Fashion! - Frenchman Antoine de Favray 1706-1792 paints Turquerie + Knights & Ladies of Malta

Antoine de Favray (French painter, 1706-1792) Maltese Women


Antoine de Favray was a French painter best known for His portraits of the Ottoman Empire. In 1738, he was Mentioned as a private pupil of Jean-François de Troy II, who was then director of the Académie de France in Rome. In 1739, Antoine de Favray was registered as a student at the Académie. In 1744, the artist left Rome for Malta, remaining there for much of the rest of His career Devoting himself primarily to portraiture & amp; genre painting. His portraits of women talking together in relaxed situations are Particularly important, Because most women in the Ottoman Empire Remained almost Exclusively Within Their family settings or among other women. Already he had lived a long life, When He wrote to Chevalier de Turgot in 1788, " In spite of my weak sight, a heavy hand and an exhausted imagination, I always spend my time making something or other ... Years pile upon each other, Which does not pain me, on the contrary. For this century is the century When things happen. It is near its end and so am I, luckily " 

Antoine de Favray (French painter, 1706-1792) Annette Comtesse de Vergennes in Turkish Gown

Antoine de Favray (French painter, 1706-1792) Turkish Women

Antoine de Favray (French painter, 1706-1792) Portrait of a family, c 1760

Antoine de Favray (French painter, 1706-1792) grecques Dames en costume intérieur dans un jardin

Antoine de Favray (French painter, 1706-1792) Ladies of the Knights of Malta With Their Maid Servants

Antoine de Favray (French painter, 1706-1792) Dames de Malte if faisant visits in 1763

Antoine de Favray (French painter, 1706-1792) Officers of the Knights of Malta

Antoine de Favray (French painter, 1706-1792) Malta Interior (Gentlemen Only)

Simeon Solomon, English Pre-Raphaelite Painter, 1840-1905

Simeon Solomon (English Pre-Raphaelite Painter, 1840-1905) Night 1890


Simeon Solomon (1840-1905) was born into a prominent Jewish family in England. He was the 8th & last child born to merchant Michael (Meyer) Solomon & artist Catherine (Kate) Levy. Solomon was a younger brother to painters Abraham Solomon (1824–1862) & Rebecca Solomon (1832–1886). His first exhibition was at the Royal Academy in 1858, where he continued to exhibit until 1872. In addition to literary paintings favored by the Pre-Raphaelite school, Solomon's subjects often included scenes from the Hebrew Bible & genre paintings depicting Jewish life. In 1873 his career was cut short, when he was arrested in a public urinal in London & charged with attempting to commit sodomy & was fined. He was was arrested again in 1874 in Paris, after which he was sentenced to spend 3 months in prison. In 1884 he was admitted to the workhouse, where he continued to paint; however, his talent was blighted by alcoholism. Twenty years later in 1905, he died from complications of his alcoholism.


Simeon Solomon (English Pre-Raphaelite Painter, 1840-1905) Dawn


Simeon Solomon (English Pre-Raphaelite Painter, 1840-1905) Marguerite 1866


Simeon Solomon (English Pre-Raphaelite Painter, 1840-1905) Mother of Moses 1860


Simeon Solomon (English Pre-Raphaelite Painter, 1840-1905) Love Dreaming by the Sea 1871


Simeon Solomon (English Pre-Raphaelite Painter, 1840-1905) Beatrice


Simeon Solomon (English Pre-Raphaelite Painter, 1840-1905) Autumn


Simeon Solomon (English Pre-Raphaelite Painter, 1840-1905) Toilette of a Roman Lady 1869


Simeon Solomon (English Pre-Raphaelite Painter, 1840-1905) Priestess Offering Poppies


Simeon Solomon (English Pre-Raphaelite Painter, 1840-1905) Bacchus


Simeon Solomon (English Pre-Raphaelite Painter, 1840-1905) Allegorical Self Portrait 1873Simeon Solomon (English Pre-Raphaelite Painter, 1840-1905) Self Portrait 1860

Women by French Painter Jacques-Emile Blanche 1861-1942

"he is liable to twist things he hears."  He seems to twist many of his sitters into similar predicaments.

Jacques-Emile Blanche (French Painter, 1861-1942) Femme en 1887

Jacques-Emile Blanche (French Painter, 1861-1942) Donna Olga Caracciolo dei Duchi di Castelluccio, later Baroness de Meyer, 1889.

Jacques-Emile Blanche (French Painter, 1861-1942) Eugenia Huicidi Errazuriz

Jacques-Emile Blanche (French Painter, 1861-1942) Portrait of a Lady

"Women Artist" British artist Madeline Emily Green 1884-1947

Madeline Green (British painter, 1884-1947) The Young Man


Artist Madeline Green was a long-term resident of the borough of Ealing and completed many of her works in her studio at The Mall in Ealing. Ealing is London's third largest borough, which is located in the heart of west London. Madeline Green was a figurative artist whose style is lively & fluid, bringing her characters to life & infusing her work with a sense of grace & humour. Madeline Emily Green exhibited regularly at Britain's Royal Academy & the Society of Women Artists between 1912-1943.

Madeline Green (British painter, 1884-1947) Two Children in a Stable

Madeline Green (British painter, 1884-1947) Kate and Another

Madeline Green (British painter, 1884-1947) Glasgow

Madeline Green (British painter, 1884-1947) The Model c 1915

Madeline Green (British painter, 1884-1947) The Chenille Net

Inadvertently Sharing the Harvest - 1600s Food for hungry dogs, cats, monkeys, squirrels, & a random parrot

Adriaen van Utrecht (Flemish Baroque Era Painter, 1599-1652) Still Life with Dog and Monkey (and parott) 1644

Unknown Dutch artist, The Cat's Meal. 1625-50

Frans Snyders (Dutch artist, 1579-1657) Monkeys Stealing Fruit

Adriaen van Utrecht (Flemish Baroque Era Painter, 1599-1652) Still Life with Dog and Cat (and squirrel)

Frans Snyders (Dutch artist, 1579-1657) Still Life with Lobster, Poultry, & Fruit (and cat!)

Giuseppe Recco (Italian, Neapolitan, 1634–1695) Cat Stealing Fish

Balthasar van der Ast (Dutch Baroque painter, 1593-94–1657) Still Life with Macaws 1622

The sad, wealthy Victorian women of English artist George Frederic Watts (1817-1904)

George Frederic Watts (English artist, 1817-1904) Alice Ellen Terry


George Frederick Watts created both portraits & symbolist paintings. He intended that his symbolist paintings would form part of an epic symbolic cycle called the "House of Life," in which the emotions & aspirations of life would all be represented in a universal symbolic language. He also painted portraits, such as these, of the most powerful & wealthy English men & women of the era, intended to form a "House of Fame." In his portraits Watts sought to create a tension between disciplined stability & the power of action. He was known for emphasising the signs of strain & wear on his privileged sitter's faces. Oh, the oppressive burden of power & wealth...


George Frederic Watts (English artist, 1817-1904) Julia Margaret Cameron


George Frederic Watts (English artist, 1817-1904) Dorothy Tennant Later Lady Stanley


George Frederic Watts (English artist, 1817-1904) Choosing


George Frederic Watts (English artist, 1817-1904) Lilian MacIntosh


George Frederic Watts (English artist, 1817-1904) Eveleen Tennant (Mrs F W H Myers)


George Frederic Watts (English artist, 1817-1904) Mrs Arthur Sassoon


George Frederic Watts (English artist, 1817-1904) Portrait of a Lady


George Frederic Watts (English artist, 1817-1904) Josephine Elizabeth Gray Butler

George Frederic Watts (English artist, 1817-1904) Violet Lindsay


George Frederic Watts (English artist, 1817-1904) Self Portrait 1834

Order, pattern, & William Morris 1834-1896

The most famous 19C English pattern & craft devotee was William Morris (1834-1896), who believed that art & society are inextricably linked.

1876 Pimpernel

Art for Morris meant not only the fine arts of painting & sculpture but "that great body of art by means of which men have at all times ... striven to beautify the familiar matter of everyday life."

1885 Fritillary

He believed that such art arose from a basic human instinct to create, & was "a joy to the maker & user alike" which satisfied personal creative talent & enriched society as a whole.

1873 Acanthus Wallpaper

But the traditions upon which such art rested - the skills of the artist-craftsman, which Morris saw exemplified in medieval workshop practice & the guild system - had been eroded.

1874 Larkspur Wallpaper, polychrome version

Since the Renaissance, the concept of the artist as a unique & special genius had led to a diminution in status of the craftsman & an inevitable division between the fine & decorative arts.

1881 St. James

This distinction had a particularly adverse effect on applied art, especially during the 18th-century, when the rise of an affluent middle class led to an increased demand for furniture & furnishings. In 1861, William Morris founded the decorative arts firm of Morris, Marshall, Faulkner & Co to undertake carving, stained glass, metal-work, paper-hangings, chintzes (printed fabrics), & carpets.

1876 Chrysanthemum Wallpaper

Morris revived old crafts & traditions, often immersing himself in historical texts or seeking out craftsmen from whom he could learn dying arts. The company's offerings soon extended to include, besides painted windows and mural decoration; furniture; metal & glass wares; cloth & paper wall-hangings; embroideries; jewelery; woven & knotted carpets; silk damasks; & tapestries.

English painter John Everett Millais 1829-1896 & my granddaughters...

John Everett Millais (English painter, 1829-1896) Raking Leaves 1856

This painting so reminds me of our 5 grandaughters who love to rake leaves up here in the woods in the fall. They gather the noisy leaves into enormous piles and then run and jump into them, scattering them back across the ground.