Earth's Creatures Stop to Smell the Flowers

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Country musician Kevin Gordon  calls the impulse "Holding on to The Sweet Divine" - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.

Earth's Creatures Stop to Smell the Flowers

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.

Earth's Creatures Stop to Smell the Flowers

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.

Earth's Creatures Stop to Smell the Flowers

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.

Earth's Creatures Stop to Smell the Flowers

 

Earth's Creatures Stop to Smell the Flowers

Earth's Creatures Stop to Smell the Flowers

Earth's Creatures Stop to Smell the Flowers

Earth's Creatures Stop to Smell the Flowers

Earth's Creatures Stop to Smell the Flowers

Spring often means it is time for you & your pet to explore the great outdoors. But before you & your furry best friend stop & smell the spring flowers, make sure they are not toxic. If you suspect your pet has ingested or been in contact with the plants below, call Pet Poison Helpline ASAP & then contact your veterinary team to keep them updated on the situation.

See Toxic & Non-Toxic Plant List - Dogs     https://www.aspca.org/pet-care/animal-poison-control/dogs-plant-list

Toxic and Non-Toxic Plant List - Cats     https://www.aspca.org/pet-care/animal-poison-control/cats-plant-list

These services provide immediate expert advice, and include consultation with your veterinarian if needed. Follow-up of the case is also included, if needed.

Animal Poison Control Center (ASPCA): 888-426-4435

Pet Poison Helpline: 855-764-7661

Jesus in The Gardener - The Risen Christ Reveals Himself to Mary

1368-70, Probably by Jacopo di Cione(c 1325-after 1390) an Italian painter in the Republic of Florence. Resurrection Noli me tangere.   Jesus holds a hoe.

The Gospel of John 20:1-13 (NIV) contains a narrative of an empty garden tomb including the appearance of Jesus: Early on the first day of the week, while it was still dark, Mary Magdalene went to the tomb & saw that the stone had been removed from the entrance. So she came running to Simon Peter & the other disciple, the one Jesus loved, & said, "They have taken the Lord out of the tomb, & we don't know where they have put him!" 

So Peter & the other disciple started for the tomb. Both were running, but the other disciple outran Peter & reached the tomb first. He bent over & looked in at the strips of linen lying there but did not go in. Then Simon Peter, who was behind him, arrived & went into the tomb. He saw the strips of linen lying there, as well as the burial cloth that had been around Jesus' head. The cloth was folded up by itself, separate from the linen. Finally the other disciple, who had reached the tomb first, also went inside. He saw & believed. 

Then the disciples went back to their homes, but Mary stood outside the tomb crying. As she wept, she bent over to look into the tomb & saw two angels in white, seated where Jesus' body had been, one at the head & the other at the foot. They asked her, "Woman, why are you crying?" "They have taken my Lord away," she said, "& I don't know where they have put him." At this, she turned around & saw Jesus standing there, but she did not realize that it was Jesus. He asked her, "Woman, why are you crying? Who is it you are looking for?" Thinking he was the gardener, she said, "Sir, if you have carried him away, tell me where you have put him, & I will get him."  Jesus said to her, "Mary." She turned toward him & cried out, "Rabboni!" ("Teacher"). Jesus said, "Touch me not; for I am not yet ascended to my Father: but go to my brethren, & say unto them, I ascend unto my Father, & your Father; & to my God, & your God." 

Mary Magdalene went to the disciples with the news: "I have seen the Lord!" And she told them that he had said these things to her.

13C Fresco - in Lower Basilica in Assisi Noli Me Tangere

Giotto di Bondone (c. 1267 - 1337). Resurrection Noli me tangere - on North wall of Scrovegni (Arena) Chapel, Padua. 1305-1306

1460 The Meister des Göttinger Barfüßeraltars Resurrection Noli me tangere. Jesus holds a shovel. The wattle fenced flowery mead follows Boccaccio's model.

Fra Angelico, Noli Me Tangere 1440-42 Jesus and Mary Magdalene in a walled Garden

1460-90s Master of the Martyrdom of the Ten Thousand (German; 1460 - 1470; fl. c.) Christ appearing as a gardener to St Mary Magdalene within a garden with wattle fencing. Jesus holds a shovel.

1469 Noli me tangere in Prayer Book of Charles the Bold, Lieven van Lathem. J. Paul Getty Museum, Ms. 37, fol. 46v. Jesus holds a shovel in a wattle-fenced mead.

Martin Schongauer German, c. 1450-1491. Noli me tangere. Here Jesus holds a staff but the garden is surrounded by a wattle fence.

1473 Martin Schongauer (1450–1491) Noli Me Tangere. This garden appears to be enclosed with a wattle fence, and roses grow in the background. Birds perch in the trees.

c 1500 Perugino, Pietro di Cristoforo Vannucci 1445-1523) Resurrection Noli me tangere. Here Jesus holds a garden tool. Art Institute of Chicago

1506 Fra Bartolomeo (1472–1517) Noli Me Tangere. Depicted at the tomb with Christ holding a garden tool.

c 1500 by Master of the Chronique scandaleuse, illuminator (French, active about 1493 - 1510), Noli me tangere, French. Here Jesus & Mary Magdalene meet on a garden path.

1512 Titian (1490–1576) Noli Me Tangere. Christ appears holding a garden tool.

1500s Greek Icon Μη μου άπτου Crete Resurrection - Noli me tangere. Here Jesus & Mary Magdalene are in a flowery mead.

1526 Hans Holbein the Younger (1498–1543) Noli Me Tangere. Depicted at the tomb on a flowery mead.

1534 Antonio da Correggio (1489-1534) Noli Me Tangere. Christ appears as a gardener holding a hoe.

1548-53 Lambert Sustris (Dutch artist, c.1515-1520-c.1584) Noli Me Tangere
This image includes formal gardens used as the background for a Biblical scene. These gardens are primarily from the Italian Renaissance.  The trellis walkways & arbors were built to provide both shade & privacy. Planners raised beds to prevent plants becoming waterlogged. Gardens were used for recreation, relaxation, & sport. The garden consists of geometric beds of interlacing patterns designed to be seen from windows & hills above & is filled with herbs & favorite flowers. A fountain sits in the farthest parterre. Statues & symbolic ornaments are spread throughout the grounds.

1560-70 Unknown German artist. Christ appears here as a gardener to Mary Magdalene; part of a town beyond the garden & three crosses on the hill behind at left. Jesus holds a garden shovel in a bedded garden surrounded by a wooden fence.

Agnolo di Cosimo usually known as Bronzino or Agnolo Bronzino, Italian Mannerist painter, 1503-72) Resurrection, Noli Me Tangere Jesus holds a shovel, and a walled garden of flowers blooms just behind them.

1581 Lavinia Fontana Resurrection Noli me tangere. Jesus holds a shovel in a defined garden area.

1620 Abraham Janssens (1567–1632) painted figures & Jan Wildens (15841586–1653) painted the landscape Resurrection Noli me tangere. Jesus holds a shovel & the fruits of the garden are on the earth.

1630-35 Pedro Núñez del Valle (Spanish, 1597-1649)Noli me tangere. A garden of formal beds defined by a wattle wall appears to be growing food.

Ciro Ferri 1670-80s (1634-1689) Resurrection Noli me tangere. Jesus holds a shovel in a garden protected by a wood fence.

1539 Hans Baldung (c.1484 - 1545) Resurrection Noli me tangere. Jesus holds a garden shovel.

Easter - Preparing to Anoint Christ's Body

The Three Marys by Michael  Wolgemut or Wolgemuth (German 1434-1519) 

Biblical Holy Women associated with Christ's Resurrection buying anointing spices from merchant in the “Egmont Breviary.” New York, Morgan Library (M.87, fol. 202v). Utrecht, c. 1440. 

 The Marys buying ointment at the ointment shop.  Mary Magdalene, and Mary the mother of James, and Salome had bought sweet spices, that they might come to the tomb to anoint him.  The Gospel of Mark has this happening on the Saturday evening. The author of Matthew may have copied the wording from the Saturday spice buying & combined it with their visit to the tomb, creating the ambiguity in the timing.

In the end of the sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene and the other Mary to see the sepulchre. Matthew 28:1

The Lamentation of Christ by Simon Marmion (French, 1425-1489) c 1473  

The Met tells us that the lifeless body of Christ rests in his mother's lap, his torso supported by Joseph of Arimathea & Nicodemus. Just behind, and somewhat apart from the Virgin, Saint John the Evangelist kneels in prayer. Mary Magdalen & a female companion express their quiet grief at far left. Essentially a Pietà in concept, this image of mourning foregrounds Christ's limp body, reminding the viewer that his sacrifice makes possible mankind's salvation through the celebration of the Eucharist. The drooping poppy at bottom left symbolizes sleep and death.

This man [Joseph of Arimathea] went to Pilate and asked for the body of Jesus. … It was the day of Preparation, and the sabbath was beginning.  The women who had come with him from Galilee followed, and they saw the tomb and how his body was laid.  Then they returned, and prepared spices and ointments.  On the sabbath they rested according to the commandment. 
Luke 23

Wall mosaic of entombment of Jesus near Stone of anointing at Church of the Holy Sepulchre.

By the Jewish calendar, the new day begins at sundown, thus the beginning of the day would have been Saturday evening. One debate over this verse is what it says about the time of the visit, & thus the resurrection. The 3 other gospels & the current Christian tradition, have the empty tomb discovered the day after Sabbath, today known as Easter Sunday. This verse actually contains 2 time indicators. The 1st can be translated as "late on Sabbath" and the 2nd as "at the beginning of the first day of the week." It literally translates as dawning of the day, but as at Luke 23:54 this term can also refer to the time at sundown as the beginning of night. Thus the verse can be read as describing the resurrection as happening on Saturday rather than Sunday.

Good Friday" - The Holy Women by Hans Memling (1435-1494)

Hans Memling (German-born Flemish painter, 1435-1494) The Holy Women, right hand panel of the Granada Deposition Diptych

Hans Memling (German-born Flemish painter, 1435-1494) The Mourning Virgin

Good Friday" - Crown of Thorns

Lucas Cranach the Elder (German Northern Renaissance Painter, 1472-1553) Christ Crowned with Thorns c 1510

Unknown Flemish painter, Jesus

Petrus Christus (Netherlandish painter, active c 1444–1476 Bruges)  Head of Christ c 1445

1460-75. Philadelphia Museum of Art Christ Crowned with Thorns. Artist unknown, Austrian

In the Christian religion, Good Friday commemorates the crucifixion of Jesus. As early as the 1C, the Christian church set aside every Friday as a special day of prayer and fasting. It was not until the 4C, however, that Christians began observing the Friday before Easter as the day associated with the crucifixion of Christ. Good Friday is the most solemn day in the Christian calendar.  First called Holy or Great Friday by the Greek Church, the name "Good Friday" was adopted by the Roman Church around the 6C or 7C.

There are two possible origins for the name "Good Friday". The first may have come from the Gallican Church in Gaul (modern-day France and Germany). The name "Gute Freitag" is Germanic in origin and literally means "good" or "holy" Friday. The 2nd possibility is a variation on the name "God's Friday," where the word "good" was used to replace the word "God," which was often viewed as too holy to be spoken aloud.

Good Friday rituals and traditions are somber. To many Christians, Good Friday is a day of sorrow mingled with hope, a time to grieve for mankind's failings and for the suffering of Jesus and to meditate upon the ultimate redemption of loving and of forgiving ourselves and others.

Good Friday - lluminated Manuscripts

Crucifixion of Christ. British Library Royal 15 DI.f.353. Guyart des Moulins.La Bible Historiale, part 4 (Bible Historiale of Edward IV) Netherlands, S. (Bruges)1470 and c.1479. French.

In the Christian Bible, Good Friday marks the day on which Jesus Christ was crucified on the cross for the sins of the the people of the world. Good Friday is a day of mourning and sorrow over the sacrificial death of Jesus Christ. It's also a day of gratitude for the supreme sacrifice that he made.

Missal and Book of Hours, Lombardy ca. 1385-1390 (Paris, BnF, Latin 757, fol. 79r)

Prayer Book (Use of Rome), Entombment, Walters Manuscript W.438, fol. 354vb11

Good Friday" - Giotto 1267-1337

1305  Giotto di Bondone (Florentine painter, c 1267-1337). The Crucifixion

Good Friday marks the day that the Bible explains Jesus Christ was crucified on the cross for the sins of the the people of the world. Good Friday is a day of mourning and sorrow over the sacrificial death of Jesus Christ. It's also a day of gratitude for the supreme sacrifice, that he made.

1303 Giotto di Bondone (Florentine painter, c 1267-1337). The Lamentation

Good Friday - Duccio 1255-1319

1308-11 Duccio di Buoninsegna (1255-1319)  (Italian artist, 1255-1319) Jesus Accused by the Pharisees

1308-11 Duccio di Buoninsegna (1255-1319)  (Italian artist, 1255-1319) The Flagellation

Good Friday marks the day on which Jesus Christ was crucified on the cross for the sins of the the people of the world. Some believe that its name was originally God's Friday, which, over the years, became its present name. Good Friday is a day of mourning and sorrow over the sacrificial death of Jesus Christ. It's also a day of gratitude for the supreme sacrifice that he made.

1308-11 Duccio di Buoninsegna (1255-1319)  (Italian artist, 1255-1319) Crown of Thorns

1308-11 Duccio di Buoninsegna (1255-1319)  (Italian artist, 1255-1319) The Carrying of the Cross

1308-11 Duccio di Buoninsegna (1255-1319)  (Italian artist, 1255-1319) Deposition