Friday, September 29, 2017

19C Russian Flower Seller

Alexei Alexeievich Harlamoff (or Alexej Harlamoff - Alexej Charlamoff) (Russian painter, c 1840–1925) The Flower Seller

One of Henry Mayhew’s (London Labour & the London Poor. 1851) investigations focused on flower girls – children aged under 20 who walked the streets selling flowers, mostly sent out by their parents, but in some cases through the necessity to make ends meet having been orphaned. Mayhew pointed out that young girls often started out by selling cut flowers & small bunches of herbs: "At about 7 years of age the girls first go into the streets to sell. A shallow-basket is given to them, with about two shillings for stock-money, & they hawk, according to the time of year, either oranges, apples, or violets; some begin their street education with the sale of water-cresses." “I sell flowers, sir; we live almost on flowers when they are to be got. I sell, & so does my sister, all kinds, but it’s very little use offering any that’s not sweet. I think it’s the sweetness as sells them. I sell primroses, when they’re in, & violets, & wall-flowers, & stocks, & roses of different sorts, & pinks, & carnations, & mixed flowers, & lilies of the valley, & green lavender, & mignonette (but that I do very seldom), & violets again at this time of the year, for we get them both in spring & winter.” [They are forced in hot-houses for winter sale, I may remark.] “The best sale of all is, I think, moss-roses, young moss-roses. We do best of all on them. Primroses are good, for people say: `Well, here’s spring again to a certainty.’ Gentlemen are our best customers. I’ve heard that they buy flowers to give to the ladies....I buy my flowers at Covent Garden; sometimes, but very seldom, at Farringdon. I pay 1s. for a dozen bunches, whatever flowers are in. Out of every two bunches I can make three, at 1d. a piece. Sometimes one or two over in the dozen, but not so often as I would like. We make the bunches up ourselves. We get the rush to tie them with for nothing. We put their own leaves round these violets (she produced a bunch). The paper for a dozen costs a penny; sometimes only a halfpenny. ... We do better on oranges in March or April, I think it is, than on flowers. Oranges keep better than flowers you see, sir. 

Street sellers, often called costermongers in Britain, were known to have been in London from at least the 15C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. Shakespeare & Marlowe mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors surged in the 18C & 19C. On the otherhand, every employment, even down to the flower-sellers, was carefully regulated by statute in Paris, before the French Revolution, a period of far-reaching social & political upheaval in France from 1789 until 1799.

Street life & the "cries of London" was also a recurring theme in painting. In the mid 1700s, the English water-colorist, Paul Sandby created a series entitled London Cries depicting English shopkeepers, stall-holders & itinerant street vendors. The Dutch engraver, Marcellus Laroon began working in London in the mid-1700s where he produced his most famous work, the series, The Cryes of London. The Flemish engraver & printmaker, Anthony Cardon, spent time in England in the 1790s, where he produced a series of engravings of London's street sellers, known as the Cries of London. Francis Wheatley, the English painter, who had been born in Covent Garden and was well acquainted with London's street life, exhibited a series of artworks, also entitled Cries of London, between 1792 and 1795. Augustus Edwin Mulready, made his reputation by painting scenes of Victorian life which included street sellers, urchins, markets flower sellers. The French artist, Louise Moillon noted for her still-life paintings, also used market scenes, street vendors, and green-grocers as subject matter in early 17C France.

19C Madonna Reading

William Dyce (Scottish artist, 1806–1864) The Virgin and Child

Wednesday, September 27, 2017

19C Young French Flower Seller

 Louis Marie de Schryver (French artist, 1862-1942) Flower Girl

One of Henry Mayhew’s (London Labour & the London Poor. 1851) investigations focused on flower girls – children aged under 20 who walked the streets selling flowers, mostly sent out by their parents, but in some cases through the necessity to make ends meet having been orphaned. Mayhew pointed out that young girls often started out by selling cut flowers & small bunches of herbs: "At about 7 years of age the girls first go into the streets to sell. A shallow-basket is given to them, with about two shillings for stock-money, & they hawk, according to the time of year, either oranges, apples, or violets; some begin their street education with the sale of water-cresses." “I sell flowers, sir; we live almost on flowers when they are to be got. I sell, & so does my sister, all kinds, but it’s very little use offering any that’s not sweet. I think it’s the sweetness as sells them. I sell primroses, when they’re in, & violets, & wall-flowers, & stocks, & roses of different sorts, & pinks, & carnations, & mixed flowers, & lilies of the valley, & green lavender, & mignonette (but that I do very seldom), & violets again at this time of the year, for we get them both in spring & winter.” [They are forced in hot-houses for winter sale, I may remark.] “The best sale of all is, I think, moss-roses, young moss-roses. We do best of all on them. Primroses are good, for people say: `Well, here’s spring again to a certainty.’ Gentlemen are our best customers. I’ve heard that they buy flowers to give to the ladies....I buy my flowers at Covent Garden; sometimes, but very seldom, at Farringdon. I pay 1s. for a dozen bunches, whatever flowers are in. Out of every two bunches I can make three, at 1d. a piece. Sometimes one or two over in the dozen, but not so often as I would like. We make the bunches up ourselves. We get the rush to tie them with for nothing. We put their own leaves round these violets (she produced a bunch). The paper for a dozen costs a penny; sometimes only a halfpenny. ... We do better on oranges in March or April, I think it is, than on flowers. Oranges keep better than flowers you see, sir. 

Street sellers, often called costermongers in Britain, were known to have been in London from at least the 15C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. Shakespeare & Marlowe mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors surged in the 18C & 19C. On the otherhand, every employment, even down to the flower-sellers, was carefully regulated by statute in Paris, before the French Revolution, a period of far-reaching social & political upheaval in France from 1789 until 1799.
Street life & the "cries of London" was also a recurring theme in painting. In the mid 1700s, the English water-colorist, Paul Sandby created a series entitled London Cries depicting English shopkeepers, stall-holders & itinerant street vendors. The Dutch engraver, Marcellus Laroon began working in London in the mid-1700s where he produced his most famous work, the series, The Cryes of London. The Flemish engraver & printmaker, Anthony Cardon, spent time in England in the 1790s, where he produced a series of engravings of London's street sellers, known as the Cries of London. Francis Wheatley, the English painter, who had been born in Covent Garden and was well acquainted with London's street life, exhibited a series of artworks, also entitled Cries of London, between 1792 and 1795. Augustus Edwin Mulready, made his reputation by painting scenes of Victorian life which included street sellers, urchins, markets flower sellers. The French artist, Louise Moillon noted for her still-life paintings, also used market scenes, street vendors, and green-grocers as subject matter in early 17C France.

16C Madonna Reading

The Madonna del cardellino or Madonna of the Goldfinch is a painting by the Italian renaissance artist Raphael, from c. 1505-1506.

Tuesday, September 26, 2017

19C French Flower Seller

Julius Le Blanc Stewart (American-born French artist, 1855-1919) Flower Girl 1890

Flower sellers were common on the streets of London, Paris, & other European urban centers. We can glean some information about British flower sellers from Victorian London census records which reveal that most were married women & widows ranging from older teens to women in their 50s, single women, mostly enumerated as "daughter" are far fewer & make up a small percentage of the total. We can see the occasional "flower girl" who was put out onto the streets to sell flowers in order to help with the family income. Flower sellers didn’t just sell cut flowers, which had to be sourced at dawn, taken home, made up into bunches & then taken out onto the streets to sell from a basket, wheelbarrow, hand cart, or temporary stall in high traffic areas such as informal markets or lining the streets of busy thoroughfares. They also sold pot plants, "roots," seeds, there was a hierarchy within the occupation as described by Henry Mayhew (1812-1887) in London Labour & the London Poor. 1851. "The street-sellers of whom I have now to treat comprise those who deal in trees & shrubs, in flowers (whether in pots, or with soil attached to the roots, or cut from the plant as it grows in the garden), & in seeds & branches (as of holly, mistletoe, ivy, yew, laurel, palm, lilac, & may). The “root-sellers” (as the dealers in flowers in pots are mostly called) rank, when in a prosperous business, with the highest “aristocracy” of the street greengrocers. The condition of a portion of them, may be characterized by a term which is readily understood as “comfortable,” that is to say, comparatively comfortable, when the circumstances of other street-sellers are considered...Dealers in trees & shrubs are the same as the root-sellers.  The same may be said, but with some few exceptions, of the seed-sellers...The root-sellers do not reside in any particular localities, but there are more of them living in the outskirts than in the thickly populated streets. The street-sellers of cut flowers present characteristics peculiarly their own. This trade is mostly in the hands of girls, who are of 2 classes. This traffic ranks...among the lowest grades of the street-trade, being pursued only by the very poor, or the very young." Mayhew provided extensive descriptions of...potted plants & cut flowers. The seller ordinarily confined herself "to the cheaper sorts of plants, & rarely meddles with such things as acacias, mezereons, savines, syringas, lilacs, or even myrtles, & with none of these things unless cheap."  

Covent Garden’s flower girls attracted attention to their wares by shouting at passers by using marketplace jargon: “Two bundles a penny, primroses!” & “Sweet violets, penny a bunch!”  In 1851, Henry Mayhew described 2 types of flower girls. The 1st & most notable were the flower “waifs," typically younger girls who scraped by on their own, or sold flowers to supplement their parents’ income. They were generally “very persevering,” & persisted at the heels of anyone who passed by, hoping to sell their wares. The 2nd type of flower girl was less common, & they doubled as prostitutes, generally staying out later than their contemporaries. They came to form a seedier reputation for the flower-vending business, & at the time “flower-seller” was a popularly-known London moniker for “prostitute.” 

Street sellers, often called costermongers in Britain, were known to have been in London from the 14C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. William Shakespeare (1564 -1616) & Christopher Marlowe (1564-1593) both mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors, plus those in large European cities, surged in the 18C & 19C. 

16C Madonna Reading

Raphael Raffaello Sanzio da Urbino (1483–1520) Madonna and Child with a Book 1503

Sunday, September 24, 2017

Saturday, September 23, 2017

19C Italian Flower Seller

Gaetano Bellei (Italian artist, 1857-1922) Tuscan Flower Girl

When some think street flower sellers, they picture Eliza Doolittle, the flower seller in Covent Garden who went from rags to riches, thanks to the attentions of Professor Higgins, in George Bernard Shaw's (1856-1950) Pygmalion. Her rise out of poverty was hardly typical. Flower sellers were common on the streets of London, Paris, & other European urban centers. We can glean some information about British flower sellers from Victorian London census records which reveal that most were married women & widows ranging from older teens to women in their 50s, single women, mostly enumerated as "daughter" are far fewer & make up a small percentage of the total. We can see the occasional "flower girl" who was put out onto the streets to sell flowers in order to help with the family income. Flower sellers didn’t just sell cut flowers, which had to be sourced at dawn, taken home, made up into bunches & then taken out onto the streets to sell from a basket, wheelbarrow, hand cart, or temporary stall in high traffic areas such as informal markets or lining the streets of busy thoroughfares. They also sold pot plants, "roots," seeds, there was a hierarchy within the occupation as described by Henry Mayhew (1812-1887) in London Labour & the London Poor. 1851. "The street-sellers of whom I have now to treat comprise those who deal in trees & shrubs, in flowers (whether in pots, or with soil attached to the roots, or cut from the plant as it grows in the garden), & in seeds & branches (as of holly, mistletoe, ivy, yew, laurel, palm, lilac, & may). The “root-sellers” (as the dealers in flowers in pots are mostly called) rank, when in a prosperous business, with the highest “aristocracy” of the street greengrocers. The condition of a portion of them, may be characterized by a term which is readily understood as “comfortable,” that is to say, comparatively comfortable, when the circumstances of other street-sellers are considered...Dealers in trees & shrubs are the same as the root-sellers.  The same may be said, but with some few exceptions, of the seed-sellers...The root-sellers do not reside in any particular localities, but there are more of them living in the outskirts than in the thickly populated streets. The street-sellers of cut flowers present characteristics peculiarly their own. This trade is mostly in the hands of girls, who are of 2 classes. This traffic ranks...among the lowest grades of the street-trade, being pursued only by the very poor, or the very young." Mayhew provided extensive descriptions of...potted plants & cut flowers. The seller ordinarily confined herself "to the cheaper sorts of plants, & rarely meddles with such things as acacias, mezereons, savines, syringas, lilacs, or even myrtles, & with none of these things unless cheap."  

Covent Garden’s flower girls attracted attention to their wares by shouting at passers by using marketplace jargon: “Two bundles a penny, primroses!” “Sweet violets, penny a bunch!”  In 1851, Henry Mayhew described 2 types of flower girls. The 1st & most notable were the flower “waifs," typically younger girls who scraped by on their own, or sold flowers to supplement their parents’ income. They were generally “very persevering,” & persisted at the heels of anyone who passed by, hoping to sell their wares. The 2nd type of flower girl was less common, & they doubled as prostitutes, generally staying out later than their contemporaries. They came to form a seedier reputation for the flower-vending business, & at the time “flower-seller” was a popularly-known London moniker for “prostitute.” 

Street sellers, often called costermongers in Britain, were known to have been in London from at least the 15C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. William Shakespeare (1564 -1616) & Christopher Marlowe (1564-1593) both mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors surged in the 18C & 19C. On the otherhand, every employment, even down to the flower-sellers, was carefully regulated by statute in Paris, before the Revolution.

Street life & the "cries of London" was also a recurring theme in painting. In the mid 1700s, the English map-maker turned water-colorist, Paul Sandby (1731-1809), created a series entitled London Cries depicting English shopkeepers, stall-holders & itinerant street vendors. The Dutch engraver, Marcellus Laroon or Lauron, the elder (1653–1702) began working in London in the mid-1700s, where he produced his most famous work, the series, The Cryes of London. The Flemish engraver & printmaker, Anthony Cardon (1772–1813), spent time in England in the 1790s, where he created a series of engravings of London's street sellers, known as the Cries of London. Francis Wheatley (1747-1801), the English painter , who had been born in Covent Garden & was well acquainted with London's street life, exhibited a series of artworks, also entitled Cries of London, between 1792 & 1795. Augustus Edwin Mulready (1844-1904), made his reputation by painting scenes of Victorian life which included street sellers, urchins, & market flower sellers. The French artist, Louise Moillon (1609-1696), also painted market scenes, street vendors, & green-grocers, usually hawking fruit, as subject matter in early 17C France.

16C Madonna Reading

Raphael Raffaello Sanzio da Urbino (1483–1520) Alba Madonna c 1510

Friday, September 22, 2017

19C British Flower Seller

George Clausen (English rustic naturalist painter, 1852-1944) Flora the Gypsy Flower Seller

When some think street flower sellers, they picture Eliza Doolittle, the flower seller in Covent Garden who went from rags to riches, thanks to the attentions of Professor Higgins, in George Bernard Shaw's (1856-1950) Pygmalion. Her rise out of poverty was hardly typical. Flower sellers were common on the streets of London, Paris, & other European urban centers. We can glean some information about British flower sellers from Victorian London census records which reveal that most were married women & widows ranging from older teens to women in their 50s, single women, mostly enumerated as "daughter" are far fewer & make up a small percentage of the total. We can see the occasional "flower girl" who was put out onto the streets to sell flowers in order to help with the family income. Flower sellers didn’t just sell cut flowers, which had to be sourced at dawn, taken home, made up into bunches & then taken out onto the streets to sell from a basket, wheelbarrow, hand cart, or temporary stall in high traffic areas such as informal markets or lining the streets of busy thoroughfares. They also sold pot plants, "roots," seeds, there was a hierarchy within the occupation as described by Henry Mayhew (1812-1887) in London Labour & the London Poor. 1851. "The street-sellers of whom I have now to treat comprise those who deal in trees & shrubs, in flowers (whether in pots, or with soil attached to the roots, or cut from the plant as it grows in the garden), & in seeds & branches (as of holly, mistletoe, ivy, yew, laurel, palm, lilac, & may). The “root-sellers” (as the dealers in flowers in pots are mostly called) rank, when in a prosperous business, with the highest “aristocracy” of the street greengrocers. The condition of a portion of them, may be characterized by a term which is readily understood as “comfortable,” that is to say, comparatively comfortable, when the circumstances of other street-sellers are considered...Dealers in trees & shrubs are the same as the root-sellers.  The same may be said, but with some few exceptions, of the seed-sellers...The root-sellers do not reside in any particular localities, but there are more of them living in the outskirts than in the thickly populated streets. The street-sellers of cut flowers present characteristics peculiarly their own. This trade is mostly in the hands of girls, who are of 2 classes. This traffic ranks...among the lowest grades of the street-trade, being pursued only by the very poor, or the very young." Mayhew provided extensive descriptions of...potted plants & cut flowers. The seller ordinarily confined herself "to the cheaper sorts of plants, & rarely meddles with such things as acacias, mezereons, savines, syringas, lilacs, or even myrtles, & with none of these things unless cheap."  

Covent Garden’s flower girls attracted attention to their wares by shouting at passers by using marketplace jargon: “Two bundles a penny, primroses!” “Sweet violets, penny a bunch!”  In 1851, Henry Mayhew described 2 types of flower girls. The 1st & most notable were the flower “waifs," typically younger girls who scraped by on their own, or sold flowers to supplement their parents’ income. They were generally “very persevering,” & persisted at the heels of anyone who passed by, hoping to sell their wares. The 2nd type of flower girl was less common, & they doubled as prostitutes, generally staying out later than their contemporaries. They came to form a seedier reputation for the flower-vending business, & at the time “flower-seller” was a popularly-known London moniker for “prostitute.” 

Street sellers, often called costermongers in Britain, were known to have been in London from at least the 15C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. William Shakespeare (1564 -1616) & Christopher Marlowe (1564-1593) both mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors surged in the 18C & 19C. On the otherhand, every employment, even down to the flower-sellers, was carefully regulated by statute in Paris, before the Revolution.

Street life & the "cries of London" was also a recurring theme in painting. In the mid 1700s, the English map-maker turned water-colorist, Paul Sandby (1731-1809), created a series entitled London Cries depicting English shopkeepers, stall-holders & itinerant street vendors. The Dutch engraver, Marcellus Laroon or Lauron, the elder (1653–1702) began working in London in the mid-1700s, where he produced his most famous work, the series, The Cryes of London. The Flemish engraver & printmaker, Anthony Cardon (1772–1813), spent time in England in the 1790s, where he created a series of engravings of London's street sellers, known as the Cries of London. Francis Wheatley (1747-1801), the English painter , who had been born in Covent Garden & was well acquainted with London's street life, exhibited a series of artworks, also entitled Cries of London, between 1792 & 1795. Augustus Edwin Mulready (1844-1904), made his reputation by painting scenes of Victorian life which included street sellers, urchins, & market flower sellers. The French artist, Louise Moillon (1609-1696), also painted market scenes, street vendors, & green-grocers, usually hawking fruit, as subject matter in early 17C France.

15C Madonna Reading

Luca Signorelli (Italian painter, 1445-1523) Holy Family 1490

Thursday, September 21, 2017

20C Russian Flower Sellers

Yuri Ivanovich Pimenov, (Russia, 1903 - 1977) Paper flowers and primroses

When some think street flower sellers, they picture Eliza Doolittle, the flower seller in Covent Garden who went from rags to riches, thanks to the attentions of Professor Higgins, in George Bernard Shaw's (1856-1950) Pygmalion. Her rise out of poverty was hardly typical. Flower sellers were common on the streets of London, Paris, & other European urban centers. We can glean some information about British flower sellers from Victorian London census records which reveal that most were married women & widows ranging from older teens to women in their 50s, single women, mostly enumerated as "daughter" are far fewer & make up a small percentage of the total. We can see the occasional "flower girl" who was put out onto the streets to sell flowers in order to help with the family income. Flower sellers didn’t just sell cut flowers, which had to be sourced at dawn, taken home, made up into bunches & then taken out onto the streets to sell from a basket, wheelbarrow, hand cart, or temporary stall in high traffic areas such as informal markets or lining the streets of busy thoroughfares. They also sold pot plants, "roots," seeds, there was a hierarchy within the occupation as described by Henry Mayhew (1812-1887) in London Labour & the London Poor. 1851. "The street-sellers of whom I have now to treat comprise those who deal in trees & shrubs, in flowers (whether in pots, or with soil attached to the roots, or cut from the plant as it grows in the garden), & in seeds & branches (as of holly, mistletoe, ivy, yew, laurel, palm, lilac, & may). The “root-sellers” (as the dealers in flowers in pots are mostly called) rank, when in a prosperous business, with the highest “aristocracy” of the street greengrocers. The condition of a portion of them, may be characterized by a term which is readily understood as “comfortable,” that is to say, comparatively comfortable, when the circumstances of other street-sellers are considered...Dealers in trees & shrubs are the same as the root-sellers.  The same may be said, but with some few exceptions, of the seed-sellers...The root-sellers do not reside in any particular localities, but there are more of them living in the outskirts than in the thickly populated streets. The street-sellers of cut flowers present characteristics peculiarly their own. This trade is mostly in the hands of girls, who are of 2 classes. This traffic ranks...among the lowest grades of the street-trade, being pursued only by the very poor, or the very young." Mayhew provided extensive descriptions of...potted plants & cut flowers. The seller ordinarily confined herself "to the cheaper sorts of plants, & rarely meddles with such things as acacias, mezereons, savines, syringas, lilacs, or even myrtles, & with none of these things unless cheap."  

Covent Garden’s flower girls attracted attention to their wares by shouting at passers by using marketplace jargon: “Two bundles a penny, primroses!” “Sweet violets, penny a bunch!”  In 1851, Henry Mayhew described 2 types of flower girls. The 1st & most notable were the flower “waifs," typically younger girls who scraped by on their own, or sold flowers to supplement their parents’ income. They were generally “very persevering,” & persisted at the heels of anyone who passed by, hoping to sell their wares. The 2nd type of flower girl was less common, & they doubled as prostitutes, generally staying out later than their contemporaries. They came to form a seedier reputation for the flower-vending business, & at the time “flower-seller” was a popularly-known London moniker for “prostitute.” 

Street sellers, often called costermongers in Britain, were known to have been in London from at least the 15C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. William Shakespeare (1564 -1616) & Christopher Marlowe (1564-1593) both mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors surged in the 18C & 19C. On the otherhand, every employment, even down to the flower-sellers, was carefully regulated by statute in Paris, before the Revolution.

Street life & the "cries of London" was also a recurring theme in painting. In the mid 1700s, the English map-maker turned water-colorist, Paul Sandby (1731-1809), created a series entitled London Cries depicting English shopkeepers, stall-holders & itinerant street vendors. The Dutch engraver, Marcellus Laroon or Lauron, the elder (1653–1702) began working in London in the mid-1700s, where he produced his most famous work, the series, The Cryes of London. The Flemish engraver & printmaker, Anthony Cardon (1772–1813), spent time in England in the 1790s, where he created a series of engravings of London's street sellers, known as the Cries of London. Francis Wheatley (1747-1801), the English painter , who had been born in Covent Garden & was well acquainted with London's street life, exhibited a series of artworks, also entitled Cries of London, between 1792 & 1795. Augustus Edwin Mulready (1844-1904), made his reputation by painting scenes of Victorian life which included street sellers, urchins, & market flower sellers. The French artist, Louise Moillon (1609-1696), also painted market scenes, street vendors, & green-grocers, usually hawking fruit, as subject matter in early 17C France.

15C Madonna Reading

Rogier van der Weyden (1400-1464) Madonna And Child c 1460

Wednesday, September 20, 2017

19C French Flower Seller

Gustave Jean Jacquet (French artist, 1846-1909) Flower Seller

Flower sellers were common on the streets of London, Paris, & other European urban centers. We can glean some information about British flower sellers from Victorian London census records which reveal that most were married women & widows ranging from older teens to women in their 50s, single women, mostly enumerated as "daughter" are far fewer & make up a small percentage of the total. We can see the occasional "flower girl" who was put out onto the streets to sell flowers in order to help with the family income. Flower sellers didn’t just sell cut flowers, which had to be sourced at dawn, taken home, made up into bunches & then taken out onto the streets to sell from a basket, wheelbarrow, hand cart, or temporary stall in high traffic areas such as informal markets or lining the streets of busy thoroughfares. They also sold pot plants, "roots," seeds, there was a hierarchy within the occupation as described by Henry Mayhew (1812-1887) in London Labour & the London Poor. 1851. "The street-sellers of whom I have now to treat comprise those who deal in trees & shrubs, in flowers (whether in pots, or with soil attached to the roots, or cut from the plant as it grows in the garden), & in seeds & branches (as of holly, mistletoe, ivy, yew, laurel, palm, lilac, & may). The “root-sellers” (as the dealers in flowers in pots are mostly called) rank, when in a prosperous business, with the highest “aristocracy” of the street greengrocers. The condition of a portion of them, may be characterized by a term which is readily understood as “comfortable,” that is to say, comparatively comfortable, when the circumstances of other street-sellers are considered...Dealers in trees & shrubs are the same as the root-sellers.  The same may be said, but with some few exceptions, of the seed-sellers...The root-sellers do not reside in any particular localities, but there are more of them living in the outskirts than in the thickly populated streets. The street-sellers of cut flowers present characteristics peculiarly their own. This trade is mostly in the hands of girls, who are of 2 classes. This traffic ranks...among the lowest grades of the street-trade, being pursued only by the very poor, or the very young." Mayhew provided extensive descriptions of...potted plants & cut flowers. The seller ordinarily confined herself "to the cheaper sorts of plants, & rarely meddles with such things as acacias, mezereons, savines, syringas, lilacs, or even myrtles, & with none of these things unless cheap."  

Covent Garden’s flower girls attracted attention to their wares by shouting at passers by using marketplace jargon: “Two bundles a penny, primroses!” & “Sweet violets, penny a bunch!”  In 1851, Henry Mayhew described 2 types of flower girls. The 1st & most notable were the flower “waifs," typically younger girls who scraped by on their own, or sold flowers to supplement their parents’ income. They were generally “very persevering,” & persisted at the heels of anyone who passed by, hoping to sell their wares. The 2nd type of flower girl was less common, & they doubled as prostitutes, generally staying out later than their contemporaries. They came to form a seedier reputation for the flower-vending business, & at the time “flower-seller” was a popularly-known London moniker for “prostitute.” 

Street sellers, often called costermongers in Britain, were known to have been in London from the 14C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. William Shakespeare (1564 -1616) & Christopher Marlowe (1564-1593) both mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors, plus those in large European cities, surged in the 18C & 19C. 

15C Madonna Reading

Hans Memling (German-born Flemish painter, 1435-1494) The Virgin and Child with an Angel 1480

Monday, September 18, 2017

19C Swedish Flower Seller

Hugo Salmson (Swedish artist, 1843–1894) Flower Seller

Flower sellers were common on the streets of London, Paris, & other European urban centers. We can glean some information about British flower sellers from Victorian London census records which reveal that most were married women & widows ranging from older teens to women in their 50s, single women, mostly enumerated as "daughter" are far fewer & make up a small percentage of the total. We can see the occasional "flower girl" who was put out onto the streets to sell flowers in order to help with the family income. Flower sellers didn’t just sell cut flowers, which had to be sourced at dawn, taken home, made up into bunches & then taken out onto the streets to sell from a basket, wheelbarrow, hand cart, or temporary stall in high traffic areas such as informal markets or lining the streets of busy thoroughfares. They also sold pot plants, "roots," seeds, there was a hierarchy within the occupation as described by Henry Mayhew (1812-1887) in London Labour & the London Poor. 1851. "The street-sellers of whom I have now to treat comprise those who deal in trees & shrubs, in flowers (whether in pots, or with soil attached to the roots, or cut from the plant as it grows in the garden), & in seeds & branches (as of holly, mistletoe, ivy, yew, laurel, palm, lilac, & may). The “root-sellers” (as the dealers in flowers in pots are mostly called) rank, when in a prosperous business, with the highest “aristocracy” of the street greengrocers. The condition of a portion of them, may be characterized by a term which is readily understood as “comfortable,” that is to say, comparatively comfortable, when the circumstances of other street-sellers are considered...Dealers in trees & shrubs are the same as the root-sellers.  The same may be said, but with some few exceptions, of the seed-sellers...The root-sellers do not reside in any particular localities, but there are more of them living in the outskirts than in the thickly populated streets. The street-sellers of cut flowers present characteristics peculiarly their own. This trade is mostly in the hands of girls, who are of 2 classes. This traffic ranks...among the lowest grades of the street-trade, being pursued only by the very poor, or the very young." Mayhew provided extensive descriptions of...potted plants & cut flowers. The seller ordinarily confined herself "to the cheaper sorts of plants, & rarely meddles with such things as acacias, mezereons, savines, syringas, lilacs, or even myrtles, & with none of these things unless cheap."  

Covent Garden’s flower girls attracted attention to their wares by shouting at passers by using marketplace jargon: “Two bundles a penny, primroses!” & “Sweet violets, penny a bunch!”  In 1851, Henry Mayhew described 2 types of flower girls. The 1st & most notable were the flower “waifs," typically younger girls who scraped by on their own, or sold flowers to supplement their parents’ income. They were generally “very persevering,” & persisted at the heels of anyone who passed by, hoping to sell their wares. The 2nd type of flower girl was less common, & they doubled as prostitutes, generally staying out later than their contemporaries. They came to form a seedier reputation for the flower-vending business, & at the time “flower-seller” was a popularly-known London moniker for “prostitute.” 

Street sellers, often called costermongers in Britain, were known to have been in London from the 14C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. William Shakespeare (1564 -1616) & Christopher Marlowe (1564-1593) both mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors, plus those in large European cities, surged in the 18C & 19C. 

15C Madonna Reading

Hans Memling (German-born Flemish painter, 1435-1494) Virgin And Child Enthroned With Two Musical Angels

Sunday, September 17, 2017

19C French Flower Seller

Louis Eugene Leroux (French artist, 1833-1905) The Flower Seller

Flower sellers were common on the streets of London, Paris, & other European urban centers. We can glean some information about British flower sellers from Victorian London census records which reveal that most were married women & widows ranging from older teens to women in their 50s, single women, mostly enumerated as "daughter" are far fewer & make up a small percentage of the total. We can see the occasional "flower girl" who was put out onto the streets to sell flowers in order to help with the family income. Flower sellers didn’t just sell cut flowers, which had to be sourced at dawn, taken home, made up into bunches & then taken out onto the streets to sell from a basket, wheelbarrow, hand cart, or temporary stall in high traffic areas such as informal markets or lining the streets of busy thoroughfares. They also sold pot plants, "roots," seeds, there was a hierarchy within the occupation as described by Henry Mayhew (1812-1887) in London Labour & the London Poor. 1851. "The street-sellers of whom I have now to treat comprise those who deal in trees & shrubs, in flowers (whether in pots, or with soil attached to the roots, or cut from the plant as it grows in the garden), & in seeds & branches (as of holly, mistletoe, ivy, yew, laurel, palm, lilac, & may). The “root-sellers” (as the dealers in flowers in pots are mostly called) rank, when in a prosperous business, with the highest “aristocracy” of the street greengrocers. The condition of a portion of them, may be characterized by a term which is readily understood as “comfortable,” that is to say, comparatively comfortable, when the circumstances of other street-sellers are considered...Dealers in trees & shrubs are the same as the root-sellers.  The same may be said, but with some few exceptions, of the seed-sellers...The root-sellers do not reside in any particular localities, but there are more of them living in the outskirts than in the thickly populated streets. The street-sellers of cut flowers present characteristics peculiarly their own. This trade is mostly in the hands of girls, who are of 2 classes. This traffic ranks...among the lowest grades of the street-trade, being pursued only by the very poor, or the very young." Mayhew provided extensive descriptions of...potted plants & cut flowers. The seller ordinarily confined herself "to the cheaper sorts of plants, & rarely meddles with such things as acacias, mezereons, savines, syringas, lilacs, or even myrtles, & with none of these things unless cheap."  

Covent Garden’s flower girls attracted attention to their wares by shouting at passers by using marketplace jargon: “Two bundles a penny, primroses!” & “Sweet violets, penny a bunch!”  In 1851, Henry Mayhew described 2 types of flower girls. The 1st & most notable were the flower “waifs," typically younger girls who scraped by on their own, or sold flowers to supplement their parents’ income. They were generally “very persevering,” & persisted at the heels of anyone who passed by, hoping to sell their wares. The 2nd type of flower girl was less common, & they doubled as prostitutes, generally staying out later than their contemporaries. They came to form a seedier reputation for the flower-vending business, & at the time “flower-seller” was a popularly-known London moniker for “prostitute.” 

Street sellers, often called costermongers in Britain, were known to have been in London from the 14C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. William Shakespeare (1564 -1616) & Christopher Marlowe (1564-1593) both mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors, plus those in large European cities, surged in the 18C & 19C. 

16C Madonna Reading

Annibale Carracci (Italian, Bolognese, 1560-1609) Madonna Entroned with Saints

Saturday, September 16, 2017

19C Young French Flower Seller

Léon-Jean-Bazille Perrault (French artist, 1832-1908) The Flower Vendor

One of Henry Mayhew’s (London Labour & the London Poor. 1851) investigations focused on flower girls, children aged under 20, who walked the streets selling flowers, mostly sent out by their parents, but in some cases through the necessity to make ends meet having been orphaned. Mayhew pointed out that young girls often started out by selling cut flowers & small bunches of herbs: "At about 7 years of age the girls first go into the streets to sell. A shallow-basket is given to them, with about two shillings for stock-money, & they hawk, according to the time of year, either oranges, apples, or violets; some begin their street education with the sale of water-cresses...I sell...all kinds, but it’s very little use offering any that’s not sweet. I think it’s the sweetness as sells them. I sell primroses, when they’re in, & violets, & wall-flowers, & stocks, & roses of different sorts, & pinks, & carnations, & mixed flowers, & lilies of the valley, & green lavender, & mignonette (but that I do very seldom), & violets again at this time of the year, for we get them both in spring & winter...the best sale of all is, I think, moss-roses, young moss-roses. We do best of all on them. Primroses are good, for people say: `Well, here’s spring again to a certainty.’ Gentlemen are our best customers. I’ve heard that they buy flowers to give to the ladies...I buy my flowers at Covent Garden; sometimes, but very seldom, at Farringdon. I pay 1s. for a dozen bunches, whatever flowers are in. Out of every two bunches I can make three, at 1d. a piece...We make the bunches up ourselves. We get the rush to tie them with for nothing. We put their own leaves round these violets...The paper for a dozen costs a penny; sometimes only a halfpenny...We do better on oranges in March or April, I think it is, than on flowers. Oranges keep better than flowers you see, sir."

16C Madonna Reading

Angnolo Bronzino, Agnolo di Cosimo, (Italian artist, 1503-1572) Panciatichi Holy Family 1540

Friday, September 15, 2017

19C British Flower Seller

John Phillip (British artist, 1817-1867) Spanish Flower Seller 1864

Flower sellers were common on the streets of London, Paris, & other European urban centers. We can glean some information about British flower sellers from Victorian London census records which reveal that most were married women & widows ranging from older teens to women in their 50s, single women, mostly enumerated as "daughter" are far fewer & make up a small percentage of the total. We can see the occasional "flower girl" who was put out onto the streets to sell flowers in order to help with the family income. Flower sellers didn’t just sell cut flowers, which had to be sourced at dawn, taken home, made up into bunches & then taken out onto the streets to sell from a basket, wheelbarrow, hand cart, or temporary stall in high traffic areas such as informal markets or lining the streets of busy thoroughfares. They also sold pot plants, "roots," seeds, there was a hierarchy within the occupation as described by Henry Mayhew (1812-1887) in London Labour & the London Poor. 1851. "The street-sellers of whom I have now to treat comprise those who deal in trees & shrubs, in flowers (whether in pots, or with soil attached to the roots, or cut from the plant as it grows in the garden), & in seeds & branches (as of holly, mistletoe, ivy, yew, laurel, palm, lilac, & may). The “root-sellers” (as the dealers in flowers in pots are mostly called) rank, when in a prosperous business, with the highest “aristocracy” of the street greengrocers. The condition of a portion of them, may be characterized by a term which is readily understood as “comfortable,” that is to say, comparatively comfortable, when the circumstances of other street-sellers are considered...Dealers in trees & shrubs are the same as the root-sellers.  The same may be said, but with some few exceptions, of the seed-sellers...The root-sellers do not reside in any particular localities, but there are more of them living in the outskirts than in the thickly populated streets. The street-sellers of cut flowers present characteristics peculiarly their own. This trade is mostly in the hands of girls, who are of 2 classes. This traffic ranks...among the lowest grades of the street-trade, being pursued only by the very poor, or the very young." Mayhew provided extensive descriptions of...potted plants & cut flowers. The seller ordinarily confined herself "to the cheaper sorts of plants, & rarely meddles with such things as acacias, mezereons, savines, syringas, lilacs, or even myrtles, & with none of these things unless cheap."  

Covent Garden’s flower girls attracted attention to their wares by shouting at passers by using marketplace jargon: “Two bundles a penny, primroses!” & “Sweet violets, penny a bunch!”  In 1851, Henry Mayhew described 2 types of flower girls. The 1st & most notable were the flower “waifs," typically younger girls who scraped by on their own, or sold flowers to supplement their parents’ income. They were generally “very persevering,” & persisted at the heels of anyone who passed by, hoping to sell their wares. The 2nd type of flower girl was less common, & they doubled as prostitutes, generally staying out later than their contemporaries. They came to form a seedier reputation for the flower-vending business, & at the time “flower-seller” was a popularly-known London moniker for “prostitute.” 

Street sellers, often called costermongers in Britain, were known to have been in London from the 14C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. William Shakespeare (1564 -1616) & Christopher Marlowe (1564-1593) both mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors, plus those in large European cities, surged in the 18C & 19C. 

16C Madonna Reading

Acts 13:27  The people of Jerusalem and their rulers did not recognize Jesus, yet in condemning him they fulfilled the words of the prophets that are read every Sabbath.
Vittore Carpaccio (Italian painter, c 1465–1526) Madonna and Blessing Child 1505-10

Thursday, September 14, 2017

19C French Flower Seller & Family

 Gustave Doré (French artist, 1832-1883) Flower Sellers

Flower sellers were common on the streets of London, Paris, & other European urban centers. We can glean some information about British flower sellers from Victorian London census records which reveal that most were married women & widows ranging from older teens to women in their 50s, single women, mostly enumerated as "daughter" are far fewer & make up a small percentage of the total. We can see the occasional "flower girl" who was put out onto the streets to sell flowers in order to help with the family income. Flower sellers didn’t just sell cut flowers, which had to be sourced at dawn, taken home, made up into bunches & then taken out onto the streets to sell from a basket, wheelbarrow, hand cart, or temporary stall in high traffic areas such as informal markets or lining the streets of busy thoroughfares. They also sold pot plants, "roots," seeds, there was a hierarchy within the occupation as described by Henry Mayhew (1812-1887) in London Labour & the London Poor. 1851. "The street-sellers of whom I have now to treat comprise those who deal in trees & shrubs, in flowers (whether in pots, or with soil attached to the roots, or cut from the plant as it grows in the garden), & in seeds & branches (as of holly, mistletoe, ivy, yew, laurel, palm, lilac, & may). The “root-sellers” (as the dealers in flowers in pots are mostly called) rank, when in a prosperous business, with the highest “aristocracy” of the street greengrocers. The condition of a portion of them, may be characterized by a term which is readily understood as “comfortable,” that is to say, comparatively comfortable, when the circumstances of other street-sellers are considered...Dealers in trees & shrubs are the same as the root-sellers.  The same may be said, but with some few exceptions, of the seed-sellers...The root-sellers do not reside in any particular localities, but there are more of them living in the outskirts than in the thickly populated streets. The street-sellers of cut flowers present characteristics peculiarly their own. This trade is mostly in the hands of girls, who are of 2 classes. This traffic ranks...among the lowest grades of the street-trade, being pursued only by the very poor, or the very young." Mayhew provided extensive descriptions of...potted plants & cut flowers. The seller ordinarily confined herself "to the cheaper sorts of plants, & rarely meddles with such things as acacias, mezereons, savines, syringas, lilacs, or even myrtles, & with none of these things unless cheap."  

Covent Garden’s flower girls attracted attention to their wares by shouting at passers by using marketplace jargon: “Two bundles a penny, primroses!” & “Sweet violets, penny a bunch!”  In 1851, Henry Mayhew described 2 types of flower girls. The 1st & most notable were the flower “waifs," typically younger girls who scraped by on their own, or sold flowers to supplement their parents’ income. They were generally “very persevering,” & persisted at the heels of anyone who passed by, hoping to sell their wares. The 2nd type of flower girl was less common, & they doubled as prostitutes, generally staying out later than their contemporaries. They came to form a seedier reputation for the flower-vending business, & at the time “flower-seller” was a popularly-known London moniker for “prostitute.” 

Street sellers, often called costermongers in Britain, were known to have been in London from the 14C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. William Shakespeare (1564 -1616) & Christopher Marlowe (1564-1593) both mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors, plus those in large European cities, surged in the 18C & 19C. 

15C Madonna Reading

John 5:39  Search the scriptures; for in them you think you have eternal life…
Marco di Antonio di Ruggero, known as Marco Zoppo (1433 -1478) Virgin and Child with Angels

Wednesday, September 13, 2017

19C Spanish Flower Seller

 Edwin Long ( British artist, 1829-1891) The Spanish Flower Seller 1867

Flower sellers were common on the streets of London, Paris, & other European urban centers. We can glean some information about British flower sellers from Victorian London census records which reveal that most were married women & widows ranging from older teens to women in their 50s, single women, mostly enumerated as "daughter" are far fewer & make up a small percentage of the total. We can see the occasional "flower girl" who was put out onto the streets to sell flowers in order to help with the family income. Flower sellers didn’t just sell cut flowers, which had to be sourced at dawn, taken home, made up into bunches & then taken out onto the streets to sell from a basket, wheelbarrow, hand cart, or temporary stall in high traffic areas such as informal markets or lining the streets of busy thoroughfares. They also sold pot plants, "roots," seeds, there was a hierarchy within the occupation as described by Henry Mayhew (1812-1887) in London Labour & the London Poor. 1851. "The street-sellers of whom I have now to treat comprise those who deal in trees & shrubs, in flowers (whether in pots, or with soil attached to the roots, or cut from the plant as it grows in the garden), & in seeds & branches (as of holly, mistletoe, ivy, yew, laurel, palm, lilac, & may). The “root-sellers” (as the dealers in flowers in pots are mostly called) rank, when in a prosperous business, with the highest “aristocracy” of the street greengrocers. The condition of a portion of them, may be characterized by a term which is readily understood as “comfortable,” that is to say, comparatively comfortable, when the circumstances of other street-sellers are considered...Dealers in trees & shrubs are the same as the root-sellers.  The same may be said, but with some few exceptions, of the seed-sellers...The root-sellers do not reside in any particular localities, but there are more of them living in the outskirts than in the thickly populated streets. The street-sellers of cut flowers present characteristics peculiarly their own. This trade is mostly in the hands of girls, who are of 2 classes. This traffic ranks...among the lowest grades of the street-trade, being pursued only by the very poor, or the very young." Mayhew provided extensive descriptions of...potted plants & cut flowers. The seller ordinarily confined herself "to the cheaper sorts of plants, & rarely meddles with such things as acacias, mezereons, savines, syringas, lilacs, or even myrtles, & with none of these things unless cheap."  

Covent Garden’s flower girls attracted attention to their wares by shouting at passers by using marketplace jargon: “Two bundles a penny, primroses!” & “Sweet violets, penny a bunch!”  In 1851, Henry Mayhew described 2 types of flower girls. The 1st & most notable were the flower “waifs," typically younger girls who scraped by on their own, or sold flowers to supplement their parents’ income. They were generally “very persevering,” & persisted at the heels of anyone who passed by, hoping to sell their wares. The 2nd type of flower girl was less common, & they doubled as prostitutes, generally staying out later than their contemporaries. They came to form a seedier reputation for the flower-vending business, & at the time “flower-seller” was a popularly-known London moniker for “prostitute.” 

Street sellers, often called costermongers in Britain, were known to have been in London from the 14C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. William Shakespeare (1564 -1616) & Christopher Marlowe (1564-1593) both mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors, plus those in large European cities, surged in the 18C & 19C. 

16C Madonna Reading

Deuteronomy 17:19 And it shall be with him, and he shall read therein all the days…
Hans Burgkmair the Elder [German Northern Renaissance Painter, 1473-1531] Madonna with Grapes 1510

Tuesday, September 12, 2017

19C British Flower Seller

William Etty (British artist, 1787-1849) Miss Lewis as a Flower Girl

Flower sellers were common on the streets of London, Paris, & other European urban centers. We can glean some information about British flower sellers from Victorian London census records which reveal that most were married women & widows ranging from older teens to women in their 50s, single women, mostly enumerated as "daughter" are far fewer & make up a small percentage of the total. We can see the occasional "flower girl" who was put out onto the streets to sell flowers in order to help with the family income. Flower sellers didn’t just sell cut flowers, which had to be sourced at dawn, taken home, made up into bunches & then taken out onto the streets to sell from a basket, wheelbarrow, hand cart, or temporary stall in high traffic areas such as informal markets or lining the streets of busy thoroughfares. They also sold pot plants, "roots," seeds, there was a hierarchy within the occupation as described by Henry Mayhew (1812-1887) in London Labour & the London Poor. 1851. "The street-sellers of whom I have now to treat comprise those who deal in trees & shrubs, in flowers (whether in pots, or with soil attached to the roots, or cut from the plant as it grows in the garden), & in seeds & branches (as of holly, mistletoe, ivy, yew, laurel, palm, lilac, & may). The “root-sellers” (as the dealers in flowers in pots are mostly called) rank, when in a prosperous business, with the highest “aristocracy” of the street greengrocers. The condition of a portion of them, may be characterized by a term which is readily understood as “comfortable,” that is to say, comparatively comfortable, when the circumstances of other street-sellers are considered...Dealers in trees & shrubs are the same as the root-sellers.  The same may be said, but with some few exceptions, of the seed-sellers...The root-sellers do not reside in any particular localities, but there are more of them living in the outskirts than in the thickly populated streets. The street-sellers of cut flowers present characteristics peculiarly their own. This trade is mostly in the hands of girls, who are of 2 classes. This traffic ranks...among the lowest grades of the street-trade, being pursued only by the very poor, or the very young." Mayhew provided extensive descriptions of...potted plants & cut flowers. The seller ordinarily confined herself "to the cheaper sorts of plants, & rarely meddles with such things as acacias, mezereons, savines, syringas, lilacs, or even myrtles, & with none of these things unless cheap."  

Covent Garden’s flower girls attracted attention to their wares by shouting at passers by using marketplace jargon: “Two bundles a penny, primroses!” & “Sweet violets, penny a bunch!”  In 1851, Henry Mayhew described 2 types of flower girls. The 1st & most notable were the flower “waifs," typically younger girls who scraped by on their own, or sold flowers to supplement their parents’ income. They were generally “very persevering,” & persisted at the heels of anyone who passed by, hoping to sell their wares. The 2nd type of flower girl was less common, & they doubled as prostitutes, generally staying out later than their contemporaries. They came to form a seedier reputation for the flower-vending business, & at the time “flower-seller” was a popularly-known London moniker for “prostitute.” 

Street sellers, often called costermongers in Britain, were known to have been in London from the 14C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. William Shakespeare (1564 -1616) & Christopher Marlowe (1564-1593) both mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors, plus those in large European cities, surged in the 18C & 19C. 

15C Madonna Reading

1 Timothy 3:14  Although I hope to come to you soon, I am writing you these instructions...
Ambrogio Bergognone (Italian artist, 1453-1523) Madonna and Child with St Catherine and Stefano Maconi

Monday, September 11, 2017

16C Madonna Reading

Matthew 24:15  "So when you see standing in the holy place 'the abomination that causes desolation,' spoken of through the prophet Daniel--let the reader understand..."
Jan de Beer (Dutch artist, 1475–1528) Madonna and Child with Pilgrim & Angel

19C Young English Flower Seller with Family

Thomas Benjamin Kennington (English genre painter, 1856-1916) The Pinch of Poverty 1891

One of Henry Mayhew’s (London Labour & the London Poor. 1851) investigations focused on flower girls, children aged under 20, who walked the streets selling flowers, mostly sent out by their parents, but in some cases through the necessity to make ends meet having been orphaned. Mayhew pointed out that young girls often started out by selling cut flowers & small bunches of herbs: "At about 7 years of age the girls first go into the streets to sell. A shallow-basket is given to them, with about two shillings for stock-money, & they hawk, according to the time of year, either oranges, apples, or violets; some begin their street education with the sale of water-cresses...I sell...all kinds, but it’s very little use offering any that’s not sweet. I think it’s the sweetness as sells them. I sell primroses, when they’re in, & violets, & wall-flowers, & stocks, & roses of different sorts, & pinks, & carnations, & mixed flowers, & lilies of the valley, & green lavender, & mignonette (but that I do very seldom), & violets again at this time of the year, for we get them both in spring & winter...the best sale of all is, I think, moss-roses, young moss-roses. We do best of all on them. Primroses are good, for people say: `Well, here’s spring again to a certainty.’ Gentlemen are our best customers. I’ve heard that they buy flowers to give to the ladies...I buy my flowers at Covent Garden; sometimes, but very seldom, at Farringdon. I pay 1s. for a dozen bunches, whatever flowers are in. Out of every two bunches I can make three, at 1d. a piece...We make the bunches up ourselves. We get the rush to tie them with for nothing. We put their own leaves round these violets...The paper for a dozen costs a penny; sometimes only a halfpenny...We do better on oranges in March or April, I think it is, than on flowers. Oranges keep better than flowers you see, sir."

Street sellers, often called costermongers in Britain, were known to have been in London from at least the 15C, & possibly much earlier. Mayhew, writing in the 1840s, called costermongering an "ancient calling" & attributed the 1st written descriptions of the street sellers' distinctive cries & sales patter appearing in a ballad, entitled London Lyckpeny by John Lydgate probably written in the late 1300s & 1st performed around 1409. William Shakespeare (1564 -1616) & Christopher Marlowe (1564-1593) both mention costermongers in their writings. Initiatives to rid the city of street traders were common during the reigns of Elizabeth I (1558–1603) & Charles I (1625–1649). These attempts failed & the number of London-based street vendors surged in the 18C & 19C.