Sunday, June 30, 2019

Celebrating The Earth's Beauty - 17C Goddess Flora

Pierre Gobert (1662-1744)  - Retrato de Noiva com Flores

Spring & Summer are the perfect time to celebrate Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...You shall not pollute the land in which you live...You shall not defile the land in which you live, in the midst of which I dwell, for I the Lord dwell in the midst of the people. Genesis 2:15 & Numbers 35:33-34. 

Friday, June 21, 2019

Myth - 1697 Goddess Flora, Goddess of Flowers

Luca Giordano & Andrea Belvedere, Flora, Goddess of Flowers, Ca. 1697

The Museum of Fine Arts, Houston tells us that "In ancient mythology, there was a god & goddess for everything; anything from the generic deity above all others to love to home life...One mythology painting is from the collection of the Museo Nacional del Prado in Spain. The Goddess Flora (La Diosa Flora), Luca Giordano & Andrea Belvedere, c. 1697... 

"Luca Giordano was considered a very popular Spanish painter within the Spanish court under Charles II. While, Andrea Belvedere, who lived in Spain from c. 1694 to c. 1700 was believed to be called from his home in Naples, Italy, by Giordano himself, to paint for the Spanish court. The work is supposedly one of several collaborations between Giordano (who painted the goddess Flora & the seated women) & Belvedere (who executed all the intricate flowers)...


"The Goddess Flora...depicts the goddess sitting on a raised throne surrounded by 4 women, with whom she shares various, colorful flowers. These are taken from a massive, overflowing cornucopia in her left arm...


"All 5 women are dressed mostly in “classical”clothing, but have touches of contemporary pieces...The maiden to Flora’s right wears a simple string of pearls around her neck; & another maiden has a pair of pearl, teardrop-shaped earrings on. Compared to the muted tones of the clothing of the 5 women, the flowers are vibrantly painted & dominate the color scheme of the whole piece...The flowers easily show us the contrasts in the styles of Giordano & Belvedere.


"The 4 women, whose dresses are of completely different colors, together as a group may, in theory, represent the “Four Seasons”. The woman on the right of Flora wears a garland of flowers in her hair & another woman, to Flora’s left, gathers a rather large bundle of flowers. They easily could represent Spring & Summer. Yet another woman is in a rust-colored dress...would be Autumn. Finally, the last woman with no flowers could be Winter.


"Paintings like this were a favorite subject of art commissioned for royalty all over the world, as a passion for the story; as much as, the use of that myth to elevate themselves as divinely-appointed rulers..."


Posted 13th February 2013 by Christopher M. Hammel
The "Unofficial" Blog of the Museum of Fine Arts, Houston

Thursday, June 20, 2019

1616 Spring to Summer- Locus amoenus, Allegories by Jan Brueghel the Elder 1568-1625 & Hendrick van Balen 1575-1632

Jan Brueghel the Elder 1568-1625 & Hendrick van Balen 1575-1632 Spring, 1616

As in these paintings, allegorical characters in stories & in art of this period were often located in garden settings. The locus amoenus was one of the traditional locations of epic & chivalric literature. As a literary genre of high culture, romance or chivalric romance is a type of prose & verse narrative that was popular in the aristocratic circles of Medieval & Early Modern Europe. Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it.

Locus amoenus (Latin for "pleasant place") is a literary term which generally referring to an idealized place of safety or comfort, usually a beautiful, shady parkland or open woods, sometimes with connotations of Eden. A locus amoenus usually has 3 basic elements: trees, grass, & water.

Often, the locus amoenus garden will be in a remote setting & with only components or suggestions of a more formal, geometric, walled garden, such as the flower pots seen above. The locus amoenus can also be used to highlight the differences between urban & rural life or be a place of refuge from the processes of time & mortality. In some works, such gardens also have overtones of the regenerative powers of human sexuality marked out by flowers, & goddesses of springtime, love, & fertility. Ernst Robert Curtius formulated the concept's definition in his European Literature & the Latin Middle Ages (1953).
Jan Brueghel the Elder 1568-1625 & Hendrick van Balen 1575-1632 Summer, 1616

Tuesday, June 18, 2019

Time for Sitting Outdoors with Flowers & Dogs

William Marshall (British printmaker, 1617-1649) Woman with Flower Basket & Intrigued Dog

Sunday, June 16, 2019

Friday, June 14, 2019

Monday, June 10, 2019

Sunday, June 2, 2019

18C Allegory of Spring - Love & Bird Nests

1800 Spring by P Stampa published in London

This couple is in a garden with flowers in bloom & a cold frame on the right side. The man is picking a rose to add to the bunch he holds, while looking back at the woman, who carries a parasol. A boy shows passes a birds' nest to a little girl who holds out her apron.  In the background are men in a hay-field.