Tuesday, December 26, 2023

Ireland - Why Kill Wrens - Saint Stephen or some Vikings were Betrayed by a Wren

The Irish used to celebrate the day after Christmas, St Stephens Day, by killing wrens

In Ireland, the day after Christmas once included hunting down a small bird & tying it to the top of a pole. That’s how the Irish celebrated St. Stephens Day, or Wren Day. The name alludes to several legends linking episodes in the life of Jesus to the wren. People dress up in old clothes, wear straw hats & travel from door to door with fake wrens (previously real wrens were killed), while they dance, sing, & play music. One myth said that the robin, that was suppose to represent the New Year, killed the wren which represented the Old Year during this time.


Apparently birds hold a special place in the ancient Irish imagination & in that mythology the tiny wren holds powerful sway. Some believe the word "dreoilín" (Gaelic for "wren") has its roots in the term "Druid's bird" which acted as as messenger between this world & the next. In Irish folklore, the wren was viewed as the cleverest of birds, & hunting the wren is thought to have a stronger relationship to sacrificing a sacred symbol.

Limerick-born Gerald Griffin (1803-1840), novelist, poet and playwright wrote of 19C wren boys in a book published after his death of typhus in 1857, called The Half Sir published in Dublin by James Duffy.
"The Wren-boys of Shanagolden] … were all assembled pursuant to custom on the green before the chapel-door on a fine frosty morning, being the twenty-sixth of December, or Saint Stephen’s Day – a festival yet held in much reverence in Mumha [Griffin has Munster], although the Catholic Church has for many years ceased to look upon it as a holiday of “obligation.”

‘Seven or eight handsome young fellows, tricked out in ribbons of the gayest colours, white waistcoats and stockings, and furnished with musical instruments of various kinds – a fife, a piccolo, an old drum, a cracked fidde, and a set of bagpipes – assumed their place in the rear [Griffin has rere] of the procession, and startled the yet slumbering inhabitants of the neighbouring houses by a fearfully discordant prelude.


‘Behind those came the Wren-boy par excellence – a lad who bore in his hands a holly-bush, the leaves of which were interwoven with long streamers of red, yellow, blue and white ribbon; all which finery, nevertheless, in no way contributed to reconcile the little mottled tenant of the bower (a wren which was tied by the leg to one of the boughs) to his state of durance. After the Wren-boy came a promiscuous crowd of youngsters, of all ages under fifteen, composing just such a little ragged rabble as one observes attending the band of a marching regiment on its entrance into a country town, shouting, hallooing, laughing, and joining in apt chorus with the droning, shrilling, squeaking, and rattling of the musicians of the morn...


Around this space the procession formed, and the Wren-boy, elevating his bush, gave out the opening stave of the festive chant, in which the whole rout presently joined:
“The Wran! the Wran! the king of all birds,
St Stephen’s day was caught in the furze;
Although he’s little, his family’s great.
Get up, fair ladies! and give us a trate!
And if your trate be of the best,
In heaven we hope your soul will rest!”’
Daniel Maclise illustration for S.C. Hall’s Ireland Its Scenery and Character (1841)

The tradition of Hunting the Wren was celebrated on Dec 26th, when a wren was captured & thought to bring good luck for the new year. In modern times, the tradition of "hunting the wren" involves musicians roaming from house to house playing music on "St. Stephen's Day" and "passing the hat."

The killing of birds on Wren Day was reportedly done by young boys also called Mummers. Originally, groups of small boys would hunt for a wren, and then chase the bird until they either have caught it or it died from exhaustion. The dead bird was tied to the top of a pole or holly bush, which was decorated with ribbons or colored paper.


Early in the morning of St. Stephen’s Day, the wren was carried from house to house by the boys, who wore straw masks or blackened their faces with burnt cork, and dressed in old clothes. At each house, the boys sing a Wren Boys’ song.

Typical lyrics are:
The wren, the wren, the king of all birds,
St. Stephen’s Day was caught in the furze,
Although he was little his honour was great,
Jump up me lads and give us a treat.
As I was going to Killenaule,
I met a wren upon the wall.
Up with me wattle and knocked him down,
And brought him in to Carrick Town.

Drooolin, Droolin, where’s your nest?

Tis in the bush that I love best
In the tree, the holly tree,
Where all the boys do follow me.
Up with the kettle and down with the pan,
And give us a penny to bury the wren.
I followed the wren three miles or more,
Three miles or more three miles or more.
I followed the wren three miles or more,
At six o’clock in the morning.
I have a little box under me arm,
Under me arm under me arm.
I have a little box under me arm,
A penny or tuppence would do it no harm.
Mrs. Clancy’s a very good woman,
a very good woman, a very good woman,
Mrs. Clancy’s a very good woman,
She give us a penny to bury the wren.


Another explanation of this myth is that St. Stephen, hiding from his enemies in a bush, was betrayed by a chattering wren. The wren, like St. Stephen, should be hunted down and stoned to death. Another legend holds that during the Viking raids of the 700's, Irish soldiers were betrayed by a wren as they were sneaking up on a Viking camp in the dead of night. A wren began to eat breadcrumbs left on the head of a drum, and the rat-a-tat-tat of its beak woke the drummer, who sounded the alarm and woke the camp, leading to the defeat of the Irish soldiers and the continuing persecution of the wren.


The tradition of "hunting the wren" has continued virtually unbroken, at least in some parts of the country, for centuries. Men primarily, carrying tin whistles, accordions and the like, went from house to house playing simple tunes (due to the cold weather when stiff fingers can prevent the playing of more difficult pieces) and dressed in disguise. They often wore costumes of straw, but should not be confused with strawboys who often performed at wakes in times past.

The wren boys were often led by a 'hobby horse,' with a wooden head, with snapping jaws, placed on the shoulders of the 'leader.' Believed to have associations with the ancient god Lugh, the horse was thought to be of great importance in old Ireland, but like many of these old traditions, it's original meaning are often lost to us. That said, the antics of the hobby horse often made for great entertainment. They are most common in West Kerry where wrenboys and the tradition of Mummers plays and Mumming stayed very strong long after it had died out in many other parts of the country.


Today, no wrens are harmed in the name of Wren Day. In fact, the holiday is barely celebrated in most of Ireland. The town of Dingle has a parade. Come Wren’s Day, thousands of spectators line the streets of Dingle to watch this spectacle of men, dressed in rigs and brightly colored costumes, take over the town.

They wren boys often begin their festivities with this old song:
The Wren, The Wren
The Wren, the Wren the king of all birds,
St. Stephenses day, he was caught in the furze.
Although he is little, his honor is great,
Rise up, kind sir, and give us a trate.
We followed this Wren ten miles or more
Through hedges and ditches and heaps of snow,
We up with our wattles and gave him a fall
And brought him here to show you all.
For we are the boys that came your way
To bury the Wren on Saint Stephenses Day,
So up with the kettle and down with the pan!
Give us some help for to bury the Wren!


Starting at noon and going on until the early hours of the following day, The Wren is a blaze of color and a lot of noise, thanks not only to the accompanying musicians’ fife and drums, but to the collection boxes the wren boys shake. Rather than paying for a dance for the whole town, today’s funds go to local charities. Be warned. Innocent by-standers will often get swept into the parade or chased down side-streets. No longer to wrens have to fear Wren Day, but it seems like if you’re in Dingle, you might.

The proceeds of the collection boxes traditionally was spent on a party called a ‘Join’. Picking a house for the shindig, a barrel of porter was bought for the men and wine for the ladies. Jam, currant cake, bread, sugar and lemonade was provided for everyone. A 'great night of sport and fun, dancing and music' followed that lasted until morning.


At the very least, 'hunting the wren,' reflects the universal practice of dressing in costume or disguise and having an 'out of body' or 'out or everyday life' experience, in order to relieve the tensions and constraints of every day life.

Another Version of the Wren Song:
The Wran, the Wran the king of all birds,
St. Stephen's Day was caught in the furze,
Although he is little, his honour is great,
Put your hand in your pocket and give us a trate.
Dreoilin, dreoilin where is your nest?
Its in the bush that I love best,
Behind the holly and ivy tree,
Where all the birds shall follow me.
As I was goin' down to Youghal,
I saw a wran upon a wall,
I up with my stick and I knocked him down,
Then brought him back to Mitchelstown.
Mister_______ is a very fine man,
It was to him we brought the Wran,
You'll have luck throughout the year
If ya give us the price of a gallon o' beer.
Raise up your glasses, your bottles and cans
We toast your subscription to bury the Wran,
Up with the kettle and down with the pot,
Give us your money and let us be off!

Grandpapa's Christmas Visitors 1871

Grandpapa's Christmas Visitors 1871 Appleton's Journal Christmas Edition

Georgian English Christmas 1714-1820

Farmer Giles's Establishment Christmas Day 1800

Georgian Christmas dinner
"During the Georgian period (1714-1820), it was often incorrectly assumed that Christmas wasn’t celebrated with as much gusto as during the Victorian era. Although traditions, foods and celebrations differed, Christmas was actively commemorated during this period.

Georgian Food
"Christmas meals during the Georgian period differed vastly from what was common table fare in the medieval and Tudor periods. New and improved agricultural achievements signaled a change in traditional Christmas foods. By the eighteenth century, roasts and various fowl became common but were later replaced by the turkey as the most popular meat at the Christmas table.

"Prior to the Georgian period, Christmas was a twelve day feast in which the foods were prepared well in advance with the idea of using up winter stores and foods that could be well preserved over the holiday season. Typical Christmas foods during the Georgian era were cheese, soups, turkey, geese, duck, capons, minced pies, and frumetnery – a dish which contained grains, almonds, currants, sugar and was often served with meat.

Georgian Mince Pies
"Mince pies were eaten at Christmas in England since the sixteenth century. They were initially made of minced meat but were later replaced with dried fruit and spices. Christmas pudding was also a popular dish and dated back to the Middle Ages. It was called ‘ lum pottage’ and made of chopped meat with dried prunes or raisins. In the Georgian period, the meat was replaced by suet. Twelfth Cake, a version of present day Christmas cake, was sliced and given to all members of the household and guests. It contained dried beans and dried peas. The person whose slice contained the bean was King for the night; a slice with a pea indicated the Queen. Even servants played along and if they won, they were recognized by everyone, including their masters as the evening’s King and Queen. By the Regency period, Twelfth cake became elaborate and added frosting, trimmings, and figurines. Twelfth night remained popular until the late nineteenth century.

Georgian Christmas - 1800 Traditions
"George III’s wife, Queen Charlotte, brought the first version of the present day Christmas tree in 1800 and decorated it with gifts, dolls and tapers after her German traditions. The tradition of gift giving also became popular during the eighteenth century as the wealthy gave gifts to their laborers. Ornaments included paper flowers, tinsel, wire ornaments, beads, candles, gingerbread and wax figures. Although Queen Charlotte brought the Christmas tree to England in 1800, the tree did not become popular until Queen Victoria married German Prince Albert. Homes of this time were decorated with holly, ivy and mistletoe. Stockings filled with presents hanging over the fireplace were first recorded in England in the early nineteenth century.

Games
"Christmas was banned by the Puritans in the mid-seventeenth century giving rise to the belief that Christmas fun and frivolity was not rekindled until the Victorian period. Christmas was completely abolished and shops and markets were kept open during the 25th of December. People were expected to continue going about their normal business and not partake in holiday celebrations or face fines and imprisonment. Puritans disliked Christmas because of its heathen origins and because of its association with extravagance and excess, but by the Georgian period, Christmas was again fully celebrated. Georgians enjoyed many different pastimes during the holidays such as cards, hunt the slipper, blind man’s bluff, shoe the wild mare, carol singing, story telling and dancing. During the eighteenth and nineteenth centuries, Twelfth Night parties were extremely popular and involved games, drinking and eating. British Pantomime also grew in popularity during the Georgian period, especially among the upper classes."

Georgian Christmas: An 18C  Celebration

1515 The Adoration of the Shepherds

Adoration of the Child Jesus c 1515, attributed to a follower Jan Joest.

"Glory to God in the highest, 
on earth peace, good will toward men." 
It happened, when the angels went away from them into the sky, that the shepherds said one to another, "Let's go to Bethlehem, now, and see this thing that has happened, which the Lord has made known to us." They came with haste, and found both Mary and Joseph, and the baby was lying in a manger. When they saw it, they publicized widely the saying which was spoken to them about this child. All who heard it wondered at the things which were spoken to them by the shepherds. But Mary kept all these sayings, pondering them in her heart. The shepherds returned, glorifying and praising God for all the things that they had heard and seen, just as it was told them.  Luke 2:8-20

1599 The Adoration of the Shepherds

1599 Cigoli, Ludovico Cardi (1559-1613) - 1599 The Adoration of the Shepherds with St. Catherine of Alexandria

There were shepherds in the same country staying in the field, and keeping watch by night over their flock. Behold, an angel of the Lord stood by them, and the glory of the Lord shone around them, and they were terrified. The angel said to them, "Don't be afraid, for behold, I bring you good news of great joy which will be to all the people. For there is born to you, this day, in the city of David, a Savior, who is Christ the Lord. This is the sign to you: you will find a baby wrapped in strips of cloth, lying in a manger." Suddenly, there was with the angel a multitude of the heavenly army praising God, and saying,
"Glory to God in the highest, 
on earth peace, good will toward men." 

It happened, when the angels went away from them into the sky, that the shepherds said one to another, "Let's go to Bethlehem, now, and see this thing that has happened, which the Lord has made known to us." They came with haste, and found both Mary and Joseph, and the baby was lying in a manger. When they saw it, they publicized widely the saying which was spoken to them about this child. All who heard it wondered at the things which were spoken to them by the shepherds. But Mary kept all these sayings, pondering them in her heart. The shepherds returned, glorifying and praising God for all the things that they had heard and seen, just as it was told them.  Luke 2:8-20

1400s The Adoration of the Shepherds


Attributed to Fra Filippo Lippi (Italian Renaissance painter, c 1406–1469) also called Lippo Lippi, 
Adoration of the Shepherds

And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, & the glory of the Lord shone round about them: & they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord. And this shall be a sign unto you; Ye shall find the babe wrapped in swaddling clothes, lying in a manger. And suddenly there was with the angel a multitude of the heavenly host praising God, & saying, Glory to God in the highest, And on earth peace, good will toward men. Luke 2:8-14 King James Version of The Bible.

The Magi travel the Long Silk Road to see the Newborn King

The Three Kings Admire the Star. Canterbury. c 1140. The British Library.

In Christianity, Epiphany refers to the moment that a person believes that Jesus is the son of God.  To symbolize this, Western Christian churches generally celebrate Epiphany as the arrival of the wise men from the east at the birthplace of Jesus (The Adoration of the Magi) 12 days after Christmas. Traditionally, Eastern Christian churches celebrated Epiphany (or Theophany) in conjunction with Christ's baptism by John the Baptist on January 19th. Some Protestant churches celebrate Epiphany as an entire religious season, extending from Christmas Day until Ash Wednesday.

The biblical Magi, also referred to as the Wise Men or Kings, were – in the Gospel of Matthew – distinguished foreigners who visited Jesus after his birth, bearing gifts of gold, frankincense & myrrh.  Matthew is the only of the 4 canonical gospels to mention the Magi. Matthew reports that they came "from the east" to worship the "king of the Jews." The gospel does notmentions the number of Magi, but most western Christian denominations have traditionally assumed them to have been 3 in number, based on the statement that they brought 3 gifts. In Eastern Christianity, especially the Syriac churches, the Magi often number 12. Their identification as kings in later Christian writings is probably linked to the anticipatory Psalm 72:11, "May all kings fall down before him."

The phrase "from the east" (ἀπὸ ἀνατολῶν, apo anatolon), more literally "from the rising [of the sun]," is the only information Matthew provides about the region from which they came. The Parthian Empire, centered in Persia, occupied virtually all of the land east of Judea & Syria (except for the deserts of Arabia to the southeast). Though the empire was tolerant of other religions, its dominant religion was Zoroastrianism. Although Matthew's account does not cite the motivation for their journey, the Syriac Infancy Gospel provides some clarity by stating explicitly in the 3rd chapter that they were pursuing a prophecy from their prophet, Zoradascht (Zoroaster).

There is an Armenian tradition identifying the "Magi of Bethlehem" as Balthasar of Arabia, Melchior of Persia, & Gaspar of India. Historian John of Hildesheim relates a tradition in the ancient silk road city of Taxila (near Islamabad in Pakistan) that one of the Magi passed through the city on the way to Bethlehem. The Silk Road was a network of trade routes connecting China & the Far East with the Middle East & Europe. Established when the Han Dynasty in China officially opened trade with the West in 130 B.C., the Silk Road routes remained in use until 1453 A.D., when the Ottoman Empire boycotted trade with China & closed them.

Sebastian Brock, a historian of Christianity, said: "It was no doubt among converts from Zoroastrianism that… certain legends were developed around the Magi of the Gospels."  Central Asian Christian king, Prester John's Mongol descendants were sought as allies against the Muslims by contemporary European monarchs & popes.

Sempad the Constable of Armenia visited the Mongol court in Karakorum in 1247–1250 & in 1254. He wrote a letter to Henry I King of Cyprus & Queen Stephanie (Sempad’s sister) in 1243, in which he said: “Tanchat [Tangut, or Western Xia], which is the land from whence came the Three Kings to Bethlehem to worship the Lord Jesus which was born. & know that the power of Christ has been, & is, so great, that the people of that land are Christians; & the whole land of Chata [Khitai, or Kara-Khitai] believes those Three Kings. I have myself been in their churches & have seen pictures of Jesus Christ & the Three Kings, one offering gold, the second frankincense, & the third myrrh. & it is through those Three Kings that they believe in Christ, & that the Chan & his people have now become Christians”

Marco Polo claimed that he was shown the 3 tombs of the Magi at Saveh south of Tehran in the 1270s: In Persia is the city of Saba, from which the Three Magi set out when they went to worship Jesus Christ; & in this city they are buried, in 3 very large & beautiful monuments, side by side. & above them there is a square building, carefully kept. The bodies are still entire, with the hair & beard remaining. (Marco Polo, Polo, Marco, The Book of the Million, book I, chapter 13)

1599 The Adoration of the Shepherds

1599 By one of the Le Nain brothers, (French artists, Antoine Le Nain (c.1599-1648), Louis Le Nain (c.1593-1648), and Mathieu Le Nain (1607–1677).  Adoration of the Shepherds

It happened, when the angels went away from them into the sky, that the shepherds said one to another, "Let's go to Bethlehem, now, and see this thing that has happened, which the Lord has made known to us." They came with haste, and found both Mary and Joseph, and the baby was lying in a manger. When they saw it, they publicized widely the saying which was spoken to them about this child. All who heard it wondered at the things which were spoken to them by the shepherds. But Mary kept all these sayings, pondering them in her heart. The shepherds returned, glorifying and praising God for all the things that they had heard and seen, just as it was told them.  Luke 2:8-20

Monday, December 25, 2023

Christmas by Carl Larsson (Swedish painter, 1853-1919)

Carl Larsson (Swedish painter, 1853-1919) Christmas Tree Confetti

Carl Larsson (Swedish painter, 1853-1919) Between Christmas and New Aсo 1896

Carl Larsson (Swedish painter, 1853-1919) Brita as Iduna (Iðunn), title page for the Christmas edition of Idun, 1901

Carl Larsson (Swedish painter, 1853-1919) Christmas Morning 1894

Carl Larsson (Swedish painter, 1853-1919) Now it is Christmas again

Carl Larsson (Swedish painter, 1853-1919) Christmas Eve - 1906
Carl Larsson (Swedish painter, 1853-1919) The Day before Christmas

English Country Church on Christmas Morning...

Country Church – Christmas Morning Thomas Kibble Hervey's (1799-1859) Christmas Book with illustrations by Robert Seymour (1798-1836)

HARK! the Herald Angels sing Glory to the new-born King!

Melozzo da Forli (Italian Renaissance artist, 1438-1494) Angel 

Martin Luther (1438-1546) in Wittenberg, Germany, wrote often of Advent & Christmas. One of his students wrote of Luther saying: For this is indeed the greatest gift, which far exceeds all else that God has created. Yet we believe so sluggishly, even though the angels proclaim & preach & sing, & their lovely song sums up the whole Christian faith, for “Glory to God in the highest” is the very heart of worship.

The Angels' Annunciation to The Local Shepherds is 1st

Illuminated Manuscript Annunciation To The Shepherds By Meister Der Reich.Shepherds South Cross, County Tipperary, Ireland. 8C

One of my favorite Christmas stories is the immediate announcement to the common shepherds, in fields near Bethlehem, of the birth of the Baby Christ Child.  That annunciation emphasized the symbolism of Jesus' birth.  Whom did the angels tell first? The community's outcasts, including some women working with the wool, who lived in the countryside year-round with dogs & sheep. And Mary immediately welcomed them to visit her New-Born Baby. Only later did the important; wealthy nobles from the East arrive. The common man came first, & these lovely little hand-drawn manuscript illustrations imagine the stunned herders hearing The Good News.

The annunciation to the shepherds in the Christian Bible, is in verses 8–20 of the 2nd chapter of the Gospel of Luke. Shepherds are portrayed tending their flocks out in the countryside near Bethlehem, when they are terrified by the appearance of an angel. The angel explains that it is a message of good news for all people, "Today in the town of David, a Savior has been born to you; he is the Messiah, the Lord. This will be a sign to you: You will find a baby wrapped in cloths & lying in a manger."

After this, a great many more angels often appear, praising God with the words "Glory to God in the highest heaven, & on earth peace to those on whom his favor rests." Deciding to do as the angel had said, the shepherds travel to near-by Bethlehem, & find Mary & Joseph with the infant Jesus lying in the manger, just as they had been told. The adoration of the shepherds follows.

It is generally considered significant that this message was 1st given to shepherds, who were located on the lower rungs of the social ladder. 

The annunciation to the shepherds appeared as a subject for art in the 9th century, & it became less common as an independent subject in art from the late Middle Ages, but depictions continued in later centuries. 

In Renaissance art, drawing on classical stories of Orpheus, the shepherds are sometimes depicted with musical instruments. Actually, many Christmas carols mention the annunciation to the shepherds, with the Gloria in Excelsis Deo being the most ancient. 

Phillips Brooks'(1835-1893) "O Little Town of Bethlehem" (1867) has the lines "O morning stars together, proclaim the holy birth, / And praises sing to God the King, & peace to men on earth!" The originally German carol "Silent Night" has "Shepherds quake at the sight; / Glories stream from heaven afar, / Heavenly hosts sing Alleluia!" 

Charles Wesley's (1707-1788) "Hark! The Herald Angels Sing" (1739) begins:

Hark! The herald angels sing,

"Glory to the newborn King;

Peace on earth, & mercy mild,

God & sinners reconciled!"

Joyful, all ye nations rise,

Join the triumph of the skies;

With th'angelic host proclaim,

"Christ is born in Bethlehem!"

Anglo-Irish poet & lyricist, Nahum Tate's (1652-1715) carol "While Shepherds Watched Their Flocks" (1700) is entirely devoted to describing the annunciation to the shepherds, & the episode is also significant in "The First Nowell", "Angels We Have Heard on High," & several others.

The carol "I Heard the Bells on Christmas Day", written by Henry Wadsworth Longfellow (1807-1882) during the American Civil War, reflects on the phrase "Peace on earth, good will to men" in a pacifist sense, as does "It Came Upon the Midnight Clear."

The phrase "Peace on earth, good will to men" has been widely used in a variety of contexts. For example, Samuel Morse's (1791-1873) farewell message in 1871 read "Greetings & thanks to the telegraph fraternity throughout the world. Glory to God in the highest, on earth peace, good will to men. – S. F. B. Morse."

More recently, Linus recites the scene verbatim at the climax of Charles M Schultz (1922-2000) A Charlie Brown Christmas, explaining that "that's what Christmas is all about, Charlie Brown."

When Jesus is Born, Angels Tell the Shepherds 1st


Illuminated Manuscript Annunciation to the Shepherds Gavin Hill MS 1 - Folio 57v-l  Here the shepherd's dog seems to be intrigued by the angel.

One of my favorite Christmas stories is the immediate annunciation to the lowly shepherds of the birth of the Baby Christ Child.  That announcement emphasized the symbolism of Jesus' birth.  Whom did the angels tell first? The community's outcasts, including some women working with the wool, who lived in the countryside year-round with dogs & sheep.  And Mary welcomed them to visit her New-Born Baby. Only later did the important nobles arrive. The common man came first, & these lovely little illustrations imagine the stunned herders hearing T
he Good News.

HARK! the Herald Angels sing Glory to the new-born King!

Melozzo da Forli (Italian Renaissance artist, 1438-1494) 

Martin Luther (1438-1546) in Wittenberg, Germany, wrote often of Advent & Christmas. One of his students wrote of Luther saying: For this is indeed the greatest gift, which far exceeds all else that God has created. Yet we believe so sluggishly, even though the angels proclaim & preach & sing, & their lovely song sums up the whole Christian faith, for “Glory to God in the highest” is the very heart of worship.

1555 The Adoration of the Shepherds

 1555 Jacob de Backer (Belgian artist, 1555–1585) Adoration of the Shepherds

It happened, when the angels went away from them into the sky, that the shepherds said one to another, "Let's go to Bethlehem, now, and see this thing that has happened, which the Lord has made known to us." They came with haste, and found both Mary and Joseph, and the baby was lying in a manger. When they saw it, they publicized widely the saying which was spoken to them about this child. All who heard it wondered at the things which were spoken to them by the shepherds. But Mary kept all these sayings, pondering them in her heart. The shepherds returned, glorifying and praising God for all the things that they had heard and seen, just as it was told them.  Luke 2:8-20

1500s The Adoration of the Shepherds

 Angnolo Bronzino, Agnolo di Cosimo, (Italian Mannerist artist, 1503-1572) Adoration of the Shepherds

There were shepherds in the same country staying in the field, and keeping watch by night over their flock. Behold, an angel of the Lord stood by them, and the glory of the Lord shone around them, and they were terrified. The angel said to them, "Don't be afraid, for behold, I bring you good news of great joy which will be to all the people. For there is born to you, this day, in the city of David, a Savior, who is Christ the Lord. This is the sign to you: you will find a baby wrapped in strips of cloth, lying in a manger." Suddenly, there was with the angel a multitude of the heavenly army praising God, and saying,
"Glory to God in the highest, 
on earth peace, good will toward men." 

It happened, when the angels went away from them into the sky, that the shepherds said one to another, "Let's go to Bethlehem, now, and see this thing that has happened, which the Lord has made known to us." They came with haste, and found both Mary and Joseph, and the baby was lying in a manger. When they saw it, they publicized widely the saying which was spoken to them about this child. All who heard it wondered at the things which were spoken to them by the shepherds. But Mary kept all these sayings, pondering them in her heart. The shepherds returned, glorifying and praising God for all the things that they had heard and seen, just as it was told them.  Luke 2:8-20

When Jesus is Born, Angels Tell the Shepherds 1st Illuminated Manuscripts


Illuminated Manuscript Annunciation to the Shepherds who are making music while the dog howls and the woman works with the wool. Sheep and their tenders are in an enclosure.

Illuminated Manuscript Annunciation to the Shepherds who include a woman and a man getting dressed.

Illuminated Manuscript - Annunciation to the Shepherds Bean MS1 - Folio 45l Shepherds here include a woman.

Illuminated Manuscript - Annunciation to the Shepherds Bean MS2 - Folio 75l Shepherds with their dogs and pipes.

Illuminated Manuscript - Annunciation to the Shepherds comes from a 15th-century Flemish Book of Hours of Glencairn Museum (07.MS.639). Shepherds & their dog looking up at the angels.

Illuminated Manuscript Annunciation to the Shepherds Folio 52r from Les Belles Heures du Duc de Berry. The shepherds sleeping when told them of the birth of Jesus. Van Limburg brothers 1375 – 1416 The dog in this image is resting.

Illuminated Manuscript Annunciation to the Shepherds from a French Book of Hours (c.1425-50) The woman works with the wool while the dog looks up at the angels.

Illuminated Manuscript - Annunciation to the Shepherds from Prayers (England, S. E. (St Albans), c1240) Arundel 157 f.3v.

Illuminated Manuscript Annunciation to the Shepherds London BL - Royal 2 B VII fol-112

Illuminated Manuscript - Annunciation to the Shepherds These shepherds are warming themselves by a fire while their dog rests.

Illuminated Manuscript - Annunciation to the Shepherds Simon Marmion (circa 1425–1489) Shepherds complete with dog and pipes.

Illuminated Manuscript - Annunciation to the Shepherds, book of hours (Bibliotheque Sainte-Genevive in Paris. This image shows another female tending the sheep.

Illuminated Manuscript Annunciation to the Shepherds Here a woman, two dogs, and three shepherds are visited by angels.

Illuminated Manuscript  Annunciation to the Shepherds

Illuminated Manuscript Annunciation to the Shepherds Another dog and shepherds playing pipes rest while sheep are in an enclosure.

Illuminated ManuscriptAnnunciation to the Shepherds 15C Book of Hours.

Illuminated Manuscript Annunciation to the Shepherds Gavin Hill MS 1 - Folio 57v-l Here the shepherd's dog seems to be intrigued by the angel.

Illuminated Manuscript Annunciation to the Shepherds Book of Hours of Henry VIII Here the gentlemen play their pipes, while the astounded woman gazes upward.

Illuminated Manuscript Annunciation to the Shepherds MS6, Syracuse University Library

Illuminated Manuscript Annunciation to the Shepherds Royal 1 D X f.1v

Illuminated Manuscript Annunciation to the Shepherds