Tuesday, April 26, 2022

USE Mythical Gardens - Adam & Eve in The Garden of Eden - Illuminated Manuscripts

 Adam and Eve in The Garden pf Edem Eating the Forbidden Fruit (detail), by Willem Vrelant, early 1460s

In Western iconography the early Christian garden is usually defined by the Biblical story of Adam and Eve, the original lovers thrown out of paradise for tasting forbidden fruit, and cast into the wilderness to define their own lives & gardens. Before the Western printing press, illustrated manuscripts and early depictions of landscapes in portrayals of Biblical gardens give a glimpse of gardens familiar & imagined during the periods the images were created. Gardens are often mentioned in the Bible. In the language of the Hebrews, every place where plants & trees were cultivated with greater care than in the open field, was called a garden. Fruit & shade trees, with aromatic shrubs, sometimes constituted the garden; though roses, lilies, & various gardens were used only for table vegetables, Genesis 2:8-10 15:1-21; 1 Kings 21:2; Ecclesiastes 2:5,6.
Genesis 2:8 “And the Lord God planted a garden eastward in Eden, and there He put the man whom He had formed...And the Lord God took the man, and put him into the Garden of Eden to dress it and to keep it."

See:
Creation of Adam

Michaelangelo. Creation of Adam. Fresco. Vatican, Sistine Chapel. Pietrangeli et al. The Sistine Chapel. New York: Harmony Books, 1986. P. 139

Creation of Adam. Sculpture,13th century. Chartres, North Porch. Kraus, The Living Theatre of Medieval Art, pl. 30

Boucicaut Master and Workshop. God gives Adam a soul. 15th C. Illumination. Paris, Bibl. Nat., fr. 9141, f. 29v. Meiss, Millard. French Painting in the Time of Jean de Berry: The Boucicaut Master. London: Phaidon, 1968. Pl. 448

Creation of Eve

The Creation of Eve. Biblium Pauperum, 14th Century. Lee, Laurence. Stained Glass. London: Artists House, 1982. P. 26.

The Creation of Eve. Early 13th C. Illumination. Psalter of Saint Louis and Blanche of Castille. Paris, Bibliotheque de l'Arsenal, MS 1186, f. 10. P. D'Ancona & E. Aeschlimann. The Art of Illumination. London: Phaidon, 1969. plate 73

Michaelangelo. The Creation of Eve.Vatican, Sistine Chapel. Pietrangeli et al. The Sistine Chapel. New York: Harmony Books, 1986. Pp. 144 45.

Creation of Adam and Eve. Mid 14th C. Illumination. Holkham Bilble Picture Book. London, British Library, MS Add. 47682, f. 3. P. D'Acona & E. Aeschlimann. The Art of Illumination. London: Phaidon, 1969. Plate 90.

God presents Eve to Adam. 15th C. Illumination. Cambridge, Fitzwilliam Museum, ms. 251, f. 16. Meiss, Millard. French Painting in the Time of Jean de Berry: The Boucicaut Master. London: Phaidon, 1968. Pl. 457

Adam and Eve.15th C. Illumination.Paris, Bibl. de l'Arsenal, ms. 5193, f. 8v. Meiss, Millard. French Painting in the Time of Jean de Berry: The Boucicaut Master. London: Phaidon, 1968. Pl. 381

Adam and Eve in the Garden of Eden. ca 1460. Illumination,17 1/8 x 12 in. Les sept ages du monde. Department of Manuscripts, Royal Library of Belgium, MS 9047, f. 1v,L.M.J. DeLaisse. Medieval Miniatures. London: Thames and Hudson, 1965. Plate 35.

Jean Colombe. Adam and Eve.1480-85. Illumination. Hours of Anne of France. New York, Morgan Library. Gill, D. M.Illuminated Manuscripts. New York: Brockhampton Press and Barnes and Noble, 1996. p. 47

The Fall

The Creation and Fall. The Bedford Book of Hours, ca. 1423. The British Library. Postcard, museum shop.

Masolino. The Fall of Man. Florence, Brancacci Chapel.Casazza, Ornella. Masaccio. Florence: Scala, 1990. pl. 40

Michaelangelo: The Fall of Man. Rome, Vatican, Sistine Chapel. Pietrangeli et al. The Sistine Chapel. New York: Harmony Books, 1986. Pp. 146-47

John Thornton of Coventry. The Fall of Man. Stained glass. York Minster, Great East Window. Lee, Laurence. Stained Glass. London: Artists House, 1982. p. 87

The Fall of Man. Norwich Cathedral, wood carving (ceiling boss). Card, cathedral shop.

The Fall of Man. Illumination, late 13th century. British Library, Hebrew MS. Add. 11638, f. 520v. Postcard, museum shop.

The Limbourg Brothers. The Fall. Chantilly, Muse Cond. Tres Riches Heures du Duc de Berry.Cazelles. Illuminations of Heaven and Earth. New York: Abrams. p. 70-71

Guilio Clovio. The Fall of Man Illumination, The Hours of Cardinal Alesssandro Farnese, 1546. New York, The Morgan Library, MS 69, f. 28. Harthan, John. The Book of Hours. New York: Park Lane, 1977. p. 163

The Expulsion from the Garden

Masaccio. The Expulsion. Florence: Brancacci Chapel. Casazza, Ornella. Masaccio. Florence: Scala, 1990. Pl. 21.

God creates Adam and Eve, the Fall and Expulsion. 834 843, Tours. Illumination. Moutier-Grandval Bible. London, British Library, MS Addit. 10546, f. 5v. Beckwith, John. Early Medieval Art. London: Thames and Hudson, 1964. Pl. 46.

Boucicaut Workshop. Adam and Eve, Eve addressed by angel as she spins, Adam delving. Early 15th C, before 1413. Illumination. Paris, Bibliotheque Nationale, fr. 3810, f. 157v. Millard Miess. French Painting in the Time of Jean de Berry: The Boucicault Master. London: Phaidon, 1968. Plate 94.

Adam Delving. Late 12th C. Stained glass. Canterbury Cathedral, west window, nave. Keates, Jonathan. Canterbury Cathedral. London: Scala/Philip Wilson, 1980. p. 60

Monday, April 25, 2022

Spring 2022 at Longwood Gardens in Pennsylvania


Ten years after purchasing Longwood, Pierre du Pont was just getting warmed up. By 1916 he was contemplating grand indoor facilities “designed to exploit the sentiments & ideas associated with plants & flowers in a large way.”

The result was the stunning Conservatory, a perpetual Eden that opened in 1921. The latest technology was used to heat, water, & power the complex, but the systems were hidden in tunnels so as not to detract from the grandeur of the glass-covered peristyle & surrounding rooms.

Pierre chose to fill his new garden not with the usual jungle of exotic tropical foliage as was then the fashion but rather with fruits & flowers used in a decorative, horticultural way. One observer termed his greenhouses “floral sun parlors.”

A staff of eight gardeners oversaw this perpetual indoor flower show, aided by three boiler operators. Outdoors there were 11 gardeners & groundskeepers, & the entire Horticultural Department of 29 was headed by old-school English gardener William Mulliss.

It would be hard to imagine a more theatrical setting for the display of plants, unless it would be to the music of a massive, 3,650-pipe Aeolian. In 1923, an elegant Music Room with walnut paneling, damask-covered walls, teak floors, & a molded plaster ceiling was built opening onto the central axis of the main greenhouse.

The public came in droves to see these wonders under glass, fulfilling Pierre’s childhood dream of building a greenhouse open to the public. The du Ponts also had the perfect place for grand entertainment hosting innumerable civic & educational groups as well as family & friends. The guests’ reactions were always the same: a place beyond compare.    See: Longwood Gardens History for more. 

“Beauty awakens the soul to act.” - Dante Alighieri (1265-1321)

Mythical Gardens - The Garden of Eden at Creation - Illuminated Manuscripts

God Creating the Birds and Animals in the Garden of Eden   Vatican Library Collection

In Western iconography the early Christian garden is usually defined by the Biblical story of Adam & Eve, the original lovers thrown out of paradise for tasting forbidden fruit, & cast into the wilderness to define their own lives & gardens. Before the Western printing press, illustrated manuscripts & early depictions of landscapes in portrayals of Biblical gardens give us a glimpse of gardens familiar & imagined during the periods the images were created. 

Gardens are often mentioned in the Bible. In the language of the Hebrews, every place where plants & trees were cultivated with greater care than in the open field, was called a garden. Fruit & shade trees, with aromatic shrubs, sometimes constituted the garden; though roses, lilies, & various gardens were used only for table vegetables, Genesis 2:8-10 15:1-21; 1 Kings 21:2; Ecclesiastes 2:5,6.

Genesis 2:8 “And the Lord God planted a garden eastward in Eden, and there He put the man whom He had formed...And the Lord God took the man, and put him into the Garden of Eden to dress it and to keep it."

Sunday, April 24, 2022

17C Woman with a Basket of Flowers by William Marshall (1617-1649)

William Marshall (British printmaker, 1617-1649) Woman with a Flower Basket

Mythical Gardens - Adam & Eve in The Garden of Eden at Creation - Illuminated Manuscripts

Adam and Eve, temptation and fal  Royal Library, El Escorial, Spain - Ms & II. 5 fol-18ll 

In Western iconography the early Christian garden is usually defined by the Biblical story of Adam & Eve, the original lovers thrown out of paradise for tasting forbidden fruit, & cast into the wilderness to define their own lives & gardens. Before the Western printing press, illustrated manuscripts & early depictions of landscapes in portrayals of Biblical gardens give us a glimpse of gardens familiar & imagined during the periods the images were created. 

Gardens are often mentioned in the Bible. In the language of the Hebrews, every place where plants & trees were cultivated with greater care than in the open field, was called a garden. Fruit & shade trees, with aromatic shrubs, sometimes constituted the garden; though roses, lilies, & various gardens were used only for table vegetables, Genesis 2:8-10 15:1-21; 1 Kings 21:2; Ecclesiastes 2:5,6.

Genesis 2:8 “And the Lord God planted a garden eastward in Eden, and there He put the man whom He had formed...And the Lord God took the man, and put him into the Garden of Eden to dress it and to keep it."

Saturday, April 23, 2022

Spring 2022 at Longwood Gardens in Pennsylvania


"I have recently experienced what I would formerly have diagnosed as an attack of insanity; that is, I have purchased a small farm,” Pierre du Pont wrote to a friend soon after purchasing the Peirce farm in 1906. However, he added, “I expect to have a good deal of enjoyment in restoring its former condition & making it a place where I can entertain my friends.”

It didn’t take Pierre long before he started making his mark on what he called Longwood. The name came from the nearby Longwood Meeting House, which in turn was named for a neighboring Longwood Farm. “Longwood” probably derives from a nearby stretch of forest known locally as The Long Woods.

In 1907, Pierre laid out his first garden—the 600-foot-long Flower Garden Walk, which is today one of Longwood’s most popular gardens. Longwood’s first fountain—a simple pool with a single jet of water—was constructed in the center of the walk.

The springtime effect of the Flower Garden Walk was so successful that in 1909 Pierre began hosting June garden parties that quickly became highlights of the summer social season. Their success encouraged him to look for ever more wonderful ways to delight his guests.

The Open Air Theatre debuted five years later. His inspiration was an outdoor theatre near Siena, Italy. Within a year, he equipped it with “secret” fountains that shot out of the stage floor to drench visiting nieces & nephews.

To combat dreary winters, Pierre built an extension onto the original Peirce house & connected the new & old wings with a conservatory – Longwood’s first “winter garden.” Its courtyard was planted with exotic foliage & graced with a small marble fountain, a wedding gift to mark Pierre’s marriage in 1915 to Alice Belin.    See: Longwood Gardens History for more. 

“Beauty awakens the soul to act.” - Dante Alighieri (1265-1321)

Mythical Gardens - The Garden of Eden at Creation - Illuminated Manuscripts

Diebold Lauber, Vol 1 Old Testament  St Gallen, Canton Library, Vadianische collection, Vad Slg Ms. 343c  Creation Mid 15C

In Western iconography the early Christian garden is usually defined by the Biblical story of Adam & Eve, the original lovers thrown out of paradise for tasting forbidden fruit, & cast into the wilderness to define their own lives & gardens. Before the Western printing press, illustrated manuscripts & early depictions of landscapes in portrayals of Biblical gardens give us a glimpse of gardens familiar & imagined during the periods the images were created. 

Gardens are often mentioned in the Bible. In the language of the Hebrews, every place where plants & trees were cultivated with greater care than in the open field, was called a garden. Fruit & shade trees, with aromatic shrubs, sometimes constituted the garden; though roses, lilies, & various gardens were used only for table vegetables, Genesis 2:8-10 15:1-21; 1 Kings 21:2; Ecclesiastes 2:5,6.

Genesis 2:8 “And the Lord God planted a garden eastward in Eden, and there He put the man whom He had formed...And the Lord God took the man, and put him into the Garden of Eden to dress it and to keep it."

Friday, April 22, 2022

17C Woman Holding A Fan by Abraham Bosse (French, c 1602-04–1676)

Woman Holding A Fan by Abraham Bosse (French, c 1602/1604–1676)  Bosse was a French illustrator, mainly as a printmaker in etching. He was born to Huguenot (Calvinist) parents in Tours, France, where his father had moved from Germany. His father was a tailor, & Bosse's work always depicted clothes in loving detail. Roughly 1600 etchings are attributed to him, with subjects including: daily life, religion, literature, fashion, technology, & science. Most of his output was illustrations for books, but many were also sold separately. His style grows from Dutch & Flemish art, but is given a strongly French flavor. Many of his images give informative detail about middle & upper-class daily life in the period, although they must be treated with care as historical evidence. 

Mythical Gardens - The Garden of Eden at Creation - Illuminated Manuscripts

Genesis, The Creation of the Animals.  Oxford MS. Douce 135 fol-017v Here the garden is filled with trees & birds.

In Western iconography the early Christian garden is usually defined by the Biblical story of Adam & Eve, the original lovers thrown out of paradise for tasting forbidden fruit, & cast into the wilderness to define their own lives & gardens. Before the Western printing press, illustrated manuscripts & early depictions of landscapes in portrayals of Biblical gardens give us a glimpse of gardens familiar & imagined during the periods the images were created. 

Gardens are often mentioned in the Bible. In the language of the Hebrews, every place where plants & trees were cultivated with greater care than in the open field, was called a garden. Fruit & shade trees, with aromatic shrubs, sometimes constituted the garden; though roses, lilies, & various gardens were used only for table vegetables, Genesis 2:8-10 15:1-21; 1 Kings 21:2; Ecclesiastes 2:5,6.

Genesis 2:8 “And the Lord God planted a garden eastward in Eden, and there He put the man whom He had formed...And the Lord God took the man, and put him into the Garden of Eden to dress it and to keep it."

Thursday, April 21, 2022

Spring 2022 at Longwood Gardens in Pennsylvania


Pierre S. du Pont was born in 1870 in a DuPont Company house overlooking the Brandywine Creek just north of Wilmington, Delaware. His early years were influenced by the area’s natural beauty & by the du Pont family’s long tradition of gardening. But not even Pierre himself could have predicted that he would someday become one of the country’s most influential gardeners.

While he always preferred to live amid the quiet, familiar beauty of the Brandywine Valley, Pierre was greatly influenced by his frequent travels around the globe. He attended several world’s fairs & expositions, where he was astounded by grand architecture & the latest technology, including the huge display of water pumps at the 1876 Centennial Exposition in Philadelphia & illuminated fountains at the 1893 World's Columbian Exposition in Chicago.

While traveling, he was also exposed to a wide variety of garden settings, including Horticultural Hall at the 1876 Centennial, England's Sydenham Crystal Palace, the Royal Botanic Gardens at Kew & the flora of South America, the Caribbean, Florida, California & Hawaii. Visits to Italian villas & French châteaux focused on the architectural qualities & water effects of those gardens.

In addition to his travels, Pierre also built an impressive record of success in corporate America. This success brought great wealth & he felt great responsibility to use it wisely. Pierre & his wife Alice gave generously to public schools, universities, & hospitals. But gardening remained his lifelong passion.

At the age of 36, Pierre bought the Peirce farm & soon began creating what would become Longwood Gardens. He followed no grand plan; rather, he built the gardens piecemeal, beginning with the “old-fashioned” Flower Garden Walk. His later gardens would draw heavily on Italian & French forms.

Many generations helped create Longwood Gardens, but Pierre du Pont – industrialist, conservationist, farmer, designer, impresario, & philanthropist – was to make the most enduring contribution.

When du Pont died in 1954, he left most of his estate to the Longwood Foundation to preserve & maintain & improve the gardens. Today, nearly 70 years after du Pont’s death, his gardens continue to delight & inspire visitors from around the world.   See: Longwood Gardens History for more. 

“Beauty awakens the soul to act.” - Dante Alighieri (1265-1321) 

Mythical Gardens - The Garden of Eden at Creation - Illuminated Manuscripts

French illuminated manuscript, Image du Monde, attributed to Gautier de Metz, portraying God creating animals and birds; Harley 344, folio 1. British Library

In Western iconography the early Christian garden is usually defined by the Biblical story of Adam & Eve, the original lovers thrown out of paradise for tasting forbidden fruit, & cast into the wilderness to define their own lives & gardens. Before the Western printing press, illustrated manuscripts & early depictions of landscapes in portrayals of Biblical gardens give us a glimpse of gardens familiar & imagined during the periods the images were created. 

Gardens are often mentioned in the Bible. In the language of the Hebrews, every place where plants & trees were cultivated with greater care than in the open field, was called a garden. Fruit & shade trees, with aromatic shrubs, sometimes constituted the garden; though roses, lilies, & various gardens were used only for table vegetables, Genesis 2:8-10 15:1-21; 1 Kings 21:2; Ecclesiastes 2:5,6.

Genesis 2:8 “And the Lord God planted a garden eastward in Eden, and there He put the man whom He had formed...And the Lord God took the man, and put him into the Garden of Eden to dress it and to keep it."

Wednesday, April 20, 2022

17C Spring by Wenceslaus Hollar (1607-1677)

Wenceslaus Hollar (European-born English artist, 1607-1677) Duchess of Lennox as Spring. Spring refers to the ecological, environmental season, and also to ideas of rebirth, rejuvenation, renewal, resurrection & regrowth.

Spring is the perfect time to celebrate Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.

Mythical Gardens - The Garden of Eden at Creation - Illuminated Manuscripts

Secrets d'histoire naturelle Centre-ouest de la France, vers 1480-1485  Bibliothèque nationale de France, Manuscrits, Français 22971 fol. 15v Here the Garden of Eden seems to sit on a navacble 

In Western iconography the early Christian garden is usually defined by the Biblical story of Adam & Eve, the original lovers thrown out of paradise for tasting forbidden fruit, & cast into the wilderness to define their own lives & gardens. Before the Western printing press, illustrated manuscripts & early depictions of landscapes in portrayals of Biblical gardens give us a glimpse of gardens familiar & imagined during the periods the images were created. 

Gardens are often mentioned in the Bible. In the language of the Hebrews, every place where plants & trees were cultivated with greater care than in the open field, was called a garden. Fruit & shade trees, with aromatic shrubs, sometimes constituted the garden; though roses, lilies, & various gardens were used only for table vegetables, Genesis 2:8-10 15:1-21; 1 Kings 21:2; Ecclesiastes 2:5,6.

Genesis 2:8 “And the Lord God planted a garden eastward in Eden, and there He put the man whom He had formed...And the Lord God took the man, and put him into the Garden of Eden to dress it and to keep it."

Tuesday, April 19, 2022

Plants & Incense already traveled The Silk Road as China officially began trade with the West in 130 B.C.

Journey of the Magi by Hieronymus Bosch 1500-1510

The Silk Road was an ancient network of trade routes connecting China & the Far East with the Middle East & Europe. Established when the Han Dynasty in China officially opened trade with the West in 130 B.C., the Silk Road routes remained in use until 1453 A.D., when the Ottoman Empire boycotted trade with China & closed them.
Stefano Di Giovanni Sassetta (Italian artist, 1394-1450) Journey of the Magi along The Silk Road 1435

The Middle Ages refers to the period of European history from the fall of the Roman Empire in the West (5C) to the fall of Constantinople (1453).  In the history of Europe, the Middle Ages (or medieval period) lasted from the 5C to the 15C.  The Middle Ages is the middle period of the 3 traditional divisions of Western history: classical antiquity, the medieval period, & the modern period.
The Meeting of the Magi on The Silk Road by Maestro de Saint Bartholomew 1480

The medieval period is subdivided into the Early, High, & Late Middle Ages. During the High Middle Ages, which began after 1000, the population of Europe increased greatly as technological & agricultural innovations allowed trade to flourish.  The Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. For Europe as a whole, 1500 is often considered to be the end of the Middle Ages, but there is no firmly agreed upon end date. Events such as the conquest of Constantinople by the Turks in 1453, Christopher Columbus's first voyage to the Americas in 1492, or the Protestant Reformation in 1517 are sometimes used.

Ancient Societies also Stopped to Smell the Flowers


The spectrum of smells in ancient societies, & their possible cultural meanings, are being explored by scientists who study odor molecules, old documents & other archaeological finds. Here, a carved relief of an ancient Egyptian queen smelling a lotus flower represents the fragrant world that pharaohs & their families inhabited.

Ancient "Smellscapes" are wafting out of Artifacts & Old Texts

Science News. By Bruce Bower. May 4, 2022   

Ramses VI faced a smelly challenge when he became Egypt’s king in 1145 B.C. The new pharaoh’s first job was to rid the land of the stench of fish & birds, denizens of the Nile Delta’s fetid swamps.

That, at any rate, was the instruction in a hymn written to Ramses VI upon his ascension to the throne. Some smells, it seems, were considered far worse than others in the land of the pharaohs.

Surviving written accounts indicate that, perhaps unsurprisingly, residents of ancient Egyptian cities encountered a wide array of nice & nasty odors. Depending on the neighborhood, citizens inhaled smells of sweat, disease, cooking meat, incense, trees & flowers. Egypt’s hot weather heightened demand for perfumed oils & ointments that cloaked bodies in pleasant smells.

“The written sources demonstrate that ancient Egyptians lived in a rich olfactory world,” says Egyptologist Dora Goldsmith of Freie Universität Berlin...

Archaeologists have traditionally studied visible objects. Investigations have reconstructed what ...buildings looked like based on excavated remains & determined how people lived by analyzing their tools, personal ornaments & other tangible finds.

Rare projects have re-created what people may have heard thousands of years ago at sites such as Stonehenge (SN: 8/31/20). Piecing together, much less re-creating, the olfactory landscapes, or smellscapes, of long-ago places has attracted even less scholarly curiosity. Ancient cities in Egypt & elsewhere have been presented as “colorful & monumental, but odorless & sterile,” Goldsmith says.

Changes are in the air, though. Some archaeologists are sniffing out odor molecules from artifacts found at dig sites & held in museums. Others are poring over ancient texts for references to perfume recipes, & have even cooked up a scent much like one presumably favored by Cleopatra. In studying & reviving scents of the past, these researchers aim to understand how ancient people experienced, & interpreted, their worlds through smell...

Researchers generally assume that Tayma in what’s now Saudi Arabia .was a pit stop on an ancient network of trade routes, known as the Incense Route, that carried frankincense & myrrh from southern Arabia to Mediterranean destinations around 2,300 to 1,900 years ago. Frankincense & myrrh are both spicy-smelling resins extracted from shrubs & trees that grow on the Arabian Peninsula & in northeastern Africa & India. But Tayma was more than just a refueling oasis for trade caravans.

The desert outpost’s residents purchased aromatic plants for their own uses during much of the settlement’s history, a team led by Huber found. Chemical & molecular analyses of charred resins identified frankincense in cube-shaped incense burners previously unearthed in Tayma’s residential quarter, myrrh in cone-shaped incense burners that had been placed in graves outside the town wall, & an aromatic substance from Mediterranean mastic trees in small goblets used as incense burners in a large public building...

Other researchers have gone searching for molecular scent clues in previously excavated pottery. Analytical chemist Jacopo La Nasa of the University of Pisa in Italy & his colleagues used a portable version of a mass spectrometer to study 46 vessels, jars, cups & lumps of organic material.

These artifacts were found more than a century ago in the underground tomb of Kha & his wife Merit, prominent nonroyals who lived during Egypt’s 18th dynasty from about 1450 B.C. to 1400 B.C. The spectrometer can detect the signature chemical makeup of invisible gases emitted during the decay of different fragrant plants & other substances that had been placed inside vessels...

Re-creating Cleopatra’s perfume

A tradition of fragrant remedies & perfumes began as the first Egyptian royal dynasties assumed power around 5,100 years ago, Goldsmith’s research suggests. Ancient Egyptian hieroglyphic & cursive documents describe recipes for several perfumes. But precise ingredients & preparation methods remain unknown...

That didn’t stop Goldsmith & historian of Greco-Roman philosophy & science Sean Coughlin of the Czech Academy of Sciences in Prague from trying to re-create a celebrated Egyptian fragrance known as the Mendesian perfume. Cleopatra, a perfume devotee during her reign as queen from 51 B.C. to 30 B.C., may have doused herself with this scented potion. The perfume took its name from the city where it was made, Mendes.

Excavations conducted since 2009 at Thmouis, a city founded as an extension of Mendes, have uncovered the roughly 2,300-year-old remains of what was probably a fragrance factory, including kilns & clay perfume containers. Archaeologist Robert Littman of the University of Hawaii at Manoa & anthropological archaeologist Jay Silverstein of the University of Tyumen in Russia, who direct the Thmouis dig, asked Goldsmith & Coughlin to try to crack the Mendesian perfume code by consulting ancient writings.

After experimenting with ingredients that included desert date oil, myrrh, cinnamon & pine resin, Goldsmith & Coughlin produced a scent that they suspect approximates what Cleopatra probably wore. It’s a strong but pleasant, long-lasting blend of spiciness & sweetness, they say.

Ingredients of a re-creation of an ancient fragrance called the Mendesian perfume consist of pine resin, cinnamon cassia, true cinnamon, myrrh & moringa oil. Cleopatra herself may have worn the ancient scent. A description of the Thmouis discoveries & efforts to revive the Mendesian scent — dubbed Eau de Cleopatra by the researchers — appeared in the Sept. 2021 Near Eastern Archaeology.

Goldsmith has re-created several more ancient Egyptian perfumes from written recipes for fragrances that were used in everyday life, for temple rituals & in the mummification process...

In the royal palace, for instance, the perfumed smell of rulers & their family members would have overpowered that of court officials & servants. That would perhaps have denoted special ties to the gods among those in charge, Goldsmith wrote in a chapter of The Routledge Handbook of the Senses in the Ancient Near East, published in September of 2021.

In temples, priests anointed images of gods with what was called the 10 sacred oils. Though their ingredients are mostly unknown, each substance apparently had its own pleasing scent & ritual function...

Scent is a powerful part of the human experience. Today, scientists know that smells, which humans might discriminate surprisingly well, can instantly trigger memories of past experiences... 

People in modern settings probably perceive the same smells as nice or nasty as folks in ancient Egypt or other past societies did, says psychologist Asifa Majid of the University of Oxford. In line with that possibility, members of nine non-Western cultures, including hunter-gatherers in Thailand & farming villagers in highland Ecuador, closely agreed with Western city dwellers when ranking the pleasantness of 10 odors, Majid & her colleagues report April 4 in Current Biology.

Smells of vanilla, citrus & floral sweetness — dispensed by pen-sized devices — got high marks... 

So, even if the ancients tagged the same odors as pleasurable or offensive as people do today, culture & context probably profoundly shaped responses to those smells.

Working-class Romans living in Pompeii around 2,000 years ago — before Mount Vesuvius’ catastrophic eruption in A.D. 79 — provide one example. Archaeological evidence & written sources indicate that patrons of small taverns throughout the city were bombarded with strong smells, says archaeologist Erica Rowan of Royal Holloway, University of London. Diners standing or sitting in small rooms & at outdoor counters whiffed smoky, greasy food being cooked, body odors of other customers who had been toiling all day & pungent aromas wafting out of nearby latrines.

The smells & noises that filled Pompeii’s taverns provided a familiar & comforting experience for everyday Romans, who made these establishments successful, Rowan suspects. Excavations have uncovered 158 of these informal eating & drinking spots throughout Pompeii.

Roman cities generally smelled of human waste, decaying animal carcasses, garbage, smoke, incense, cooked meat & boiled cabbage, Classical historian Neville Morley of the University of Exeter in England wrote in 2014 in a chapter of Smell & the Ancient Senses. That potent mix “must have been the smell of home to its inhabitants & perhaps even the smell of civilization,” he concluded.

Ramses VI undoubtedly regarded the perfumed world of his palace as the epitome of civilized life. But at the end of a long day, Egyptian sandal-makers & smiths, like Pompeii’s working stiffs, may well have smelled home as the air of city streets filled their nostrils.

See:

A. Arshamian et al. The perception of odor pleasantness is shared across cultures. Current Biology. Published April 4, 2022. 

D. Goldsmith. Smellscapes in ancient Egypt. In K. Neumann & A. Thomason, eds., The Routledge Handbook of the Senses in the Ancient Near East. New York, September 2021.

D. Goldsmith. Fish, fowl & stench in ancient Egypt. In A. Schellenberg & T. Krüger, eds., Sounding Sensory Profiles in the Ancient Near East. SBL Press, 2019.

B. Huber et al. How to use modern science to reconstruct ancient scents. Nature Human Behavior. Published March 28, 2022. 

B. Huber et al. An archaeology of odors: Chemical evidence of ancient aromatics at the oasis of Tayma, NW Arabia. 11th International Conference on the Archaeology of the Ancient Near East. Munich, April 3–7, 2018.

R.J. Littman et al. Eau de Cleopatra: Mendesian perfume & Tell Timai. Near Eastern Archaeology. Vol. 84, September 2021.

N. Morley. Urban smells & Roman noses. In M. Bradley, ed., Smell & the Ancient Senses. New York, December 2014.

J. La Nasa et al. Archaeology of the invisible: The scent of Kha & Merit. Journal of Archaeological Science. Vol. 141, May 2022. 

E. Rowan. The sensory experiences of food consumption. In R. Skeates & J. Day, eds., The Routledge Handbook of Sensory Archaeology. New York, November 2019.