Waterside with Frenchman Édouard Manet 1832-1883

Édouard Manet (French artist, 1832-1883) The Beach at Boulogne in 1868

Édouard Manet (French artist, 1832-1883) On The Beach 1873

Édouard Manet (French artist, 1832-1883) Boating 1874

Édouard Manet (French artist, 1832-1883) Seascape at Arcachon 1871

Waterside with Frenchman Claude Monet 1840-1926

Claude Monet (French artist, 1840-1926) Camille Monet on the Beach at Trouville 1870

Claude Monet (French artist, 1840-1926) River Scene at Bennecourt 1868

Claude Monet (French artist, 1840-1926) On the Beach at Trouville

Claude Monet (French artist, 1840-1926) Garden at Sainte-Adresse

Claude Monet (French artist, 1840-1926) The Beach at Trouville 1870

Claude Monet (French artist, 1840-1926) The Regatta At Sainte-Adresse 1867

Waterside with Frenchman Pierre Auguste Renoir 1841-1919

Pierre Auguste Renoir (1841-1919) Children on the Seashore Guernsey 1883



Pierre Auguste Renoir (1841-1919) On the Beach, Figures under a Parasol 1898

Pierre Auguste Renoir (1841-1919) By the Seashore 1883

Pierre Auguste Renoir (1841-1919) Children on the Seashore Guernsey 1883

Pierre Auguste Renoir (1841-1919) Figures on the Beach 1890s

Pierre Auguste Renoir (1841-1919) Two Little Girls at the Beach

Pierre Auguste Renoir (1841-1919) The Beach at Purnic

Pierre Auguste Renoir (1841-1919) Young Girls on the Beach 1898

Pierre Auguste Renoir (1841-1919) By the Water

1749 September

1749 September - John June (Print made by) D Voisin (Published by) London

Most iconography of months evolved from Medieval & early Renaissance art depicting in 12 scenes the rural activities that commonly took place in the months of the year. These early illustrations are important to the development of landscape painting. And I like them, because they illustrate much about early gardening and foodways.  This particular image, however, is more about fashion than food.

A typical simple scheme might include:
January - Feasting
February - Sitting by a fire
March - Pruning trees, or digging
April - Planting, enjoying the country or picking flowers
May - Hawking, courtly love
June - Hay harvest
July - Wheat harvest
August - Wheat threshing
September - Grape harvest
October - Ploughing or sowing
November - Gathering acorns for pigs
December - Killing pigs, baking

But there were many variations, especially in major wine-growing areas, where more wine related scenes were included. Illustrations from further south, such as Italian cycles, often advance the agricultural scenes a month earlier than ones from the more northern Low countries or England.

Parasols for Sun & Umbrellas for Rain - A few of unexpected parasol devotees...

Winslow Homer (American artist, 1836–1910) Artists Sketching in the White Mountains

John Singer Sargent (American expatriate artist, 1856-1925) The Sketchers, 1914

Carl Spitzweg (German artist, 1808-1885) The Botanist

My favorite sheep posed for the camera

All about the Wine & Spirits - 1600s

 1600s David Teniers the Younger (Flemish artist, 1610–1690) Vintner

 1690 Studio of David Teniers the Younger (Flemish artist, 1610–1690)  Autumn

 David Teniers II (Flemish, 1610 - 1690) & workshop, Allegory of Autumn 1644

 David Teniers III (1638-1685), and workshop, Allegory of Autumn

The Toper, but may be intended as a personification of Autumn, copy of Teniers's Autumn of about 1644.

Paar dat wijn drinkt, Anonymous, Crispijn van de Passe (I), Maerten de Vos, 1574 - 1687

Liquor seller by David Teniers II (Flemish, 1610 - 1690) ca. 1640

Liquor seller by David Teniers (II), ca. 1640

1600s Spanish children trapped in the bodies & costumes of their elders

 1550s Alonso Sanchez Coello (Spanish painter, ca.1531-1588) Carlos, Prince of Asturias, also known as Don Carlos (1545-1568), was the eldest son and heir-apparent of King Philip II of Spain

During this period, children of titled or landed nobles were dressed as miniature adults reflecting their particular social status, where children were often married or promised in marriage at very young ages to cement social, political, & economic alliances.  The portrait of an heir asserts their position of birth, wealth, & power of the family.  From the 16C to the 18C, sumptuary laws dictated what people of an established social status were allowed to wear, such as rich textiles, laces, jewelry, & accessories.  It was hoped that these laws would maintain the social order with the aristocracy at the top of the heap.  Unfortunately, or fortunately, these mandates were difficult to enforce.  

 1560s Alonso Sanchez Coello (Spanish painter, ca.1531-1588) Portrait of Rudolf II, Holy Roman Emperor, King of Hungary and Croatia, King of Bohemia and Archduke of Austria (1552-1612)

  1569 Alonso Sanchez Coello (Spanish painter, ca.1531-1588) Infanta Isabella, daughter of King Philip of Spain

 1570s Alonso Sanchez Coello (Spanish painter, ca.1531-1588) Infanta Isabella Clara Eugenia (1566–1633) and her monkey

 1570s Alonso Sanchez Coello (Spanish painter, ca.1531-1588) Of Austria Archduke Wenceslaus of Austria (1561-1578) He was the young Grand Prior of the Order of Malta.

 1575 Alonso Sanchez Coello (Spanish painter, ca.1531-1588)  Portrait of Infante Ferdinand of Spain holding a bird

 1575 Alonso Sanchez Coello (Spanish painter, ca.1531-1588) Infantas Isabella Clara Eugenia and Catalina Micaela of Spain

 1579 Alonso Sanchez Coello (Spanish painter, ca.1531-1588)  Infantes Don Diego and Don Felipe Detail

 1580 Alonso Sanchez Coello (Spanish painter, ca.1531-1588) The Infant Don Felipe

 1580s Attributed to Alonso Sanchez Coello (Spanish painter, ca.1531-1588) Isabella Clara Eugenia and Catharina, Daughters of Philip II, King of Spain.  Also portrayed are a bird & dog.

 1602 Juan Pantoja de la Cruz (Spanish artist, 1553–1608)  Infantin Anna (1601-1666) Ana Maria Mauricia Infanta, daughter of Philip III and Margaret of Austria, was the eldest of 8 children.

 1602 Juan Pantoja de la Cruz (Spanish artist, 1553–1608)  Infantin Anna (1601-1666) Ana Maria Mauricia Infanta, daughter of Philip III and Margaret of Austria, was the eldest of 8 children. Detail

 1602 Juan Pantoja de la Cruz (Spanish artist, 1553–1608)  Portrait of the Infanta Ana Mauricia of Austria. (Daughter of Philip III and Margaret of Austria, Styria kings)  There were a few exceptions to the adult-clothes-only rule, including toddler dresses, coral teething necklaces & pieces of coral, such as the one being held here, for teething purposes

 1604 Juan Pantoja de la Cruz (Spanish artist, 1553–1608) Infant Anna

 1607 Juan Pantoja de la Cruz (Spanish artist, 1553–1608)  Infantin Maria Anna (1606-1646)

 1607 Juan Pantoja de la Cruz (Spanish artist, 1553–1608) The Infantes Don Felipe and Doña Anna

 1610 Bartolomé González y Serrano (1564–1627), A 9-year old Anne of Austria, future Queen of France, and her brother, a 5-year old Philip, future Philip IV, the King of Spain portrayed with a small dog

 1612 Bartolomé González y Serrano (1564–1627), Alfonso, the son of Philip III of Spain

 1612 Bartolomé González y Serrano (1564–1627), Infante Carlos (1607-1632) with his sister, Infanta Maria Anna (1606-1646)

  1612 Bartolomé González y Serrano (1564–1627), The children of Philip III of Spain (Ferdinand, Alfonso and Margarita)

 1613 Bartolomé González y Serrano (Spanish artist, 1564–1627) Portrait of Alfonso el Caro and Ana Margarita with dog