to be Free and Independent States, that they are Absolved from all Allegiance to the British Crown, and that all political connection between them and the State of Great Britain, is and ought to be totally dissolved; and that as Free and Independent States, they have full Power to levy War, conclude Peace, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent States may of right do. — And for the support of this Declaration, with a firm reliance on the protection of Divine Providence, we mutually pledge to each other our Lives, our Fortunes, and our sacred Honor.

Friday, July 1, 2022

This Day in Medieval Garden Myth & Reality

The Duke of Berry's Richest Hours.

Barthlemy of Eyck (?) And Jean Columbus

Limbourg Brothers. 1411-1416.

Condé Museum, Chantilly

July, the warmest month of the year, means harvesting crops and trimming herds. The landscape depicts the neighborhood where the rivers Boivre and Clain join. In the background, the triangular section of the ChĂ¢teau de Poitiers in the background, preceded by the Palais des Comtes de Poitou.

Thursday, June 30, 2022

This Day in Medieval Garden Myth & Reality

Angie Capozello of Medieval Gardens shares:

ENLUMINURES EUROPE - VIe - XVIe s. - ILLUMINATED MANUSCRIPTS EUROPE

 June 30th is the 181st day of the Gregorian calendar year.

It was usually the 12th day of the month of messidor in the French Republican calendar, officially called ARTICHAUT (ARTICHOKE) Day

Calligraphiae monumenta. Enlightenment: Joris Hoefnagel (also known as Georg Hufnagel), born in 1542 in Antwerp and died September 9, 1601 in Vienna (Austria), and Georg Bocskay (Hungarian, died in 1575). Date and place of publication: Vienna, Austria, 1561–1562-1591–1596. Latin manuscript illuminated on velin Getty Los Angeles, CA 90049. U.S.

Wednesday, June 29, 2022

17C Portraits Head Outside as Mankind Becomes "the Interpreter of Nature"

1694 Jan Weenix (1639-1719) Agneta Block & her family at their summer home Vijverhof or Flora Batavia, with her cultivated pineapple. In this painting, the design & flowers & fruits of the garden are depicted as symbols of the owner's wealth & culture as traditionally were the house, the clothes, or the art collection.

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.   As time passed, the Renaissance garden & grounds became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.

With the arrival of Anthony Van Dyck (1599–1641) at the court of Charles I in 1632, British portraiture took a turn toward the baroque that changed the course of British & colonial American painting in the 17-18C. The Elizabethan style had almost been completely replaced in England by the 1670s quickly giving way to a more volumetric style. In the British American colonies, this transition was copied through imported engravings after Peter Lely (1617–1680) & Godfrey Kneller (1648–1723).

This Day in Medieval Garden Myth & Reality


ENLUMINURES EUROPE - VIe - XVIe s. - ILLUMINATED MANUSCRIPTS EUROPE

The Harvest of CILIANDRA

June 29 is the 180th day of the Gregorian calendar year Its equivalent was usually the 11th messidor of the French Republican / Revolutionary calendar, officially referred to as CORIANDER DAY.

Tacuum sanitatis, manual of health written circa 1050 by Ibn ButlĂ¢n (ibn butlĂ¢n, taqwim es sih- crit 1066), Baghdad Christian doctor and theologian. Date and place of publication: circa 1390-1400, Pavia or Milan (Italy). Illuminated latin manuscript on parchment. National Library of France, Department of Manuscripts, Division of Manuscript Department, Western Division' Rate: New Latin Acquisition 1673

Sunday, June 26, 2022

History Blooms at Thomas Jefferson's Monticello



Monticello's Peggy Cornett tells us that...

On May 28, 1767 Jefferson observed "Snap-dragon" blooming at Shadwell, his childhood home &, four years later, he listed this native of southern Europe among the hardy flowers to be naturalized in a "shrubbery" at Monticello. Jefferson's reference is the earliest known mention of this plant in an American source. The Snapdragons at Monticello came in 1985 through our friendship with the curator of gardens at Hatfield House, a 16C country estate outside London, where the species is naturalized in the landscape. 

Research & images & much more is available directly from the Monticello website - to begin exploring, just click Monticello.org.

Friday, June 24, 2022

Roe v. Wade - US Supreme Court Overturns One Landmark Decision with Another Landmark Decision

This morning, as I was driving to my dog's vet, the radio announced that the United States Supreme Court overturned a nearly 50 year-old landmark decision of that court. I am an old historian, but I remember the announcement of the 1973 Roe v. Wade decision.  Such landmark decisions from the Supreme Court substantially change the interpretation of existing law. I would not have chosen to have an abortion, but I do not want the government to make that decision for me or my daughters or my granddaughters or any other woman.

Dobbs v. Jackson Women's Health Organization, No. 19-1392, 597 U.S. (2022), is now a landmark decision of the U.S. Supreme Court in which the Court held that the Constitution of the United States does not confer any women the right to abortion, thus overruling both Roe v. Wade (1973) & Planned Parenthood v. Casey (1992). Despite Abigail Adams's (1744-1818) famous advice to her husband John Adams (1735-1826) to “remember the ladies,” he & the rest of the founders of our country left any mention of women out of the founding documents. As a result, the U.S. Constitution does not mention women at all. In fact, women did not get the right to vote in national elections until 1920.

The Court issued its new landmark decision this morning -  June 24, 2022. In a 6–3 judgment, the Court reversed the Fifth Circuit's decision & remanded that case for further review. The majority opinion declares that a woman's right to have an abortion was not a protected right under the Constitution, overturning both 1973 Roe & 1992 Casey, & returned decisions regarding abortion regulations back to the states. As a result, Dobbs is considered a landmark decision of the Court.

This decision overlooks stare decisis (Latin for “to stand by things decided”), as it establishes a significant new legal principle for women; overturns prior precedent for women; departs from prior practice for women; & establishes a standard for women that can be applied by courts in future decisions.

On May 2, 2022, Politico released an alleged leaked draft of a majority opinion by Justice Samuel Alito circulated among the justices in February 2022. That draft opinion suggested that the court would overturn 1973 Roe & 1992 Casey. Alito's draft called the Roe decision "egregiously wrong from the start," arguing that a woman's right to have an abortion is not listed in the Constitution as a protected right, & instead would allow individual states to decide on whether a woman could have an abortion & to apply any other restrictions or guarantees on a woman's right under the Tenth Amendment to the U.S. Constitution.

17C Myth of Pomona & Vertumnus - Love Isn't Always Easy, even for Roman Garden Gods!

 

Vertumnus & Pomona by Frans van Mieris the Younger (1689 - 1763)

Pomona was the beautiful goddess of fruitful abundance in ancient Roman religion & myth. Pomona was said to be a wood nymph. The name Pomona comes from the Latin word pomum, "fruit," specifically orchard fruit. She was said to be  a part of the Numia, the guardian spirits who watch over people, places, or homes. While Pomona watches over & protects fruit trees & cares for their cultivation, she is not actually associated with the harvest of fruit itself, but with tending the flourishing of the fruit trees. In artistic depictions she is generally shown with a platter of fruit or a cornucopia & perhaps her pruning knife

Pomona, the alluring wood nymph, actually cared nothing for the wild woods but cared only for her well-cultivated fruit filled gardens & orchards. And Pomona had a thing about men, and it wasn't positive! She fenced her garden orchards, so the rude young men couldn't trample her plants & vines. She also kept her orchards enclosed, because she wanted to keep away the men who were attracted to her good looks. Even dancing satyrs(a cross between a man & a goat) were attracted to her beauty. Despite the fact that she preferred to be alone to care & nurture her trees, this beauty was continually besieged by suitors, in particular one persistent god named Vertumnus. Vertumnus had the ability to take different human guises & made numerous attempts to woo Pomona, but she turned him away each time.

The god Vertumus caught on to Pomona's aversion to men in her orchards & in her life generally. In Roman mythology, Vertumnus, the young, handsome god of changing seasons & patron of fruits, determined to win over Pomona.  He could change his form at will according to Ovid's Metamorphoses (xiv).  He came to her in various male disguises, which included, a reaper, an apple picker, a fisher, a solider, & more. Even with the disguises, she still never paid him the slightest bit of attention. 

One day Vertumnus tried a disguise as an old women. And Pomona finally allowed him to enter her garden, where he pretended to be interested in her fruit. But he finally told her he was more exquisite than her crops. After saying that, he kissed her passionately, but it wasn't enough. Vertumnus kept trying to sway her by telling her a story of a young women who rejected a boy who loved her; in despair, the boy killed hung himself, & Venus punished the girl by turning her to stone. This narrative warning of the extreme dangers of rejecting a suitor (the embedded tale of Iphis & Anaxarete) still did not seduce her. It just didn't work, of course. 

He then realized that it was the feminine disguise didn't work & tore it off.  It wasn't until Vertumnus appeared before her in his full manliness (apparently quite a good looking male specimen), that Pomona finally gave in to his inviting male charms. Vertumnus is a god of gardens & orchards & so it appears they were a match made in heaven. To his surprise, she fell in love with his manly wiles, & they became the ultimate loving couple working & playing in gardens & orchards together from then on.

The tale of Vertumnus & Pomona has been said to be the only purely Latin tale in Ovid's Metamorphoses. The subject of Vertumnus & Pomona appealed to European sculptors & painters of the 16th through the 18th centuries, providing a disguised erotic subtext in a scenario that contrasted youthful female beauty with an aged old woman. But it wasn't the old woman that ultimately won the day. In narrating the tale in the Metamorphoses, Ovid observed that the kind of kisses given by Vertumnus were never given by an old woman. 

In Ovid's myth, Pomona scorned the love of the woodland gods Silvanus & Picus, but finally married the brutally handsome Vertumnus. She & Vertumnus were celebrated in  an annual Roman festival on August 13. There is a grove that is dedicated to her called the Pomonal, located not far from Ostia, the ancient port of Rome. Unlike many other Roman goddesses & gods, Pomona does not have a Greek counterpart, though she is often associated with Demeter.

Nature's Babies


History Blooms at Thomas Jefferson's Monticello in Virginia

Peggy Cornett at Thomas Jefferson's Monticello tells us that

In 1811 Thomas Jefferson recorded the planting of “Lathyrus odoratus. Sweet scented pea" in an oval flower bed at Monticello. Painted Lady Sweet Pea is a highly scented, pink and white bicolor variety, which was in cultivation by the 1730s and popular in American gardens through the 19C.

Research & images & much more is available directly from the Monticello website - to begin exploring, just click Monticello.org.

“Beauty awakens the soul to act.” - Dante Alighieri (1265-1321)

Thursday, June 23, 2022

17C Myth of Pomona & Vertumnus - Love Isn't Always Easy, even for Roman Garden Gods!

Pomona Portrait of a lady as Goddess by Jean Ranc (French, 1674 - 1735) 

Pomona was the beautiful goddess of fruitful abundance in ancient Roman religion & myth. Pomona was said to be a wood nymph. The name Pomona comes from the Latin word pomum, "fruit," specifically orchard fruit. She was said to be  a part of the Numia, the guardian spirits who watch over people, places, or homes. While Pomona watches over & protects fruit trees & cares for their cultivation, she is not actually associated with the harvest of fruit itself, but with tending the flourishing of the fruit trees. In artistic depictions she is generally shown with a platter of fruit or a cornucopia & perhaps her pruning knife

Pomona, the alluring wood nymph, actually cared nothing for the wild woods but cared only for her well-cultivated fruit filled gardens & orchards. And Pomona had a thing about men. She fenced her garden orchards, so the rude young men couldn't trample her plants & vines. She also kept her orchards enclosed, because she wanted to keep away the men who were attracted to her good looks. Even dancing satyrs(a cross between a man & a goat) were attracted to her beauty. Despite the fact that she preferred to be alone to care & nurture her trees, this beauty was continually besieged by suitors, in particular one persistent god named Vertumnus. Vertumnus had the ability to take different human guises & made numerous attempts to woo Pomona, but she turned him away each time.

The god Vertumus caught on to Pomona's aversion to men in her orchards & in her life generally. In Roman mythology, Vertumnus, the young, handsome god of changing seasons & patron of fruits, determined to win over Pomona.  He could change his form at will according to Ovid's Metamorphoses (xiv).  He came to her in various male disguises, which included, a reaper, an apple picker, a fisher, a solider, & more. Even with the disguises, she still never paid him the slightest bit of attention. One day Vertumnus tried a disguise as an old women. And Pomona finally allowed him to enter her garden, where he pretended to be interested in her fruit. But he finally told her he was more exquisite than her crops. After saying that, he kissed her passionately, but it wasn't enough. Vertumnus kept trying to sway her by telling her a story of a young women who rejected a boy who loved her; in despair, the boy killed hung himself, & Venus punished the girl by turning her to stone. This narrative warning of the extreme dangers of rejecting a suitor (the embedded tale of Iphis & Anaxarete) still did not seduce her. It just didn't work, of course. 

He then realized that it was the feminine disguise didn't work & tore it off.  It wasn't until Vertumnus appeared before her in his full manliness (apparently quite a good looking male specimen), that Pomona finally gave in to his inviting male charms. Vertumnus is a god of gardens & orchards & so it appears they were a match made in heaven. To his surprise, she fell in love with his manly wiles, & they became the ultimate loving couple working & playing in gardens & orchards together from then on.

The tale of Vertumnus & Pomona has been said to be the only purely Latin tale in Ovid's Metamorphoses. The subject of Vertumnus & Pomona appealed to European sculptors & painters of the 16th through the 18th centuries, providing a disguised erotic subtext in a scenario that contrasted youthful female beauty with an aged old woman. But it wasn't the old woman that ultimately won the day. In narrating the tale in the Metamorphoses, Ovid observed that the kind of kisses given by Vertumnus were never given by an old woman.  In Ovid's myth, Pomona scorned the love of the woodland gods Silvanus & Picus, but finally married the brutally handsome Vertumnus. 

She & Vertumnus were celebrated in  an annual Roman festival on August 13. There is a grove that is dedicated to her called the Pomonal, located not far from Ostia, the ancient port of Rome. Unlike many other Roman goddesses & gods, Pomona does not have a Greek counterpart, though she is often associated with Demeter.

History Blooms at Thomas Jefferson's Monticello in Virginia

Peggy Cornett at Thomas Jefferson's Monticello tells us that


The hardy annual Larkspur, Consolida ajacis, re-seeds abundantly in the Monticello Flower Gardens. Jefferson noted Larkspur blooming at Shadwell in July 1767, thought it suitable for naturalizing at Monticello "in the open ground on the west" in 1771, and sowed seed around his Roundabout flower border on April 8, 1810.

Larkspur, Consolida ajacis

Research & images & much more is available directly from the Monticello website - to begin exploring, just click Monticello.org.

“Beauty awakens the soul to act.” - Dante Alighieri (1265-1321)

Tuesday, June 21, 2022

17C Gathering Fruits & Vegetables by Jean-Baptiste de Saive II (1597-c 1642)

Jean-Baptiste de Saive II (Flemish artist, 1597-c 1642) An Allegory of Spring & Summer at a Market Scene with a Boy offering Strawberries to Girl surrounded by Flowers. 

Sunday, June 19, 2022

Father's Day!

 
Thank you for loving me & teaching me about the computer, even before there was a computer! 

Miss you daily...

Spring at Longwood Gardens in Pennsylvania

 

There have been many stewards of the land that is now called Longwood Gardens. For centuries, the native Lenni Lenape tribe fished the streams, hunted its forests, & planted its fields. Evidence of tribe's existence is found in quartz spear points that have been discovered on & around the property.

In 1700, a Quaker farmer named George Peirce purchased 402 acres of this English-claimed land from William Penn’s commissioners. Over the next several years, George & his descendants cleared & farmed the rich land that would one day become Longwood Gardens. In 1730, one of George’s sons, Joshua, built the brick farmhouse that, now enlarged, still stands today.

 Known as Peirce’s Park, the land was a popular destination for visitors. However, due to a declined interest by the family, the trees came under threat of being cut down by a local lumber company. Pierre du Pont stepped in & bought the land to preserve it.

In 1798, George’s twin great-grandsons, Samuel & Joshua, actively pursued an interest in natural history & began planting an arboretum that eventually covered 15 acres. The collection included specimens from up & down the Eastern seaboard & beyond. By 1850, the land had become one of the best collections of trees in the country. The arboretum boasted one of the finest collections of trees in the nation & had become a place for the locals to gather outdoors – a new concept that was sweeping America at the time. Family reunions & picnics were held at Peirce's Park in the mid to late 19C.

As the 19C US fought its way to the 20C, the heirs to the land lost interest in property & allowed the arboretum to deteriorate. The property passed through several hands in quick succession, until a lumber mill operator was contracted to remove the trees from a 41-acre parcel within the original lands in early 1906. 

It was this threat that moved one man to take action. In July 1906, 36-year-old Pierre du Pont purchased the farm primarily to preserve the trees. But he didn’t stop there. Much of what guests see today – the beauty & majesty & magic of the Earth that is Longwood Gardens – was shaped by the remarkable vision & versatility of Pierre du Pont.

When du Pont died in 1954, he left most of his fortune to the Longwood Foundation to preserve & maintain & improve the gardens. Today, nearly 70 years after du Pont’s death, his gardens continue to delight & inspire visitors from around the world.    See: Longwood Gardens History for more. 

“Beauty awakens the soul to act.” - Dante Alighieri (1265-1321)

Saturday, June 18, 2022

18C Spring - Love & Bird Nests

1785 Probably published in Britain. Here a young man is handing a birds' nest to a young woman. He has one hand on her shoulder as she accepts the nest.  She is collecting spring flowers in her apron. The couple is passing by another woman kneeling beside a basket of flowers and holding up a garland for the couple to see. Men are sowing the seeds for grain in fields in the background to left.

Bird nests are symbols of home; they represent the love, commitment, & effort it takes to build a happy home for a family. Bird nests are also good-luck symbols. Legend has it that prosperity will come to any home that finds a bird's nest nestled among the branches of the family Christmas tree. This legend can be traced back to Iceland, Sweden, & Germany. The many varied versions of the legend include in that prosperity: health, happiness, friendship, & good luck. Nests are not where birds sleep (roost) - they are for keeping eggs & baby chicks in place while nurturing them. They are a protected home for new life, a safe-harbor for the continuation of the species.  

“If you happen upon a bird’s nest along the road with young ones or eggs, whether in a tree or on the ground, and the mother is sitting on the young ones or the eggs, you must not take the mother together with her young...Do this so that it may go well with you and you may live long. Deuteronomy 22:6-7 

Friday, June 17, 2022

Spring at Longwood Gardens in Pennsylvania

 

By the mid-1930s, Longwood had grown from the original 202 acres to 926 due to Pierre’s purchase of 25 contiguous properties over the years. In addition to horticulture, agriculture had always been important at Longwood, which started out, after all, as a farm.

Longwood’s agricultural & horticultural operations slowed considerably during World War II. Many employees served in the Armed Forces, & a 72-bed emergency hospital was set up in rooms above the Ballroom just in case the community needed it. Pierre du Pont was a “gentlemen farmer” who sought to create a self-sustaining model farm that used the latest techniques & methods. In reality, the farm was more an expansive, expensive hobby than a business, but it did produce food for the du Ponts & their employees.

As early as 1914 with the formation of Longwood, Inc., Pierre was thinking about the eventual fate of the property after his death. In 1944, Mrs. du Pont died, & Pierre initially retreated to his apartment in Wilmington during weekdays, visiting Longwood only on weekends. But he was more concerned than ever about Longwood's future, particularly since he had no children but considered the Gardens part of the du Pont family legacy.  

In 1913, the US government enacted personal income tax. In response, Pierre incorporated Longwood in 1914. He always tried to stay one step ahead of the IRS to keep his farm & gardens in the best possible tax situation, & in 1937 the Longwood Foundation was created to handle his charitable giving. Finally, in 1946, the government gave approval for the Foundation to operate Longwood Gardens as a public garden with tax-exempt status “for the sole use of the public for purposes of exhibition, instruction, education & enjoyment.”    See: Longwood Gardens History for more. 

“Beauty awakens the soul to act.” - Dante Alighieri (1265-1321)