Earth's Creatures Watch Leaves Dancing on a Windy Day

Earth's Creatures Watch Leaves Dancing on a Windy Day

European Illuminated Manuscripts 6-16C - Plants, Gardens,& Landscapes

Landscape with a Watermill, Image taken from Le Tresor des Histoires: a universal history from the Creation to the time of Pope Clement VI. Treasure of Stories (15th C) - BL Cotton MS Augustus V. British Library - Cotton ms Augustus V Technically, the mill evolved a lot during the Middle Ages. The mechanisms were being used for increasingly diverse functions & the variety of hydraulic installations associated with them was growing.

Mostly intended for wheat, they were equipped with horizontal wheels trained by a pirouette (in France they are found in Occitania, Basque Country, Corsica & Finistere), more commonly vertical (receiving water below or above). The latter, the most powerful, were also the most expensive because of the gear they were equipped with. They are all settled on the bank of a stream, or on a boat (newmill). Hydraulic force-activated mussels could grind wheat but also crush eye seed, tinctorial plants, crush ore.

Translated by Enluminures Europe - VIe - XVIe s. - lluminated Manuscripts Europe

Plants, Gardens,& Landscapes in Illuminated Manuscripts 6C -16C

Illuminations date back to the end of the 4C. Codex, the 1st type of manuscript book replaced the prior written "paper" or parchment roll. The need to illustrate books usually developed with a style specific to each distinct region, civilization & time period. This function, "illuminare" in Latin, was mostly decorative & ornamental at this time & often reflected the myths of times passed.

In Western Europe, from the 6C until the 12C, the illustrated manuscript was mainly religious, created by monk copyists (usually the main scholars of the particular order) in abbeys to spread Christianity. After the Fall of the Roman Empire, Christian monestaries were often the center of 

social, medical, &  religious activities for the local populations.

Towards the 13C, with the development of universities; the demand for books increased, & lay workshops were created. The art of illumination became a craft in its own right. At the end of the 15C, the invention of the Western printing press quickly reduced the time-consuming production

 of books copied & painted by the hand of mankind.

During the 10 centuries of illuminations in the Middle Ages in Europe, several styles evolved: Island Style (British Isles) & Merovingian (before the 9C), Carolingian style (9-10C), Romanesque Style (10-12C), Transitional Period (13C), Gothic Style (14-16C).

Plants in Early American Gardens - Sea Lavender was Dried in the Fall 1793

Sea Lavender (Statice) (Limonium latifolium)

Limonium latifolium bears clouds of delicate, lavender-blue flowers that are perfect for arrangements, both fresh and dried, and also blend beautifully in rock gardens, coastal gardens, and other well-draining sites.

Long admired as a cut flower, Statice was included in the Garden Notes of 1793 by Lady Jean Skipwith of Virginia, who noted “dried - it retains its colour which renders it ornamental for a Mantel-piece in Winter.”

 In The English Flower Garden, first published in 1883, William Robinson called this larger species of Sea Lavender “the finest of all.” 

Plants in Early American Gardens - Globe Thistle

 

 Globe Thistle (Echinops ritro)

Globe Thistle (Echinops ritro)

Globe Thistle, a Mediterranean plant long in cultivation throughout Europe, is an undemanding perennial suitable for the border or the wild garden.

Williamsburg’s John Custis might have received this species, or its more vigorous cousin, E. sphaerocephalus, from his English patron Peter Collinson in 1738. Both varieties are listed in Parkinson’s early 17th-century herbal, and Philip Miller’s 18th-century botanical dictionary. 

Thomas Jefferson’s gardening mentor, Bernard McMahon, also included Small Globe Thistle in his 1806 American Gardener’s Calendar. 

Today it is popular as a cut flower and for drying, and the flowers attract butterflies.