Sunday, November 18, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

1765 John Theodore Heins Jr. (British artist,1732-1771) Phoebe Fonnereau, as a Shepherdess

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.

Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Saturday, November 17, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

1764  Joshua Reynolds (English artist, 1723-1792) Anne Dashwood, Countess Galloway as a Shepherdess

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.

Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Friday, November 16, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

1760s Francis Cotes, (English painter, 1726-1770) Elizabeth Cust, Mrs Yorke as a Shepherdess

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.

Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Thursday, November 15, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

1760 Studio of Boucher Madame Boucher as a Shepherdess

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.

Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Wednesday, November 14, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

1760 George Chalmers, (Scottish artist, 1720-1791) A Shepherdess in a Landscape

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.

Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Tuesday, November 13, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman & an Elegant Escort-Tending Sheep - Pastoral Allegories

1760 Carle Vanloo (French painter, 1705-1765) A Lady and Gentleman as elegant Shepherd and Shepherdess

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.

Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Monday, November 12, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

1755 Maurice Quentin de La Tour (French artist, 1704-1788)  Madame de Pompadour as a Shepherdess

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.

Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Saturday, November 10, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

1740-50 Unknown British artist Portrait of a Lady as a Shepherdess

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints. These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.

Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Friday, November 9, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

 1725 Unknown artist often attr. to Charles Jervas or Charles Jarvis (Irish artist, c 1675-1739)  Mary Elizabeth Davenport, Mrs John Mytton, as a Girl, in Shepherdess Costume

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.

Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Thursday, November 8, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

1725 Enoch Seeman the Younger (Polish-born artist, 1694–1745) Lady Rachel Cavendish (1697–1780), Lady Morgan, as a Shepherdess

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.

Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Wednesday, November 7, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

>1725 Charles Jervas or Charles Jarvis (Irish artist, c 1675-1739) Lady Rachel Cavendish (1697–1780), Lady Morgan, as a Shepherdess

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.

Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Tuesday, November 6, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

 1700s James Francis Maubert (Irish artist, 1666-1746) Portrait of Henrietta Duchess of Bolton

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.



Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Monday, November 5, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

Godfrey Kneller (German-born English artist, 1646-1723) The Honourable Janet Ogilvie (1668–1743)

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.



Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Sunday, November 4, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

Godfrey Kneller (born Gottfried Kniller) (German-born English artist, 1646-1723)  Frances Whitmore

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.



Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Saturday, November 3, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

1710 Godfrey Kneller (German-born English artist, 1646-1723) Lady Mary Pierrepont, Later Wortley Montagu

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.



Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Friday, November 2, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

1713 Godrey Kneller (German-born English painter, 1646–1723) Lady Jane Jackson (d 1731)

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.

Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.

Thursday, November 1, 2018

Longing for a Soft, Docile 17C-18C Gentlewoman Tending Sheep - Pastoral Allegories

 1675 Mary Beale (English portrait painter, 1632-1697) Jane Fox, Lady Leigh as a Shepherdess

During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints.  These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.

Early portraits of women portrayed as shepherdesses were more seductive than those painted later.  The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes.  The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such.  The shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.