Saturday, May 15, 2021

17C Myth - Goddess Flora - Symbol of Spring by Paulus Moreelse (1571-1638) -

Paulus Moreelse (1571-1638) - Portrait of a Young Woman as Flora 1633

Spring & Summer are the perfect time to celebrate Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...You shall not pollute the land in which you live...You shall not defile the land in which you live, in the midst of which I dwell, for I the Lord dwell in the midst of the people. Genesis 2:15 & Numbers 35:33-34. 

Friday, May 14, 2021

17C Myth - Goddess Flora - Symbol of Spring by Pierre Gobert (1662-1744)

Pierre Gobert (1662-1744)  - Retrato de Noiva com Flores

Spring & Summer are the perfect time to celebrate Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...You shall not pollute the land in which you live...You shall not defile the land in which you live, in the midst of which I dwell, for I the Lord dwell in the midst of the people. Genesis 2:15 & Numbers 35:33-34. 

Wednesday, May 12, 2021

17C Myth - Goddess Flora - Symbol of Spring by Juan van der Hamen y (Gómez de) León (1596-1631)

Juan van der Hamen y (Gómez de) León (1596-1631) - Offering for Flora, 1627

In Roman mythology, Flora (Latin: Flōra) is a Sabine-derived goddess of flowers - a symbol for nature and flowers (especially the may-flower). While she was otherwise a relatively minor figure in Roman mythology, being one among several fertility goddesses, her association with the spring gave her particular importance at the coming of springtime, as did her role as goddess of youth. She was one of the fifteen deities who had their own flamen, the Floralis, one of the flamines minores. Her Greek counterpart is Chloris.

See:
 Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).
 Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)
 H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)
 William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.  

Tuesday, May 11, 2021

17C Myth - Goddess Flora - Symbol of Spring by Claude Vignon (1593-1670)

1630s Claude Vignon (1593-1670) - Goddess Flora

In Roman mythology, Flora (Latin: Flōra) is a Sabine-derived goddess of flowers - a symbol for nature and flowers (especially the may-flower). While she was otherwise a relatively minor figure in Roman mythology, being one among several fertility goddesses, her association with the spring gave her particular importance at the coming of springtime, as did her role as goddess of youth. She was one of the fifteen deities who had their own flamen, the Floralis, one of the flamines minores. Her Greek counterpart is Chloris.

See:
 Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).
 Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)
 H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)
 William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.  

Monday, May 10, 2021

17C Myth - Goddess Flora - Symbol of Spring by John Payne (printmaker, fl 1620 - 1642)

John Payne (British printmaker, fl 1620 - 1642) Flora with flowers fruits, beasts, & birds.

In Roman mythology, Flora (Latin: Flōra) is a Sabine-derived goddess of flowers - a symbol for nature and flowers (especially the may-flower). While she was otherwise a relatively minor figure in Roman mythology, being one among several fertility goddesses, her association with the spring gave her particular importance at the coming of springtime, as did her role as goddess of youth. She was one of the fifteen deities who had their own flamen, the Floralis, one of the flamines minores. Her Greek counterpart is Chloris.

See:
 Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).
 Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)
 H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)
 William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.   

Sunday, May 9, 2021

17C Myth - Goddess Flora - Symbol of Spring by Cornelis van Poelenburgh, (1594-1667)

1620 Cornelis van Poelenburgh, (1594-1667) Young Woman as Flora

In Roman mythology, Flora (Latin: Flōra) is a Sabine-derived goddess of flowers - a symbol for nature and flowers (especially the may-flower). While she was otherwise a relatively minor figure in Roman mythology, being one among several fertility goddesses, her association with the spring gave her particular importance at the coming of springtime, as did her role as goddess of youth. She was one of the fifteen deities who had their own flamen, the Floralis, one of the flamines minores. Her Greek counterpart is Chloris.

See:
 Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).
 Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)
 H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)
 William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.  

Saturday, May 8, 2021

17C-18C Myth - Goddess Flora - Symbol of Spring by Rosalba Carriera (1675-1757)

Rosalba Carriera (Italian artist, 1675-1757) Flora

In Roman mythology, Flora (Latin: Flōra) is a Sabine-derived goddess of flowers - a symbol for nature and flowers (especially the may-flower). While she was otherwise a relatively minor figure in Roman mythology, being one among several fertility goddesses, her association with the spring gave her particular importance at the coming of springtime, as did her role as goddess of youth. She was one of the fifteen deities who had their own flamen, the Floralis, one of the flamines minores. Her Greek counterpart is Chloris.

See:
 Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).
 Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)
 H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)
 William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.  

Friday, May 7, 2021

6BC to 17C Myth - Goddess Flora - Symbol of Spring by Jean Leblond 1605-1666

Flora holding a wreath of spring flowers by Jean Leblond 1605-1666 

The Floralia was a public festival to honor the goodwill of the goddess Flora. Created in the 6th century BC by the Romans, it took place in spring  & lasted 6 days, the last 3 days of April  & the first 3 days of May. The festival consisted of games  & theatrical performances. Chariot races  & circus games took place  & everywhere were the symbols of Flora. It was traditional to have goats & hares scampering about the landscape where flowers of lupines, beans, & vetch were scattered about. The Romans held bouquets of flowers & often wore wreaths of flowers around their necks or in their hair.

See:
 Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).
 Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)
 H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)
 William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.  

Thursday, May 6, 2021

6BC to17C Myth - Goddess Flora - Symbol of Spring with Zephyr by Jan Brueghel the Elder & Peter Paul Rubens, 1617

Flora and Zephyr, by Jan Brueghel the Elder and Peter Paul Rubens, 1617

The Floralia was a public festival to honor the goodwill of Flora. Created in the 6th century BC by the Romans, it took place in spring  & lasted 6 days, the last 3 days of April  & the first 3 days of May. The festival consisted of games  & theatrical performances. Chariot races  & circus games took place  & everywhere were the symbols of Flora. It was traditional to have goats & hares scampering about the landscape where flowers of lupines, beans, & vetch were scattered about. The Romans walked around holding bouquets of flowers or wore wreaths of flowers around their neck or in their hair.

See:
 Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).
 Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)
 H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)
 William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.  

Wednesday, May 5, 2021

240BCE to 17C Myth - 3 Goddesses Flora - Symbol of Spring by Rembrandt (1606-1669)

Rembrandt Harmenszoon van Rijn (1606-1669) - Portrait of Hendrickje Stofells as Goddess Flora

Rembrandt Harmenszoon van Rijn (1606-1669) - Portrait of Saskia as Goddess Flora

Rembrandt Harmenszoon van Rijn (1606-1669) - Portrait of Saskia as Goddess Flora

In Rome, her festival, the Floralia, was held between April 28 and May 3 and symbolized the renewal of the cycle of life, drinking, and flowers. The festival was first instituted in 240 B.C.E, and on the advice of the Sibylline books, she was also given a temple in 238 B.C.E. At the festival, with the men decked in flowers, and the women wearing normally forbidden gay costumes, five days of farces and mimes were enacted – ithyphallic, and including nudity when called for – followed by a sixth day of the hunting of goats and hares. On May 23 another (rose) festival was held in her honor.  

Flora's Greek equivalent is Chloris, who was a nymph. 

Flora is married to Favonius, the wind god also known as Zephyr, and her companion was Hercules.  Flora achieved more prominence in the neo-pagan revival of Antiquity among Renaissance humanists than she had enjoyed in ancient Rome.

See:
 Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).
 Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)
 H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)
 William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.  

Tuesday, May 4, 2021

17C Myth - Goddess Flora - Symbol of Spring by Jan Brueghel II (1601-1678) & Abraham Govaerts (1581-1642)

Jan Brueghel II, (1601-1678) and Abraham Govaerts (1581-1642) Flora Seated in a Wooded Landscape Surrounded by Flowers

Here, Flora, the ancient Italian goddess of flowers, is draped in luxurious cream & scarlet robes & contrasting with the blue landscape behind her. Set in a secluded wooded clearing filled with an astonishing variety of wild flowers, the classical subject matter blends with Flemish realism in the 2 rustic huts depicted on the hill at the right.

Flora is framed by flowers. At her left side, rests a myriad of luscious pink roses, narcissi, buttercups, violas, primroses & poppies; while on her other side, tulips & bluebells mingle together. Nestled in the lush grass next to a wicker basket overflowing with blooms are 2 small rabbits. Throughout the ages the rabbit has been a symbol of fertility & lust. Perhaps these rabbits allude to the licentious nature of Flora’s ancient Roman festival, the Floralia which was held in April & included theatrical entertainment featuring naked women.

Both Ovid & Lucretius describe the goddess Flora in their works. Lucretius, in his explanation of the origins of nature, De Rerum Natura, describes how Flora followed in the footsteps of Zephyr (the east wind) strewing his way with blossoms.1  Ovid, from whom Sandro Botticelli (1445-1510) later drew inspiration for his Primavera (Uffizi Gallery, Florence), tells of Flora fleeing from Zephyr: "When he at length embraced her, flowers spilled from her lips; & she was transformed into Flora."2

Abraham Govaerts’ paintings typically incorporate mythological or biblical subjects within a mannerist landscape. Figures, in this case flowers, were often added by other artists.  Brueghel II & Govaerts frequently collaborated on works, particularly those with mythological subject matter. Govaerts arranged the landscape, & Jan Brueghel II painted the flowers. The tradition of lush flower painting was established by Brueghel II’s father, Jan Brueghel I (1568-1625).

¹ Lucretius, De Rerum Natura V.736-739.
² Ovid, Fasti V.193-214.
See original article plus more information here.

Monday, May 3, 2021

18C Myth - 3 Goddesses Flora - Symbol of Spring by Jean-Marc Nattier 1685-1766

Jean-Marc Nattier (1685-1766) -  Portrait of a Woman as Flora

  Jean-Marc Nattier (1685-1766) - Henriette of France as Flora

Jean-Marc Nattier (1685-1766) - Louise Anne de Bourbon Comtesse de Charolais 1731

In Rome, her festival, the Floralia, was held between April 28 and May 3 and symbolized the renewal of the cycle of life, drinking, and flowers. The festival was first instituted in 240 B.C.E, and on the advice of the Sibylline books, she was also given a temple in 238 B.C.E. 

At the festival, with the men decked in flowers, and the women wearing normally forbidden gay costumes, five days of farces and mimes were enacted – ithyphallic, and including nudity when called for – followed by a sixth day of the hunting of goats and hares. On May 23 another (rose) festival was held in her honor.  

Flora's Greek equivalent is Chloris, who was a nymph. Flora is married to Favonius, the wind god also known as Zephyr, and her companion was Hercules.  Flora achieved more prominence in the neo-pagan revival of Antiquity among Renaissance humanists than she had enjoyed in ancient Rome.

See:
 Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).
 Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)
 H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)
 William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15. 

Sunday, May 2, 2021

17C Myth - Goddess Flora - Symbol of Spring by Jean-Baptiste de Saive II (1597-c 1642)

Jean-Baptiste de Saive II (Flemish artist, 1597-c 1642) An Allegory of Spring at a Market Scene with a Boy offering Strawberries to Girl surrounded by Flowers

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15. 

Saturday, May 1, 2021

20C - Still Dancing around the Maypole


The best known Maypole dance is called The Flower
The dance takes place in two opposing directions , the women rotate counter-clockwise, while men in the clockwise direction. Each time a man and a woman meet by dancing, exchange roles; the woman goes outside and inside the man and so on. In this way, we simulate the courtship ritual among the dancers. It's important to maintain a steady pace so that the distance between the dancers remains uniform.

An elementary Maypole dance is called Simple Figure
Another Maypole dance one exists in a more simple in which the group of women form a smaller circle, in the vicinity of the pole, while the group of men form an outer circle (the distance between the two groups is about 3 steps). As the diagram men turn clockwise and women perform a tighter turning counter-clockwise so that their tapes are wrapped first in a spiral, above which is going to tighten the spiral of men.

A more complicated dance is called The Spider
ONE WAY - The two groups of dancers remain at a certain distance (about two steps) with the innermost circle of women, while dancing They stay with their backs to the pole and taking the tape taut with both hands folded in chest, but men are the ones that perform the dance starting vaulted frontal with respect to the pole and coupled with his lady. The man takes a first rotary motion, turning away from his left side around the woman, and then continuing clockwise to the next woman to perform the same movement.

TWO-WAY Men and women alternate in the rotational movement of the FIRST WAY: When men (and women who remain stationary) and once women (with men who are at a standstill). The arrangement of the pairs to see all the dancers start with the right side facing towards the pole in order to make a clockwise rotation and arranged for couples with women slightly away a little 'more in and ahead of the companion.

There are many variations of these Maypole dances depending on the location in which these dances are practiced. The number of participants varies depending on the size which should not fall below 8 ribbons or tapes.

The Maypole

17C Pieter Gysels (1621-1691) Elegant figures playing Musical Instruments around a Maypole next to a Formal Garden
Centuries of Celebrating Spring
May Day, usually the 1st of May, celebrates the onset of summer, the height of Spring, & the flowering of life. The ancient European festival of spring, Beltane, features a goddess which manifests as the May Queen & Flora. A god also emerges as the May King & Jack in the Green. 
1669 Scene before a Maypole near stages with Alkmaar Church in the Background by Salomon van Ruysdael (Dutch Landscape Painter, 1600-1670). 
In England, permanent Maypoles sometimes were erected on village greens. In some villages, there also were smaller Maypoles in the yards of households.  In ancient European festivals of spring, Beltane, the dance around the Maypole represents their unity with the pole itself being the God & the ribbons that encompass it, the Goddess. Mayday is a festival of flowers, fertility, sensuality, & delight.
This painting is a copy of a painted wooden over-mantle, possibly showing the village of Weybridge c 1699-1701.  In this painting, many figures in 18C costume are depicted dancing around a painted wooden maypole. The painting is alleged to show the maypole set up on near the Ship Inn with the High Street in background.  Until the late 18C, Weybridge was as a very small village with a river crossing, seed milling to make flour & nurseries which would continue to provide the major source of home-grown income for the village until the 20C.
Josef Frans Nollekens (Flemish-born British artist, 1702-1748) May Day with a Maypole up on the hill. Some festival celebrants believed that on May Eve, you could bless your garden in by making love there with your partner. Union with the land was a May 1 focus, often with actual mating outside on other lands to bless fields, herds, home. 
Maypole at a Country Inn by Johann Peter Neeff (1753-1796) Revellers welcomed May at dawn with singing & dancing. Later communities celebrated with Morris Dancers & more formal pageants featuring Jack-in-Green& a May Queen to awaken the fertility in the Land.
1741 The Milkmaid’s Garland, or Humours of May Day, Francis Hayman.  In ancient spring-times, gathering & exchanging of Flowers & Greens was common on May Eve. Merrymakers decorated homes, barns, & other buildings with green budding branches. Men & women made garlands & wreaths of Flowers & Greens. 
18C Jan Josef Horemans II. (1714-1790) Villagers Making Merry with Maypole in Background.  Early communities prepared a May basket by filling it with flowers & goodwill & then giving it to someone in need of healing & caring. Women in early cultures formed wreaths of freshly picked flowers to wear in the hair to radiate joy & beauty. 
1767 Printed for Robert Sayer, London.  
Early groups often danced the Maypole to feel the balancing of the Divine Female & Male within. In Pagan Rome, Floralia, from April 27-May 3 was the festival of the Flower Goddess Flora & the flowering of Springtime. Roman Catholic traditions of adoring statues of Mary with garlands of flowers on May 1 have Roman Pagan roots. On May 1, offerings were made to Bona Dea (as Mother Earth), the Lares (household guardian spirits), & Maia (Goddess of Increase) from whom May gets its name. 
Jan Josef Horemans the Elder (Dutch artist, 1682-1759),  Spring & Dancing Around The Maypole.  
On May 1, early cultures followed a pastoral tradition of turning sheep, cows, other livestock out to pasture. In early Scandinavia, mock battles between Winter & Summer were enacted at this time. Maypoles in Spain sometimes were topped with a male effigy which was later burned. In Germany, Fir trees were cut on May Eve by young unmarried men, branches removed, decorated, put up in village square, & guarded all night until dance occurred on May Day. 
1761–1770 John Collet (British artist, c.1725–1780) A Satire of a May Day Scene in London.  
Fire is a common accompaniment to many May celebrations. Celebrants mark the holiday by lighting fires, dancing, feasting & often performing fertility rites. Many built a bonfire & then moved through it or danced clockwise around it. Livestock was driven around a Beltane fire or between 2 fires for purification & fertility blessings. 
1800s Robert Walker Macbeth (1848-1910) - Maypole scene depicting an earlier era.  In ancient times Druid priests kindled it at sacred places. In later times, Christian priests kindled their spring fires in fields near the church after performing a Christian church service. Branches & twigs often were carried around these fire 3 times, then hung over hearths to bless homes.  
Frederick Goodall (British artist, 1822-1904) Here Goodall depicts the Raising the Maypole from an earlier era. 
Risk-takers made a wish for good luck before jumping a bonfire or the flame of a candle. Some believe during May the veil between the human & supernatural worlds is at its thinnest, making them potent days for magic. Beltane may refer to the “fires of Bel,” in honor of the Celtic sun god, Belenus. Some pagans believe fire has the power to cleanse, purify & increase fertility.
May Day, usually the 1st of May, celebrates the onset of summer, the height of Spring, & the flowering of life. In ancient European festivals of spring, Beltane, the dance around the Maypole represents their unity with the pole itself being the God & the ribbons that encompass it, the Goddess. Mayday is a festival of flowers, fertility, sensuality, & delight.
In ancient springtimes, gathering & exchanging of Flowers & Greens was common on May Eve.
In Pagan Rome, Floralia, from April 27-May 3 was the festival of the Flower Goddess Flora & the flowering of Springtime. 
1890 Golden Yellow Raspberries and Children Playing Maypole on Seed Catalog
Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.