Monday, December 31, 2018

Glory to God in the highest, and on earth peace, good will toward men.

Melozzo da Forli (Italian Renaissance artist, 1438-1494) Angel from the Vault of the Sacristy of Saint Mark  January 29, 2011. "Without Melozzo, the work of Raphael and Michelangelo would have never existed.” This statement by Antonio Paolucci, director of the Vatican Museums, sums up the impact this renaissance painter had on some of the greatest Italian painters.

Sunday, December 30, 2018

The Christmas Season for Dogs

Carl Reichert (Austrian painter, 1836-1918) A Christmas Treat 1800s

Glory to God in the highest, and on earth peace, good will toward men.

Melozzo da Forli (Italian Renaissance artist, 1438-1494) Angel from the Vault of the Sacristy of Saint Mark  January 29, 2011. "Without Melozzo, the work of Raphael and Michelangelo would have never existed.” This statement by Antonio Paolucci, director of the Vatican Museums, sums up the impact this renaissance painter had on some of the greatest Italian painters.

Saturday, December 29, 2018

1660 England - The Merry Boys of Christmas - A little romance & a lot of Christmas Beer

Merry Boys of Christmas OR,The Milk-Maids New-Years-Gift.

When Lads and Lasses take delight,
together for to be;
They pass away the Winter Night,
and live most Merrily.
To the Tune of, Hey Boys up go we.

Come, come my roaring ranting Boys,
lets never be cast down,
Wel never mind the Female Toys,
but Loyal be to the Crown:
Wel never break our hearts with Care,
nor be cast down with fear,
Our bellys then let us prepare,
to drink some Christmas Beer.

Then heres a Health to Charles our King,
throughout the world admird,
[L]et us his great applauses sing,
that we so much desird,
And wisht amongst us for to Reign,
when Oliver ruld here,
But since hes home returnd again,
come fill some Christmas Beer.

These Holidays wel briskly drink,
all mirth we will devise,
No Treason we will speak or think,
then bring us brave mincd Pies:
Roast Beef and brave Plum-Porridge
our Loyal hearts to chear,
Then prithee make no more ado,
but bring us Christmas Beer.

Glory to God in the highest, and on earth peace, good will toward men.

Melozzo da Forli (Italian Renaissance artist, 1438-1494) Angel from the Vault of the Sacristy of Saint Mark  January 29, 2011. "Without Melozzo, the work of Raphael and Michelangelo would have never existed.” This statement by Antonio Paolucci, director of the Vatican Museums, sums up the impact this renaissance painter had on some of the greatest Italian painters.

Friday, December 28, 2018

Ireland - Killing Wrens all because either Saint Stephen or some roving Vikings were betrayed by a chattering wren

The Irish used to celebrate the day after Christmas, St Stephens Day, by killing wrens

In Ireland, the day after Christmasonce includedhunting down a small bird & tying it to the top of a pole. That’s how the Irish celebrated St. Stephens Day, or Wren Day. The name alludes to several legends linking episodes in the life of Jesus to the wren. People dress up in old clothes, wear straw hats & travel from door to door with fake wrens (previously real wrens were killed), while they dance, sing, & play music. One myth said that the robin, that was suppose to represent the New Year, killed the wren which represented the Old Year during this time.
Apparently birds hold a special place in the ancient Irish imagination & in that mythology the tiny wren holds powerful sway. Some believe the word "dreoilín" (Gaelic for "wren") has its roots in the term "Druid's bird" which acted as as messenger between this world & the next. In Irish folklore, the wren was viewed as the cleverest of birds, & hunting the wren is thought to have a stronger relationship to sacrificing a sacred symbol.

Limerick-born Gerald Griffin (1803-1840), novelist, poet and playwright wrote of 19C wren boys in a book published after his death of typhus in 1857, called The Half Sir published in Dublin by James Duffy.
"The Wren-boys of Shanagolden] … were all assembled pursuant to custom on the green before the chapel-door on a fine frosty morning, being the twenty-sixth of December, or Saint Stephen’s Day – a festival yet held in much reverence in Mumha [Griffin has Munster], although the Catholic Church has for many years ceased to look upon it as a holiday of “obligation.”

‘Seven or eight handsome young fellows, tricked out in ribbons of the gayest colours, white waistcoats and stockings, and furnished with musical instruments of various kinds – a fife, a piccolo, an old drum, a cracked fidde, and a set of bagpipes – assumed their place in the rear [Griffin has rere] of the procession, and startled the yet slumbering inhabitants of the neighbouring houses by a fearfully discordant prelude.


‘Behind those came the Wren-boy par excellence – a lad who bore in his hands a holly-bush, the leaves of which were interwoven with long streamers of red, yellow, blue and white ribbon; all which finery, nevertheless, in no way contributed to reconcile the little mottled tenant of the bower (a wren which was tied by the leg to one of the boughs) to his state of durance. After the Wren-boy came a promiscuous crowd of youngsters, of all ages under fifteen, composing just such a little ragged rabble as one observes attending the band of a marching regiment on its entrance into a country town, shouting, hallooing, laughing, and joining in apt chorus with the droning, shrilling, squeaking, and rattling of the musicians of the morn...


Around this space the procession formed, and the Wren-boy, elevating his bush, gave out the opening stave of the festive chant, in which the whole rout presently joined:

“The Wran! the Wran! the king of all birds,
St Stephen’s day was caught in the furze;
Although he’s little, his family’s great.
Get up, fair ladies! and give us a trate!
And if your trate be of the best,
In heaven we hope your soul will rest!”’
Daniel Maclise illustration for S.C. Hall’s Ireland Its Scenery and Character (1841)

The tradition of Hunting the Wren was celebrated on Dec 26th, when a wren was captured & thought to bring good luck for the new year. In modern times, the tradition of "hunting the wren" involves musicians roaming from house to house playing music on "St. Stephen's Day" and "passing the hat."

The killing of birds on Wren Day was reportedly done by young boys also called Mummers. Originally, groups of small boys would hunt for a wren, and then chase the bird until they either have caught it or it died from exhaustion. The dead bird was tied to the top of a pole or holly bush, which was decorated with ribbons or colored paper.
Early in the morning of St. Stephen’s Day, the wren was carried from house to house by the boys, who wore straw masks or blackened their faces with burnt cork, and dressed in old clothes. At each house, the boys sing a Wren Boys’ song.

Typical lyrics are:
The wren, the wren, the king of all birds,
St. Stephen’s Day was caught in the furze,
Although he was little his honour was great,
Jump up me lads and give us a treat.
As I was going to Killenaule,
I met a wren upon the wall.
Up with me wattle and knocked him down,
And brought him in to Carrick Town.

Drooolin, Droolin, where’s your nest?

Tis in the bush that I love best
In the tree, the holly tree,
Where all the boys do follow me.
Up with the kettle and down with the pan,
And give us a penny to bury the wren.
I followed the wren three miles or more,
Three miles or more three miles or more.
I followed the wren three miles or more,
At six o’clock in the morning.
I have a little box under me arm,
Under me arm under me arm.
I have a little box under me arm,
A penny or tuppence would do it no harm.
Mrs. Clancy’s a very good woman,
a very good woman, a very good woman,
Mrs. Clancy’s a very good woman,
She give us a penny to bury the wren.
Another explanation of this myth is that St. Stephen, hiding from his enemies in a bush, was betrayed by a chattering wren. The wren, like St. Stephen, should be hunted down and stoned to death. Another legend holds that during the Viking raids of the 700's, Irish soldiers were betrayed by a wren as they were sneaking up on a Viking camp in the dead of night. A wren began to eat breadcrumbs left on the head of a drum, and the rat-a-tat-tat of its beak woke the drummer, who sounded the alarm and woke the camp, leading to the defeat of the Irish soldiers and the continuing persecution of the wren.
The tradition of "hunting the wren" has continued virtually unbroken, at least in some parts of the country, for centuries. Men primarily, carrying tin whistles, accordions and the like, went from house to house playing simple tunes (due to the cold weather when stiff fingers can prevent the playing of more difficult pieces) and dressed in disguise. They often wore costumes of straw, but should not be confused with strawboys who often performed at wakes in times past.

The wren boys were often led by a 'hobby horse,' with a wooden head, with snapping jaws, placed on the shoulders of the 'leader.' Believed to have associations with the ancient god Lugh, the horse was thought to be of great importance in old Ireland, but like many of these old traditions, it's original meaning are often lost to us. That said, the antics of the hobby horse often made for great entertainment. They are most common in West Kerry where wrenboys and the tradition of Mummers plays and Mumming stayed very strong long after it had died out in many other parts of the country.
Today, no wrens are harmed in the name of Wren Day. In fact, the holiday is barely celebrated in most of Ireland. The town of Dingle has a parade. Come Wren’s Day, thousands of spectators line the streets of Dingle to watch this spectacle of men, dressed in rigs and brightly colored costumes, take over the town.

They wren boys often begin their festivities with this old song:
The Wren, The Wren
The Wren, the Wren the king of all birds,
St. Stephenses day, he was caught in the furze.
Although he is little, his honor is great,
Rise up, kind sir, and give us a trate.
We followed this Wren ten miles or more
Through hedges and ditches and heaps of snow,
We up with our wattles and gave him a fall
And brought him here to show you all.
For we are the boys that came your way
To bury the Wren on Saint Stephenses Day,
So up with the kettle and down with the pan!
Give us some help for to bury the Wren!
Starting at noon and going on until the early hours of the following day, The Wren is a blaze of color and a lot of noise, thanks not only to the accompanying musicians’ fife and drums, but to the collection boxes the wren boys shake. Rather than paying for a dance for the whole town, today’s funds go to local charities. Be warned. Innocent by-standers will often get swept into the parade or chased down side-streets. No longer to wrens have to fear Wren Day, but it seems like if you’re in Dingle, you might.

The proceeds of the collection boxes traditionally was spent on a party called a ‘Join’. Picking a house for the shindig, a barrel of porter was bought for the men and wine for the ladies. Jam, currant cake, bread, sugar and lemonade was provided for everyone. A 'great night of sport and fun, dancing and music' followed that lasted until morning.
At the very least, 'hunting the wren,' reflects the universal practice of dressing in costume or disguise and having an 'out of body' or 'out or everyday life' experience, in order to relieve the tensions and constraints of every day life.

Another Version of the Wren Song:
The Wran, the Wran the king of all birds,
St. Stephen's Day was caught in the furze,
Although he is little, his honour is great,
Put your hand in your pocket and give us a trate.
Dreoilin, dreoilin where is your nest?
Its in the bush that I love best,
Behind the holly and ivy tree,
Where all the birds shall follow me.
As I was goin' down to Youghal,
I saw a wran upon a wall,
I up with my stick and I knocked him down,
Then brought him back to Mitchelstown.
Mister_______ is a very fine man,
It was to him we brought the Wran,
You'll have luck throughout the year
If ya give us the price of a gallon o' beer.
Raise up your glasses, your bottles and cans
We toast your subscription to bury the Wran,
Up with the kettle and down with the pot,
Give us your money and let us be off!

Glory to God in the highest, and on earth peace, good will toward men.

Francesco Botticini (1446-1497) Angel from the San Sabastiano altarpiece, ca. 1476-79

Thursday, December 27, 2018

Paintings of The Adoration of the Shepherds

1374 Adoration of the Shepherds  by Bartolo di Fredi 1330-1409 Metropolitan Museum of Art, Cloisters Collection 25.120.288

 1383 Bartolo di Fredi, Nativity and adoration of the shepherds

There were shepherds in the same country staying in the field, and keeping watch by night over their flock. Behold, an angel of the Lord stood by them, and the glory of the Lord shone around them, and they were terrified. The angel said to them, "Don't be afraid, for behold, I bring you good news of great joy which will be to all the people. For there is born to you, this day, in the city of David, a Savior, who is Christ the Lord. This is the sign to you: you will find a baby wrapped in strips of cloth, lying in a manger." Suddenly, there was with the angel a multitude of the heavenly army praising God, and saying,
 1449 Domenico Ghirlandaio (Italian artist, 1449–1494) Adoration of the Shepherds
"Glory to God in the highest, 
on earth peace, good will toward men." 
It happened, when the angels went away from them into the sky, that the shepherds said one to another, "Let's go to Bethlehem, now, and see this thing that has happened, which the Lord has made known to us." They came with haste, and found both Mary and Joseph, and the baby was lying in a manger. When they saw it, they publicized widely the saying which was spoken to them about this child. All who heard it wondered at the things which were spoken to them by the shepherds. But Mary kept all these sayings, pondering them in her heart. The shepherds returned, glorifying and praising God for all the things that they had heard and seen, just as it was told them.  Luke 2:8-20
1451 Andrea Mantegna Adoration of the Shepherds

1510 Giorgione (Giorgio Barbarelli from Castelfranco 1477-1510) The Adoration of the Shepherds

 1508 Pieter Aertsen (Dutch Northern Renaissance Painter, c 1508-1575) The Adoration of the Shepherds

Adoration of the Child Jesus c 1515, attributed to a follower Jan Joest.

 1522 Correggio (Antonio Allegri) (Italian painter, c 1489-1534) Adoration of the Christ Child by the Shepherds on the Holy Night

 1545 Jacopo Bassano (Italian painter, 1510-1592) Adoration of the Shepherds

 1555 Jacob de Backer (Belgian artist, 1555–1585) Adoration of the Shepherds

Francesco Bassano the Younger (1563-1570) Adoration of Shepherds

Francesco Bassano the Younger (1563-1570) Adoration of Shepherds

1585 Jacopo Bassano (Italian painter, 1510-1592) Adoration of the Shepherds Detail

1590 Gerrit van Honthorst (Dutch painter, 1590–1656) Adoration of the Shepherds

1590 Gerrit van Honthorst (Dutch painter, 1590–1656) Adoration of the Shepherds

1593 Georges de La Tour (French artist, 1593–1652) Adoration of the Shepherds

1593 Jacob Jordaens (Flemish artist, 1593-1678) Adoration of the Shepherds

 1599 By one of the Le Nain brothers, (French artists, Antoine Le Nain (c.1599-1648), Louis Le Nain (c.1593-1648), and Mathieu Le Nain (1607–1677) Adoration of the Shepherds

1599 By one of the Le Nain brothers, (French artists, Antoine Le Nain (c.1599-1648), Louis Le Nain (c.1593-1648), and Mathieu Le Nain (1607–1677).  Adoration of the Shepherds

1599 Cigoli, Ludovico Cardi (1559-1613) - 1599 The Adoration of the Shepherds with St. Catherine of Alexandria

 Angnolo Bronzino, Agnolo di Cosimo, (Italian Mannerist artist, 1503-1572) Adoration of the Shepherds

El Greco (Greek painter, 1541-1614) The Adoration of the Shepherds 1614

Fra Filippo Lippi (Italian Renaissance painter, c 1406–1469) also called Lippo Lippi, Adoration of the Shepherds

Giorgio Vasari (Italian artist, 1511–1574) Adoration of the Shepherds

Lorenzo di Credi (Italian artist, c 1459-1537) Adoration by the Shepherds

 Lorenzo Lotto (1480-1556) Adoration of the Shepherds

Paolo Veronese (Paolo Caliari) ((Italian, 1528-1588) Adoration of the Shepherds

Paolo Veronese (Paolo Caliari) ((Italian, 1528-1588) Adoration of the Shepherds

Tintoretto, Jacopo Robusti (Italian, 1518-1594), Adoration of the Shepherds

Unknown Master, German (active 1470-80) Adoration of the Shepherds

Images of European Christmas Traditions

Viggo Johansen (Danish artist, 1851–1935) Silent Night

Jan Havicksz. Steen (Dutch artist, c 1626-1679). Feast of St Nicholas 1665

Ferdinand Georg Waldmüller (Austrian artist, 1793-1865) A traveling family of beggars is rewarded by poor peasants on Christmas Eve 1834

Carlton Alfred Smith (English artist, 1853-1946), Christmas Eve

Franz Ignaz Pollinger (Austrian artist) First Christmas Tree in Ried 1848

Felix Ehrlich (German artist, 1866–1931) Christmas

Joseph Clarke (English-born artist, 1844-1890) Christmas Morning

David Jacob Jacobson (German painter, 1818–1891) Selling Christmas Trees

George Bernard O’Neil (Irish artist, 1828-1917) Hanging the Mistletoe 1892

Hans Stubenrauch (German artist, 1875– 1941) Christmas Time

Genrich Manizer (Russian artist, 1847–1925) Christmas Tree Market

Franz Skarbina (German artist, 1849 –1910) Under the Christmas Tree

Franz Skarbina (German artist, 1849–1910) Boy from the Berlin Christmas Market

William Ewart Lockhart (Scottish artist, 1846-1900) Old Father Christmas

Sergei Dunchev (Russian artist, b 1916) New Year

Heinrich Max (Czech artist, 1847-1900) A Christmas Read 1877

Albert Chevallier Tayler (British painter, 1862-1925) The Christmas Tree 1911

Gustave Brion (French Realist Painter, 1824-1877) Christmas Singers detail 1856

Franz Krüger (German painter, 1797-1857), Father & Son Picking Christmas Tree

Franz Skarbina (German artist, 1849-1910) The Christmas Market in Berlin 1892

Zinaida Yevgenyevna Serebriakova (Russian artist, 1884-1967) Katya in Blue Dress by Christmas Tree 1922

Frederick Daniel Hardy (English artist, 1827-1911) The Christmas Hamper 1874

Fetching Home the Christmas Dinner. From The London Illustrated News, Christmas Supplement. 1848.

Heinrich Ferdinand Werner (German artist, 1867-1928) The Christmas Tree 1909

Ferdinand Georg Waldmüller (Austrian artist, 1793-1865), Christmas Morning 1844

Hildebrandt Ferdinant Theodor (German painter, 1804–1874) Children Anticipating the Christmas Feast 1840

Joseph Clark (British artist, 1834-1926) A Christmas Dole 1800s

Callcott Horsley (English artist,1817-1903), Under the Mistletoe 1865

Lovis Corinth (German painter, 1858-1925) Distributing Christmas Presents 1913

Augusto Giacometti (Swiss artist, 1877-1947) Christmas 1939

Unknown French artist, Women and Children around the Christmas Tree c 1890 

Anders Zorn, (Swedish artist, 1860–1920) Christmas Morning Service 1908

Franz Cižek (Austrian artist, 1865-1946) Santa with Toys 1910-20

Alois Hänisch (Austrian artist, 1866-1937) Christmas Spirit 1921

Jozsef Rippl-Ronai (Hungarian, 1861-1927) Christmas 1903-4

Jozsef Rippl-Ronai (Hungarian artist, 1861-1927) Christmas 1910

Eugen Kirchner (German artist, 1865-1938) Christmas Eve 1927