Wednesday, May 4, 2022
17C Le Printemps by Grégoire Huret (French, 1606-1670)
Tuesday, May 3, 2022
Spring 2022 at Longwood Gardens in Pennsylvania
Monday, May 2, 2022
17C Ver etched by Claes Visscher (1586-1652) II
Sunday, May 1, 2022
Spring 2022 at Longwood Gardens in Pennsylvania
Mythical Gardens - Expulsion of Adam and Eve from the Garden - Illuminated Manuscripts
Saturday, April 30, 2022
Mythical Gardens - Adam & Eve in The Garden of Eden at Creation - Illuminated Manuscripts
Friday, April 29, 2022
Mythical Gardens - Adam & Eve in The Garden of Eden by Lucas Cranach (1472-1553) & His Workshop
Paradise Gardens usually depict the biblical Garden of Eden, often referred to as “paradise,” a word that evoked the notion of an untouched & primal landscape, or pleasurable space in a lush landscape of greenery. Cranach, who was a close friend of Martin Luther, worked at the court of Saxony.
Spring 2022 at Longwood Gardens in Pennsylvania
Thursday, April 28, 2022
17C Spring Allegory with Flowers & a Garden by Wenceslaus Hollar 1607-1677
Wenceslaus Hollar was born in 1607, the son of an upper middle-class civic official. Very little is known about his early life, but he evidently learned the rudiments of his craft by age eighteen, left his native Prague at age twenty, and likely studied in Frankfurt under Matthaus Merian. His first book of etchings was published in 1635, in Cologne when Hollar was twenty-eight. The following year he came to the attention of the renowned art collector the Earl of Arundel who was making an official visit to the continent, and Hollar subsequently became a part of his household, settling in England early in 1637. He remained in England during the beginning of the English Civil War period, but left London for Antwerp in 1642, where he continued to work on a variety of projects. In 1652 he returned to England, working on a number of large projects for the publisher John Ogilby and for the antiquary Sir William Dugdale. Hollar was in London during the Great Fire of 1666, and remains most famous for his scenes of the city before and after the fire. He was one of the most skilled etchers of his or any other time, which is all the more remarkable given that he was almost blind in one eye. Hollar died in London on 25 March 1677. By his life's end, he had produced some 2700 separate etchings.
Mythical Gardens - God Creating Eve - Illuminated Manuscripts
Wednesday, April 27, 2022
17C Time to Stop & Smell the Flowers
Spring 2022 at Longwood Gardens in Pennsylvania
Mythical Gardens - Adam & Eve in The Garden of Eden at Creation - Illuminated Manuscripts
The Garden of Eden, Paradise Garden, The Temptation of Adam and Eve (detail) in Concerning the Fates of Illustrious Men and Women, about 1415, Boucicaut Master. J. Paul Getty Museum, Ms. 63, fol. 3 Adam & Eve are surely not alone as they are tempted & expelled in this enclosed garden hortus conclusus.
Tuesday, April 26, 2022
17C Personification of Spring with a Garden! by Wenceslaus Hollar (Czech artist, 1607-1677)
Wenceslaus Hollar was born in 1607, the son of an upper middle-class civic official. He left his native Prague at age 20, and likely studied in Frankfurt under Matthaus Merian. His 1st book of etchings was published in 1635, in Cologne, when Hollar was 28. The following year he came to the attention of the art collector the Earl of Arundel who was making an official visit to the continent, & Hollar subsequently became a part of his household, settling in England early in 1637. He remained in England during the beginning of the English Civil War period; but left London for Antwerp in 1642, where he continued to work on a variety of projects. In 1652, he returned to England, working on a number of large projects for the publisher John Ogilby & Sir William Dugdale. Hollar was in London during the Great Fire of 1666, & remains famous for his scenes of the city before & after the fire. He a skilled etcher, which is remarkable given that he was almost blind in one eye. Hollar died in London on 25 March 1677. By his life's end, he had produced nearly 3000 separate etchings.
USE Mythical Gardens - Adam & Eve in The Garden of Eden - Illuminated Manuscripts
In Western iconography the early Christian garden is usually defined by the Biblical story of Adam and Eve, the original lovers thrown out of paradise for tasting forbidden fruit, and cast into the wilderness to define their own lives & gardens. Before the Western printing press, illustrated manuscripts and early depictions of landscapes in portrayals of Biblical gardens give a glimpse of gardens familiar & imagined during the periods the images were created. Gardens are often mentioned in the Bible. In the language of the Hebrews, every place where plants & trees were cultivated with greater care than in the open field, was called a garden. Fruit & shade trees, with aromatic shrubs, sometimes constituted the garden; though roses, lilies, & various gardens were used only for table vegetables, Genesis 2:8-10 15:1-21; 1 Kings 21:2; Ecclesiastes 2:5,6.
Genesis 2:8 “And the Lord God planted a garden eastward in Eden, and there He put the man whom He had formed...And the Lord God took the man, and put him into the Garden of Eden to dress it and to keep it."
Monday, April 25, 2022
Spring 2022 at Longwood Gardens in Pennsylvania
Mythical Gardens - The Garden of Eden at Creation - Illuminated Manuscripts
God Creating the Birds and Animals in the Garden of Eden Vatican Library Collection
Sunday, April 24, 2022
Mythical Gardens - Adam & Eve in The Garden of Eden at Creation - Illuminated Manuscripts
Saturday, April 23, 2022
Spring 2022 at Longwood Gardens in Pennsylvania
Mythical Gardens - The Garden of Eden at Creation - Illuminated Manuscripts
Friday, April 22, 2022
17C Woman Holding A Fan by Abraham Bosse (French, c 1602-04–1676)
Mythical Gardens - The Garden of Eden at Creation - Illuminated Manuscripts
Genesis, The Creation of the Animals. Oxford MS. Douce 135 fol-017v Here the garden is filled with trees & birds.
Thursday, April 21, 2022
Spring 2022 at Longwood Gardens in Pennsylvania
Mythical Gardens - The Garden of Eden at Creation - Illuminated Manuscripts
French illuminated manuscript, Image du Monde, attributed to Gautier de Metz, portraying God creating animals and birds; Harley 344, folio 1. British Library
Wednesday, April 20, 2022
17C Spring by Wenceslaus Hollar (1607-1677)
Mythical Gardens - The Garden of Eden at Creation - Illuminated Manuscripts
Tuesday, April 19, 2022
Plants & Incense already traveled The Silk Road as China officially began trade with the West in 130 B.C.
Journey of the Magi by Hieronymus Bosch 1500-1510
Stefano Di Giovanni Sassetta (Italian artist, 1394-1450) Journey of the Magi along The Silk Road 1435
The Middle Ages refers to the period of European history from the fall of the Roman Empire in the West (5C) to the fall of Constantinople (1453). In the history of Europe, the Middle Ages (or medieval period) lasted from the 5C to the 15C. The Middle Ages is the middle period of the 3 traditional divisions of Western history: classical antiquity, the medieval period, & the modern period.
The Meeting of the Magi on The Silk Road by Maestro de Saint Bartholomew 1480
The medieval period is subdivided into the Early, High, & Late Middle Ages. During the High Middle Ages, which began after 1000, the population of Europe increased greatly as technological & agricultural innovations allowed trade to flourish. The Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. For Europe as a whole, 1500 is often considered to be the end of the Middle Ages, but there is no firmly agreed upon end date. Events such as the conquest of Constantinople by the Turks in 1453, Christopher Columbus's first voyage to the Americas in 1492, or the Protestant Reformation in 1517 are sometimes used.
Ancient Societies also Stopped to Smell the Flowers
Science News. By Bruce Bower. May 4, 2022
Ramses VI faced a smelly challenge when he became Egypt’s king in 1145 B.C. The new pharaoh’s first job was to rid the land of the stench of fish & birds, denizens of the Nile Delta’s fetid swamps.
That, at any rate, was the instruction in a hymn written to Ramses VI upon his ascension to the throne. Some smells, it seems, were considered far worse than others in the land of the pharaohs.
Surviving written accounts indicate that, perhaps unsurprisingly, residents of ancient Egyptian cities encountered a wide array of nice & nasty odors. Depending on the neighborhood, citizens inhaled smells of sweat, disease, cooking meat, incense, trees & flowers. Egypt’s hot weather heightened demand for perfumed oils & ointments that cloaked bodies in pleasant smells.
“The written sources demonstrate that ancient Egyptians lived in a rich olfactory world,” says Egyptologist Dora Goldsmith of Freie Universität Berlin...
Archaeologists have traditionally studied visible objects. Investigations have reconstructed what ...buildings looked like based on excavated remains & determined how people lived by analyzing their tools, personal ornaments & other tangible finds.
Rare projects have re-created what people may have heard thousands of years ago at sites such as Stonehenge (SN: 8/31/20). Piecing together, much less re-creating, the olfactory landscapes, or smellscapes, of long-ago places has attracted even less scholarly curiosity. Ancient cities in Egypt & elsewhere have been presented as “colorful & monumental, but odorless & sterile,” Goldsmith says.
Changes are in the air, though. Some archaeologists are sniffing out odor molecules from artifacts found at dig sites & held in museums. Others are poring over ancient texts for references to perfume recipes, & have even cooked up a scent much like one presumably favored by Cleopatra. In studying & reviving scents of the past, these researchers aim to understand how ancient people experienced, & interpreted, their worlds through smell...
Researchers generally assume that Tayma in what’s now Saudi Arabia .was a pit stop on an ancient network of trade routes, known as the Incense Route, that carried frankincense & myrrh from southern Arabia to Mediterranean destinations around 2,300 to 1,900 years ago. Frankincense & myrrh are both spicy-smelling resins extracted from shrubs & trees that grow on the Arabian Peninsula & in northeastern Africa & India. But Tayma was more than just a refueling oasis for trade caravans.
The desert outpost’s residents purchased aromatic plants for their own uses during much of the settlement’s history, a team led by Huber found. Chemical & molecular analyses of charred resins identified frankincense in cube-shaped incense burners previously unearthed in Tayma’s residential quarter, myrrh in cone-shaped incense burners that had been placed in graves outside the town wall, & an aromatic substance from Mediterranean mastic trees in small goblets used as incense burners in a large public building...
Other researchers have gone searching for molecular scent clues in previously excavated pottery. Analytical chemist Jacopo La Nasa of the University of Pisa in Italy & his colleagues used a portable version of a mass spectrometer to study 46 vessels, jars, cups & lumps of organic material.
These artifacts were found more than a century ago in the underground tomb of Kha & his wife Merit, prominent nonroyals who lived during Egypt’s 18th dynasty from about 1450 B.C. to 1400 B.C. The spectrometer can detect the signature chemical makeup of invisible gases emitted during the decay of different fragrant plants & other substances that had been placed inside vessels...
Re-creating Cleopatra’s perfume
A tradition of fragrant remedies & perfumes began as the first Egyptian royal dynasties assumed power around 5,100 years ago, Goldsmith’s research suggests. Ancient Egyptian hieroglyphic & cursive documents describe recipes for several perfumes. But precise ingredients & preparation methods remain unknown...
That didn’t stop Goldsmith & historian of Greco-Roman philosophy & science Sean Coughlin of the Czech Academy of Sciences in Prague from trying to re-create a celebrated Egyptian fragrance known as the Mendesian perfume. Cleopatra, a perfume devotee during her reign as queen from 51 B.C. to 30 B.C., may have doused herself with this scented potion. The perfume took its name from the city where it was made, Mendes.
Excavations conducted since 2009 at Thmouis, a city founded as an extension of Mendes, have uncovered the roughly 2,300-year-old remains of what was probably a fragrance factory, including kilns & clay perfume containers. Archaeologist Robert Littman of the University of Hawaii at Manoa & anthropological archaeologist Jay Silverstein of the University of Tyumen in Russia, who direct the Thmouis dig, asked Goldsmith & Coughlin to try to crack the Mendesian perfume code by consulting ancient writings.
After experimenting with ingredients that included desert date oil, myrrh, cinnamon & pine resin, Goldsmith & Coughlin produced a scent that they suspect approximates what Cleopatra probably wore. It’s a strong but pleasant, long-lasting blend of spiciness & sweetness, they say.
Ingredients of a re-creation of an ancient fragrance called the Mendesian perfume consist of pine resin, cinnamon cassia, true cinnamon, myrrh & moringa oil. Cleopatra herself may have worn the ancient scent. A description of the Thmouis discoveries & efforts to revive the Mendesian scent — dubbed Eau de Cleopatra by the researchers — appeared in the Sept. 2021 Near Eastern Archaeology.
Goldsmith has re-created several more ancient Egyptian perfumes from written recipes for fragrances that were used in everyday life, for temple rituals & in the mummification process...
In the royal palace, for instance, the perfumed smell of rulers & their family members would have overpowered that of court officials & servants. That would perhaps have denoted special ties to the gods among those in charge, Goldsmith wrote in a chapter of The Routledge Handbook of the Senses in the Ancient Near East, published in September of 2021.
In temples, priests anointed images of gods with what was called the 10 sacred oils. Though their ingredients are mostly unknown, each substance apparently had its own pleasing scent & ritual function...
Scent is a powerful part of the human experience. Today, scientists know that smells, which humans might discriminate surprisingly well, can instantly trigger memories of past experiences...
People in modern settings probably perceive the same smells as nice or nasty as folks in ancient Egypt or other past societies did, says psychologist Asifa Majid of the University of Oxford. In line with that possibility, members of nine non-Western cultures, including hunter-gatherers in Thailand & farming villagers in highland Ecuador, closely agreed with Western city dwellers when ranking the pleasantness of 10 odors, Majid & her colleagues report April 4 in Current Biology.
Smells of vanilla, citrus & floral sweetness — dispensed by pen-sized devices — got high marks...
So, even if the ancients tagged the same odors as pleasurable or offensive as people do today, culture & context probably profoundly shaped responses to those smells.
Working-class Romans living in Pompeii around 2,000 years ago — before Mount Vesuvius’ catastrophic eruption in A.D. 79 — provide one example. Archaeological evidence & written sources indicate that patrons of small taverns throughout the city were bombarded with strong smells, says archaeologist Erica Rowan of Royal Holloway, University of London. Diners standing or sitting in small rooms & at outdoor counters whiffed smoky, greasy food being cooked, body odors of other customers who had been toiling all day & pungent aromas wafting out of nearby latrines.
The smells & noises that filled Pompeii’s taverns provided a familiar & comforting experience for everyday Romans, who made these establishments successful, Rowan suspects. Excavations have uncovered 158 of these informal eating & drinking spots throughout Pompeii.
Roman cities generally smelled of human waste, decaying animal carcasses, garbage, smoke, incense, cooked meat & boiled cabbage, Classical historian Neville Morley of the University of Exeter in England wrote in 2014 in a chapter of Smell & the Ancient Senses. That potent mix “must have been the smell of home to its inhabitants & perhaps even the smell of civilization,” he concluded.
Ramses VI undoubtedly regarded the perfumed world of his palace as the epitome of civilized life. But at the end of a long day, Egyptian sandal-makers & smiths, like Pompeii’s working stiffs, may well have smelled home as the air of city streets filled their nostrils.
See:
A. Arshamian et al. The perception of odor pleasantness is shared across cultures. Current Biology. Published April 4, 2022.
D. Goldsmith. Smellscapes in ancient Egypt. In K. Neumann & A. Thomason, eds., The Routledge Handbook of the Senses in the Ancient Near East. New York, September 2021.
D. Goldsmith. Fish, fowl & stench in ancient Egypt. In A. Schellenberg & T. Krüger, eds., Sounding Sensory Profiles in the Ancient Near East. SBL Press, 2019.
B. Huber et al. How to use modern science to reconstruct ancient scents. Nature Human Behavior. Published March 28, 2022.
B. Huber et al. An archaeology of odors: Chemical evidence of ancient aromatics at the oasis of Tayma, NW Arabia. 11th International Conference on the Archaeology of the Ancient Near East. Munich, April 3–7, 2018.
R.J. Littman et al. Eau de Cleopatra: Mendesian perfume & Tell Timai. Near Eastern Archaeology. Vol. 84, September 2021.
N. Morley. Urban smells & Roman noses. In M. Bradley, ed., Smell & the Ancient Senses. New York, December 2014.
J. La Nasa et al. Archaeology of the invisible: The scent of Kha & Merit. Journal of Archaeological Science. Vol. 141, May 2022.
E. Rowan. The sensory experiences of food consumption. In R. Skeates & J. Day, eds., The Routledge Handbook of Sensory Archaeology. New York, November 2019.