Women & Gardens - American

Frederick Carl Frieseke (American Impressionist Painter, 1874-1939) Lilies 1911

Biography of Frederick Carl Frieseke (1874-1939)

Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.

Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.

Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.

Bibliography

Books:

Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.

Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.

Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.

Gerdts, William H. American Impressionism. Abbeville Press, 2001.

Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.

Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.

Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.

Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.

Articles:

Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.

Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.

Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.

Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.

Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.

Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.

Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.

Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.

19C Women & Gardens - American John Singer Sargent 1856-1925

John Singer Sargent (1856-1925) Florence Fountain Boboli Gardens

John Singer Sargent was not actually brought up in America. Sargent was born in Florence, Italy, and spent his childhood & adolescence touring Europe with his American parents who had decided on a nomadic lifestyle abroad in pursuit of culture rather than a more secure existence back home.

John Singer Sargent (1856-1925) Villa di Marllia Lucca

John Singer Sargent (1856-1925)Villa di Marlia Fountain

John Singer Sargent (1856-1925) The Garden Wall

John Singer Sargent (1856-1925) Villa Torlonia Frascati

John Singer Sargent (1856-1925) Garden in Corfu

John Singer Sargent (1856-1925) Villa Torre Galli The Loggia

John Singer Sargent (1856-1925) On the Garden Veranda at Ironbound Island, Maine.

19C Women in Gardens - American Edmund C. Tarbell (1862-1938)

Edmund Charles Tarbell (American painter) 1862 – 1938 In the Orchard, 1891

Edmund Charles Tarbell (1862-1938) was an American Impressionist painter. A member of the Ten American Painters, his work hangs in Boston Museum of Fine Arts, Metropolitan Museum of Art, National Gallery of Art, Smithsonian American Art Museum, Corcoran Gallery of Art, DeYoung Museum, National Academy Museum and School, New Britain Museum of American Art, Worcester Art Museum, and numerous other collections. He was a leading member of a group of painters which came to be known as the Boston School.

Edmund C. Tarbell (1862-1938)  My Wife Emeline in a Garden

Edmund C. Tarbell (1862-1938) -Hollyhocks & Sunshine

Edmund C. Tarbell (1862-1938) -Emeline Souther Tarbell in a New Castle, New Hampshire Garden, ca. 1884-1888

Edmund C. Tarbell (1862-1938)  In a Garden

Edmund C. Tarbell (1862-1938)  Mother and Child in Pine Woods

19C Women in Gardens - American

Frederick Frieseke (1874-1939) Woman with a Garden Parasol & White Lilies

Biography of Frederick Carl Frieseke (1874-1939)

Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.

Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.

Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.

Bibliography

Books:

Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.

Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.

Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.

Gerdts, William H. American Impressionism. Abbeville Press, 2001.

Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.

Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.

Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.

Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.

Articles:

Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.

Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.

Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.

Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.

Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.

Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.

Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.

Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.

xxx19C Women in Gardens - French

Gaston la Touche (French painter) 1854 - 1913 The Peonies, 1889

19C Women in Gardens - British

Helen Allingham (née Paterson) (British painter) 1848 – 1926  The Old Place

19C Women in Gardens with Parasols - American

Frederick Frieseke (1874-1939) Woman with Parasol on The Garden Path 

Biography of Frederick Carl Frieseke (1874-1939)

Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.

Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.

Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.

Bibliography

Books:

Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.

Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.

Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.

Gerdts, William H. American Impressionism. Abbeville Press, 2001.

Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.

Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.

Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.

Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.

Articles:

Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.

Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.

Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.

Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.

Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.

Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.

Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.

Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.

19C Women in Gardens - American

Guy Orlando Rose (American painter) 1867 - 1925  Girl in a Wickford Garden, in New England

19C Women in Gardens - Italy

Giuseppe De Nittis (Italian painter) 1846 - 1884   Signora in Giardino (Lady in Garden), 1882

19C Women in Gardens with Parasols - American Artist

Frederick Frieseke (American artist, 1874-1939)  Foxgloves & Woman with Garden Parasol 

Biography of Frederick Carl Frieseke (1874-1939)

Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.

Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.

Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.

Bibliography

Books:

Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.

Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.

Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.

Gerdts, William H. American Impressionism. Abbeville Press, 2001.

Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.

Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.

Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.

Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.

Articles:

Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.

Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.

Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.

Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.

Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.

Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.

Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.

Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.

19C Women in Gardens- Spanish

Joaquín Sorolla y Bastida (Spanish painter) 1863 - 1923  La Siesta en el Jardin (The Siesta in the Garden)

19C Women in Gardens - British

James Wallace (British painter) 1872 - 1911  Autumn in Kensington Gardens

19C Women & Gardens - American Artist

 

Frederick Frieseke (American artist, 1874-1939) Woman with Garden Parasol 

Biography of Frederick Carl Frieseke (1874-1939)

Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.

Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.

Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.

Bibliography

Books:

Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.

Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.

Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.

Gerdts, William H. American Impressionism. Abbeville Press, 2001.

Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.

Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.

Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.

Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.

Articles:

Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.

Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.

Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.

Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.

Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.

Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.

Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.

Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.

19C Women in Gardens - British

 

John William North (British painter) 1842 - 1924   "Flicka I Blomstertradgard," translated as "Girl in a Flower Garden," 1880

19C Women in Gardens - French

Henri Lebasque (French painter) 1865 - 1937L   'Été au Jardin,

19C Women in Gardens - German

 
Oscar Bluhm (German painter) 1867 - 1912   Under the Pergola, 1892

19C Women in Gardens with Parasols - American Artist

Frederick Frieseke (American artist, 1874-1939) Woman with Parasol in The Garden

Biography of Frederick Carl Frieseke (1874-1939)

Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.

Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.

Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.

Bibliography

Books:

Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.

Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.

Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.

Gerdts, William H. American Impressionism. Abbeville Press, 2001.

Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.

Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.

Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.

Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.

Articles:

Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.

Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.

Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.

Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.

Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.

Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.

Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.

Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.

19C Women in Gardens - Danish

Kristian Zahrtmann (Danish painter) 1843 - 1917   Leonora Christina in the Garden of Frederiksborg Palace, 1887

19C Women in Gardens - German

Karl Schultheiss (German painter) 1852 - 1944  A Summer Day in the Garden

19C Women in Gardens with Parasols - American Artist

Frederick Frieseke (American artist, 1874-1939)  Woman with Garden Parasol at The Hour of Tea

Biography of Frederick Carl Frieseke (1874-1939)

Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.

Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.

Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.

Bibliography

Books:

Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.

Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.

Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.

Gerdts, William H. American Impressionism. Abbeville Press, 2001.

Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.

Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.

Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.

Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.

Articles:

Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.

Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.

Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.

Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.

Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.

Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.

Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.

Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.

19C Women in Gardens - British

 
Robert Payton Reid (British painter) 1859 - 1945   In The Garden

19C Women in Gardens - American

 
Robert Reid (American painter) 1862 - 1929   In the Flower Garden, c. 1899

19C Women in Gardens - American Artist

 
Frederick Frieseke (American artist, 1874-1939)  Woman with Hollyhocks

Biography of Frederick Carl Frieseke (1874-1939)

Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.

Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.

Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.

Bibliography

Books:

Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.

Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.

Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.

Gerdts, William H. American Impressionism. Abbeville Press, 2001.

Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.

Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.

Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.

Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.

Articles:

Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.

Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.

Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.

Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.

Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.

Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.

Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.

Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.

19C Women in Gardens - Czech

 
František Dvořák (Czech painter) 1862 – 1927   Mußestunde im Garten

19C Women in Gardens - Norwegian

 
Erik Werenskiold (Norwegian painter and illustrator) 1855 - 1938 Yndlingspromenaden (På Gamle Tomter), 1884

19C Women in Gardens - American Artist

 
Frederick Frieseke (American artist, 1874-1939)  Foxgloves & Woman

 Biography of Frederick Carl Frieseke (1874-1939)

Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.

Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.

Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.

Bibliography

Books:

Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.

Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.

Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.

Gerdts, William H. American Impressionism. Abbeville Press, 2001.

Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.

Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.

Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.

Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.

Articles:

Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.

Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.

Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.

Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.

Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.

Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.

Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.

Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.

19C Women in Gardens - French

 
Claude Monet (French painter) 1840 - 1926 Camille Monet (1847–1879) on a Garden Bench, c. 1871

19C Women in Gardens - British

 
Edward Killingworth Johnson (British painter) 1825 - 1896  Catching the Pony, 1879

19C Women in Gardens - American Artist

 

Frederick Frieseke (American artist, 1874-1939)  Woman in the Garden

Biography of Frederick Carl Frieseke (1874-1939)

Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.

Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.

Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.

Bibliography

Books:

Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.

Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.

Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.

Gerdts, William H. American Impressionism. Abbeville Press, 2001.

Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.

Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.

Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.

Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.

Articles:

Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.

Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.

Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.

Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.

Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.

Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.

Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.

Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.

19C Women in Gardens - American Artist

 
Frederick Frieseke (American artist, 1874-1939) Woman Reading in the Garden

19C Women in Gardens - American Artist

 
Frederick Frieseke (American artist, 1874-1939) Woman Seated in a Garden 

Biography of Frederick Carl Frieseke (1874-1939)

Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.

Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.

Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.

Bibliography

Books:

Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.

Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.

Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.

Gerdts, William H. American Impressionism. Abbeville Press, 2001.

Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.

Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.

Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.

Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.

Articles:

Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.

Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.

Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.

Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.

Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.

Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.

Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.

Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.

19C Women in Gardens - American Artist

Frederick Frieseke (American artist, 1874-1939)  Woman under The Judas Tree

Biography of Frederick Carl Frieseke (1874-1939)

Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.

Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.

Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.

Bibliography

Books:

Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.

Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.

Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.

Gerdts, William H. American Impressionism. Abbeville Press, 2001.

Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.

Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.

Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.

Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.

Articles:

Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.

Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.

Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.

Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.

Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.

Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.

Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.

Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.

19C Women in Gardens - British

William Affleck (British painter) 1869 - 1943   Young Women in a Cottage Garden 

19C Women in Gardens - American

Theodore Robinson (American painter) 1852 - 1896   Correspondence, 1895

19C Women in Gardens - American Artist

 

Frederick Frieseke (American artist, 1874-1939) Woman in Sun and Wind

Biography of Frederick Carl Frieseke (1874-1939)

Frederick Carl Frieseke, born on April 7, 1874, in Owosso, Michigan, became one of the prominent figures in American Impressionism. After studying at the Art Institute of Chicago & the Art Students League of New York, Frieseke moved to Paris in 1898 to further his training. He studied at the Académie Julian & the Académie Carmen under James McNeill Whistler, whose emphasis on color & light profoundly influenced his work.

Frieseke settled in Giverny, France, in 1906, where he became closely associated with the American expatriate art colony. His work during this period, characterized by a focus on light, color, & the depiction of women in domestic & outdoor settings, gained widespread acclaim. Frieseke’s paintings often featured serene, & sun-dappled gardens rendered with a soft, harmonious palette.

Throughout his career, Frieseke exhibited widely in both Europe & the United States, earning numerous awards & honors. Although he spent much of his career in France, his work remained influential in the United States. Frederick Carl Frieseke passed away on August 24, 1939, in Le Mesnil-sur-Blangy, France, as one of America’s foremost Impressionist painters.

Bibliography

Books:

Adams, Henry. Frederick Carl Frieseke: The Evolution of an American Impressionist. Telfair Museum of Art, 2001.

Booth, James, & Larkin, Susan. Frederick Carl Frieseke: The Painter as Poet. Hudson Hills Press, 1998.

Chotner, Deborah. American Impressionism & Realism: The Painting of Modern Life, 1885-1915. The Metropolitan Museum of Art, 1994.

Gerdts, William H. American Impressionism. Abbeville Press, 2001.

Gerdts, William H., & Hiesinger, Ulrich W. Impressionism Abroad: Boston & American Expatriate Painters. Abbeville Press, 2001.

Mathews, Nancy Mowll. Moving Pictures: American Art & Early Film, 1880-1910. Hudson Hills Press, 2005.

Vose, Marcia. Frederick Carl Frieseke: The Light Within. Vose Galleries, 1986.

Weinberg, H. Barbara. The American Pupils of Jean-Léon Gérôme. Garland Publishing, 1984.

Articles:

Caldwell, Martha. "A Light Among the Impressionists: The Art of Frederick Carl Frieseke." Smithsonian Studies in American Art, vol. 9, no. 2, 2003, pp. 68-85.

Evans, Helen. "Frieseke in Giverny: A Study of Light & Color." The Art Bulletin, vol. 83, no. 4, 2001, pp. 602-618.

Hiesinger, Ulrich W. "Frederick Carl Frieseke: An American in Giverny." American Art Review, vol. 12, no. 3, 2000, pp. 110-121.

Johnston, Kimberly. "Women & Domesticity in the Work of Frederick Carl Frieseke." American Art Journal, vol. 36, no. 1, 2005, pp. 14-29.

Owens, Gwendolyn. "Frederick Carl Frieseke & the Art of Intimacy." The Burlington Magazine, vol. 143, no. 1184, 2001, pp. 46-53.

Taylor, Kimberly A. "Frederick Carl Frieseke: Impressionism & the Aesthetic of Pleasure." Archives of American Art Journal, vol. 41, no. 2, 2002, pp. 22-38.

Tovey, Frank. "Frederick Carl Frieseke’s Aesthetic Vision: American & French Influences." American Art Review, vol. 15, no. 4, 2008, pp. 40-57.

Wilkin, Karen. "Frieseke’s French Connection: American Impressionism Revisited." The Magazine Antiques, vol. 162, no. 5, 2003, pp. 194-203.