Friday, October 30, 2015
Saturday, October 24, 2015
1595 Adriaen van der Linde
1603 Attributed to Adriaen van der Linde (Dutch artist, 1560-1609) Three-Year-Old Boy with Colf Stick
1626 Jan Anthonisz van Ravesteyn (Dutch painter, 1572-1657) Young Boy with a Golf Club and Ball
Bartholomeus van der Helst, ca. 1658-1659
1600s Unknown artist
1615 Unknown Artist
1640 Unknown artist
1612 Unknown Dutch artist, Master Slijper' holding a brass-headed kolf club
1613 Marinus Molenaar Kanters Boy aged four and a half
1620-30s Paulus Moreelse (Dutch artist, 1571-1638) Portrait Of A Four-Year Old Boy With Club And Ball
1624 Nicolaes Eliaszoon Pickenoy (Dutch painter, 1588-1656) 'Boys Playing Kolf on a Road.' Detail
1626 Adriaan Pietersz van der Venne (Dutch genre painter, 1589-1662).Man with Boy playing golf wearing ice spurs
1631 Wybrand de Geest (Dutch artist, 1592-1661-65) Portrait of a Boy with a 'Colf' Stick
1635 Wybrand de Geest (Dutch artist, 1592-1661-65) Portrait of two brothers
1650 Peter Lely (English artist, 1618-1680) The Children of the Markgraaf de Trazegnies
1660 Pieter de Hooch (Dutch genre painter, 1629-1684) The Little Golf Players
Sunday, October 18, 2015
Friday, October 16, 2015
Clara Peeters (1594-c 1657) was not painting portraits as were most women painters born in the 1400-1500s. Peeters is the best-known female Flemish artist of this era and one of the few women artists working professionally in 17C Europe, despite restrictions on women's access to artistic training and membership in guilds. Peeters was among the earliest specialist painters of still lifes and flowers, working while this genre was still emerging. Fewer than ten paintings of flowers produced in the Netherlands can be dated before 1608, when she painted her first recorded work.
She was baptized in Antwerp in 1594, & married there in 1639. Her earliest dated paintings, from 1607-1608, are small, detailed images representing food & drink. At the time that Clara Peeters was painting, religious imagery was forbidden in the Dutch Reformed Protestant Church. Artistic symbols were developed to make coded references to life, death, & religion, so her paintings conveyed a meaning to her patrons of much more than objects in a still life. Each painting would be a visual puzzle to be decoded by the viewer.
Some speculate that the skill with which this teenage artist executed her painting suggests that she may have been trained by a master painter. Although there is no documentary evidence of her education, some scholars theorize that Peeters may have been a student of Osias Beert, a still-life painter from Antwerp. By 1612, the 18-year-old artist was producing large numbers of painstakingly rendered still lifes displaying symbols in groupings of metal goblets, gold coins, & exotic flowers.
Wednesday, October 14, 2015
1910-1925 American Picnic. Photo by John Johnson. Johnson was born in Lincoln in 1879 to Harrison Johnson, an escaped slave and Civil War veteran, & his wife, Margaret. After graduating from high school & briefly attending the University of Nebraska (where he played football), Johnson found work in one of the few realms open to African-Americans at the time: manual labor. He was a janitor & a drayman, but also a very prolific & talented community photographer. From roughly 1910 to 1925, he took as many as 500 photographs using a bulky view camera and flash powder.