17C Mythical Goddess Flora by William Faithorne c 1656-1701

 
Goddess Flora  by William Faithorne c 1656-1701. William Faithorne the Younger (1656–c.1701) was an English mezzotint engraver. He was born in London, the eldest son of William Faithorne the Elder. The prints reach into the reign Queen Anne; moreover his earlier pieces are inscribed "W. Faithorne, junior". The exact year of his death is unknown; it is said, he was buried in St. Martin's Churchyard, from the house of "Mr. Will. Copper in Half Moon Street, Covent Garden."

Goddess Flora by Jan Brueghel the Elder & Peter Paul Rubens, 1617

Flora and Zephyr, by Jan Brueghel the Elder and Peter Paul Rubens, 1617

The Floralia was a public festival to honor the goodwill of Flora. Created in the 6th century BC by the Romans, it took place in spring  & lasted 6 days, the last 3 days of April  & the first 3 days of May. The festival consisted of games  & theatrical performances. Chariot races  & circus games took place  & everywhere were the symbols of Flora. It was traditional to have goats & hares scampering about the landscape where flowers of lupines, beans, & vetch were scattered about. The Romans walked around holding bouquets of flowers or wore wreaths of flowers around their neck or in their hair.

See:

 Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).

 Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)

 H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)

 William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

17C Mythical Goddess Flora Goddess of Flowers by Luca Giordano & Andrea Belvedere

Luca Giordano & Andrea Belvedere, Flora, Goddess of Flowers, Ca. 1697. This is a collaborative work between 2 Neapolitan artists, Luca Giordano (Naples, Italy, 1634 - Naples, Italy), 1705 -a painter very popular with the Spanish court under Charles II- & Andrea Belvedere (Naples, 1652 - Naples, 1732.) Belvedere is now believed to be responsible for the flowers, the minute & precise brushstrokes of which are completely unlike Giordano´s signature style, ruling out his role in their execution. 

The Museum of Fine Arts, Houston tells us that "In ancient mythology, there was a god & goddess for everything; anything from the generic deity above all others to love to home life...One mythology painting is from the collection of the Museo Nacional del Prado in Spain. The Goddess Flora (La Diosa Flora), Luca Giordano & Andrea Belvedere, c. 1697... 

"Luca Giordano was considered a very popular Spanish painter within the Spanish court under Charles II. While, Andrea Belvedere, who lived in Spain from c. 1694 to c. 1700 was believed to be called from his home in Naples, Italy, by Giordano himself, to paint for the Spanish court. The work is supposedly one of several collaborations between Giordano (who painted the goddess Flora & the seated women) & Belvedere (who executed all the intricate flowers)...

"The Goddess Flora...depicts the goddess sitting on a raised throne surrounded by 4 women, with whom she shares various, colorful flowers. These are taken from a massive, overflowing cornucopia in her left arm...

"All 5 women are dressed mostly in “classical”clothing, but have touches of contemporary pieces...The maiden to Flora’s right wears a simple string of pearls around her neck; & another maiden has a pair of pearl, teardrop-shaped earrings on. Compared to the muted tones of the clothing of the 5 women, the flowers are vibrantly painted & dominate the color scheme of the whole piece...The flowers easily show us the contrasts in the styles of Giordano & Belvedere.

"The 4 women, whose dresses are of completely different colors, together as a group may, in theory, represent the “Four Seasons”. The woman on the right of Flora wears a garland of flowers in her hair & another woman, to Flora’s left, gathers a rather large bundle of flowers. They easily could represent Spring & Summer. Yet another woman is in a rust-colored dress...would be Autumn. Finally, the last woman with no flowers could be Winter.

"Paintings like this were a favorite subject of art commissioned for royalty all over the world, as a passion for the story; as much as, the use of that myth to elevate themselves as divinely-appointed rulers..."

Posted 13th February 2013 by Christopher M. Hammel
The "Unofficial" Blog of the Museum of Fine Arts, Houston

19C Mythical Goddess Flora - Symbol of Spring

Gustave Jean Jacquet (French artist, 1846-1909) Flora

Flora in Roman mythology, was goddess of spring-time & flowers, later identified with the Greek Chloris. Her festival at Rome, the Floralia, instituted 238 B.C. by order of the Sibylline books & at first held irregularly, became annual after 173. It lasted 6 days (April 28-May 3), the 1st day being the anniversary of the foundation of her temple. 

The Floralia was a public festival to honor the goodwill of the goddess Flora. Created in the 6th century BC by the Romans, it took place in spring  & lasted 6 days, & consisted of games & theatrical performances. Chariot races & circus games took place & everywhere were the symbols of Flora. It was traditional to have goats & hares scampering about the landscape where flowers of lupines, beans, & vetch were scattered about. The celebrating Romans held bouquets of flowers & wore wreaths of flowers around their necks or in their hair. In art Flora was represented as a beautiful maiden, bedecked with flowers. The term “flora” became used in botany collectively for the plant-growth of an area.

See Primary Sources:

Ovid, Fasti V. 193-212

Macrobius, Saturnalia I.10.11-14

Lactantius, Divinae institutions I.20.6-10

Tacitus, Annals, ii. 49

and

Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).

Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)

H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)

William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

17C Mythical Goddess Flora - Symbol of Spring

Nicolas de Largillierre (French, 1656 - 1746) - Porträt der Marquise de Gueydan  as The Goddess Flora

Flora in Roman mythology, was goddess of spring-time & flowers, later identified with the Greek Chloris. Her festival at Rome, the Floralia, instituted 238 B.C. by order of the Sibylline books & at first held irregularly, became annual after 173. It lasted 6 days (April 28-May 3), the 1st day being the anniversary of the foundation of her temple. 

The Floralia was a public festival to honor the goodwill of the goddess Flora. Created in the 6th century BC by the Romans, it took place in spring  & lasted 6 days, & consisted of games & theatrical performances. Chariot races & circus games took place & everywhere were the symbols of Flora. It was traditional to have goats & hares scampering about the landscape where flowers of lupines, beans, & vetch were scattered about. The celebrating Romans held bouquets of flowers & wore wreaths of flowers around their necks or in their hair. In art Flora was represented as a beautiful maiden, bedecked with flowers. The term “flora” became used in botany collectively for the plant-growth of an area.

See Primary Sources:

Ovid, Fasti V. 193-212

Macrobius, Saturnalia I.10.11-14

Lactantius, Divinae institutions I.20.6-10

Tacitus, Annals, ii. 49

and

Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).

Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)

H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)

William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908) 

18C Mythical Goddess Flora - Symbol of Spring

Nicolas de Largillierre (French, 1656 - 1746) - Portrait Of Françoise D'Escravayat, Marquise De La Barrière as The Goddess Flora

Flora in Roman mythology, was goddess of spring-time & flowers, later identified with the Greek Chloris. Her festival at Rome, the Floralia, instituted 238 B.C. by order of the Sibylline books & at first held irregularly, became annual after 173. It lasted 6 days (April 28-May 3), the 1st day being the anniversary of the foundation of her temple. 

The Floralia was a public festival to honor the goodwill of the goddess Flora. Created in the 6th century BC by the Romans, it took place in spring  & lasted 6 days, & consisted of games & theatrical performances. Chariot races & circus games took place & everywhere were the symbols of Flora. It was traditional to have goats & hares scampering about the landscape where flowers of lupines, beans, & vetch were scattered about. The celebrating Romans held bouquets of flowers & wore wreaths of flowers around their necks or in their hair. In art Flora was represented as a beautiful maiden, bedecked with flowers. The term “flora” became used in botany collectively for the plant-growth of an area.

See Primary Sources:

Ovid, Fasti V. 193-212

Macrobius, Saturnalia I.10.11-14

Lactantius, Divinae institutions I.20.6-10

Tacitus, Annals, ii. 49

and

Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).

Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)

H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)

William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

18C Mythical Goddess Flora - Symbol of Spring

Nicolas de Largillierre (French, 1656 - 1746) - Marie Therese Bloneldharau  as The Goddess Flora

Flora in Roman mythology, was goddess of spring-time & flowers, later identified with the Greek Chloris. Her festival at Rome, the Floralia, instituted 238 B.C. by order of the Sibylline books & at first held irregularly, became annual after 173. It lasted 6 days (April 28-May 3), the 1st day being the anniversary of the foundation of her temple. 

The Floralia was a public festival to honor the goodwill of the goddess Flora. Created in the 6th century BC by the Romans, it took place in spring  & lasted 6 days, & consisted of games & theatrical performances. Chariot races & circus games took place & everywhere were the symbols of Flora. It was traditional to have goats & hares scampering about the landscape where flowers of lupines, beans, & vetch were scattered about. The celebrating Romans held bouquets of flowers & wore wreaths of flowers around their necks or in their hair. In art Flora was represented as a beautiful maiden, bedecked with flowers. The term “flora” became used in botany collectively for the plant-growth of an area.

See Primary Sources:

Ovid, Fasti V. 193-212

Macrobius, Saturnalia I.10.11-14

Lactantius, Divinae institutions I.20.6-10

Tacitus, Annals, ii. 49

and

Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).

Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)

H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)

William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)