Frederick Frieseke (American artist, 1874-1939) Woman with Hollyhocks
Biography of Frederick Carl Frieseke (1874-1939)
Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.
Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.
Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.
Bibliography
Books:
Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.
Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.
Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.
Gerdts, William H. American Impressionism. Abbeville Press, 2001.
Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.
Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.
Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.
Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.
Articles:
Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.
Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.
Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.
Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.
Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.
Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.
Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.
Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.