Tuesday, March 5, 2019

Myth - Diana Goddess of the Hunt portrayed bt 17C & 18C Women

1765 Carle or Charles-André van Loo (French painter, 1705-1765) Luise Henriette Wilhelmine von Anhalt-Dessau as Diana.  She has a dog, an animal-skin wrap, a bow & quiver, & a crescent moon in her hair.

Early European portrait artists sometimes painted their contemporaries as allegories.  Allegorical portraits remained popular for several centuries, as they expanded to show the female sitter as a Biblical figure, a Greek or Roman goddess, or nymph or muse in in a rustic setting.  Diana is a Roman goddess of the hunt, the moon, & nature, associated with wild animals & woodland.  Diana was known as the virgin goddess of childbirth & women. Diana was originally considered to be a goddess of the wilderness & of the hunt, a central sport in both Roman & Greek culture. 
1751 Pompeo Girolamo Batoni (Italian artist, 1708-1787) Sarah Lethieullier as Lady Fetherstonhaugh, as Diana.  She has a crescent moon in her hair, a bow & a dog.

Early Roman inscriptions to Diana celebrated her primarily as a patron of hunters. Diana was often considered to be a goddess associated with fertility & childbirth, & the protection of women during labor.  Her care of infants also extended to the training of both young people & dogs, especially for hunting. Unlike the Greek gods, Roman gods were originally considered to be divine powers of presence that did not necessarily have physical form. The idea of gods having anthropomorphic qualities & human-like personalities & actions developed later, under the influence of Greek & Etruscan religion.  Diana was not only regarded as a goddess of the wilderness & the hunt, but was often worshiped as a patroness of families.
1765 Francis Cotes (English Painter, 1726-1770) The Honourable Lady Stanhope and the Countess of Effingham as Diana, and Her Companion.  Diana has a hunting spear & a crescent moon in her hair.
"... people regard Diana & the moon as one & the same. ...her name Diana derives from the fact that she turns darkness into daylight. She is invoked at childbirth because children are born occasionally after seven, or usually after nine, lunar revolutions ..." -- Quintus Lucilius Balbus as recorded by Marcus Tullius Cicero & translated by P.G. Walsh. De Natura Deorum (On the Nature of the Gods), Book II, Part ii, Section c.

1700s Unknown French artist, Portrait of a Lady as Diana, Goddess of the Hunt.  She wears a crescent moon in her hair and has an animal-skin wrap, a dog, a quiver & a bow.

1773 after François-Hubert Drouais (French artist, 1727-1775) Marie-Joséphine-Louise de Savoie (1753–1810), comtesse de Provence, as Diana with her faithful hunting dogs, Syrius & Phocion.   She has a bow, & an animal-skin wrap.

1700-10 Nicolas de Largillière (French artist, 1656-1746)  Portrait of Lady as Diana with her faithful hunting dogs, Syrius & Phocion. She has a bow & quiver nearby.

1771 Robert Hunter (Irish artist, fl. 1748–1780) Lady Margaret Butler Lowry-Corry (1748–1775), as Diana.  She has a dog & carries a hunting spear.

1688 Francois de Troy Lady Mary Herbert (1659–1744-1745), Viscountess Montagu, Previously the Honourable Lady Richard Molyneux, and Later Lady Maxwell, as Diana. She has a crescent moon in her hair, a dog, & an animal-skin component to her costume.

1680s Jacob Huysmans (Flemish artist, c 1633–1696)  Elizabeth Cornwallis (d.1708), Mrs Edward Allen, as Diana the Huntress with her faithful hunting dogs, Syrius & Phocion. . She has a hunting spear, & an animal skin decoration, & feathers in her hair.

1670s-90s Giovanni Battista Gaulli (Baciccio) (Italian artist, 1639-1709) Diana the Huntress with her hunting dogs, Syrius & Phocion.  Her bow & quiver lay on the ground.

1674 Jacob Huysmans (Flemish artist, c 1633–1696) Portrait of a Lady as Diana.  She has dogs, a bow & quiver, a hunting spear, & feathers in her hair.

Style of Peter Lely Peter Lely (English artist, 1618-1680) Ann Fanshawe (b.1654), Daughter of Sir Richard Fanshawe as Diana with a dog or a deer.

1670s Copy of  Peter Lely (English artist, 1618-1680) Mary II (1662–1694), when Princess Mary of York, as Diana.  She has a crescent moon in her hair, a bow & arrow & only the head of her dog companion is visible.

1666 Giovanni Maria Morandi (Italian painter, 1622-1717)  Claudia Felicitas of Austria as Diana.

1650 Jan van Mijtens (1613-1670) Lady as Diana. She has a tiny lap dog/hunting dog & carries a quiver on her back.

1650 Charles Beaubrun (Charles Bobrun) (French artist, 1604–1692) Portrait of a lady as Diana. She has a dog & a bow.

1640-50s Attributed to Giovanni Domenico Cerrini (Italian artist, 1609-1681) Christina, Queen of Sweden Alexandra Maria Vasa (1626-1689) as Diana. Here she has her dog & a hunting spear. The crescent moon hangs in the sky above them.

1640 Willem van Honthorst (Dutch artist, 1594-1666) Henriette von Nassau as Diana with her faithful hunting dogs, Syrius & Phocion.   She has a bow & quiver with feathers in her hair.

1630 Claude Deruet (French artist, 1588–1660) Marie de Rohan, Duchesse de Chevreuse as Diana the Huntress.  She has dogs, a bow & quiver, a hunting horn, & a crescent moon in her hair.

Jan Mytens (Dutch artist, 1614-1670) Lady as Diana

1667 Claude Lefèbvre (French painter, 1633–1675) Louise de La Vallière as Diana. She has a quiver & bow as well as her faithful hunting dogs, Syrius & Phocion.

Wednesday, February 13, 2019

17C Garden Fountains Predict the Perfect, Proper Wife

Barend van Kalraet (Dutch artist, 1649-1737) Lady by a Fountain with a Parott

By the 17C & 18C, artists portrayed women & girls, often the eligible daughters of the patrons commissioning the portraits, near a fountain.  In these fountain settings, the young lady is often depicted in the mythical realm of Arcady, a fashionable conceit of the time. At the center of Arcady is the Garden of Love, where a figure of Cupid sits atop a fountain. The young lady places her hand in the flowing water...this is a motif much used by Van Dyke & Lely & it makes an allusion to her potential as a wife & mother, recalling Proverbs, Chapter 5, Verse 18 "Let thy fountain be blessed, & rejoice in the wife of thy youth."

Garden fountains were originally purely functional, connected to natural springs or aqueducts & used to provide water for drinking; water for bathing & washing; & water to nourish growing plants. The painting would announce to the viewer that the parent/patron had enough money, taste, & technological expertise to channel the water through an artistic garden fountain.  Water was now not just a necessary component of nature, the garden planner could make it an integral component of art both outdoors in his garden & indoors in the paintings on his walls.  He could not only interpret nature, he could control it.  And in this painting, he could announce his "natural" superiority, & might chose to have the portrait he has commissioned suggest that his young lady might be sexually appealing for the right marriage partner.

Tuesday, February 12, 2019

17C Garden Fountains Predict the Perfect, Proper Wife

Nicolaes Maes (Dutch artist, 1634-1693) Catherine Peels

By the 17C & 18C, artists portrayed women & girls, often the eligible daughters of the patrons commissioning the portraits, near a fountain.  In these fountain settings, the young lady is often depicted in the mythical realm of Arcady, a fashionable conceit of the time. At the center of Arcady is the Garden of Love, where a figure of Cupid sits atop a fountain. The young lady places her hand in the flowing water...this is a motif much used by Van Dyke & Lely & it makes an allusion to her potential as a wife & mother, recalling Proverbs, Chapter 5, Verse 18 "Let thy fountain be blessed, & rejoice in the wife of thy youth."

Garden fountains were originally purely functional, connected to natural springs or aqueducts & used to provide water for drinking; water for bathing & washing; & water to nourish growing plants. The painting would announce to the viewer that the parent/patron had enough money, taste, & technological expertise to channel the water through an artistic garden fountain.  Water was now not just a necessary component of nature, the garden planner could make it an integral component of art both outdoors in his garden & indoors in the paintings on his walls.  He could not only interpret nature, he could control it.  And in this painting, he could announce his "natural" superiority, & might chose to have the portrait he has commissioned suggest that his young lady might be sexually appealing for the right marriage partner.

Monday, February 11, 2019

17C Garden Fountains Predict the Perfect, Proper Wife

1650 Attr David Des Granges (British artist, 1611-c.1671) Portrait of Elizabeth, Countess of Carnarvon(1633-1678)

By the 17C & 18C, artists portrayed women & girls, often the eligible daughters of the patrons commissioning the portraits, near a fountain.In these fountain settings, the young lady is often depicted in the mythical realm of Arcady, a fashionable conceit of the time. At the center of Arcady is the Garden of Love, where a figure of Cupid sits atop a fountain. The young lady places her hand in the flowing water...this is a motif much used by Van Dyke & Lely & it makes an allusion to her potential as a wife & mother, recalling Proverbs, Chapter 5, Verse 18 "Let thy fountain be blessed, & rejoice in the wife of thy youth."

Garden fountains were originally purely functional, connected to natural springs or aqueducts & used to provide water for drinking; water for bathing & washing; & water to nourish growing plants. The painting would announce to the viewer that the parent/patron had enough money, taste, & technological expertise to channel the water through an artistic garden fountain. Water was now not just a necessary component of nature, the garden planner could make it an integral component of art both outdoors in his garden & indoors in the paintings on his walls. He could not only interpret nature, he could control it. And in this painting, he could announce his "natural" superiority, & might chose to have the portrait he has commissioned suggest that his young lady might be sexually appealing for the right marriage partner.

Sunday, February 10, 2019

17C Garden Fountains Predict the Perfect, Proper Wife

Nicolaes Maes (Dutch artist, 1634-1693) Young Lady by a Fountain

By the 17C & 18C, artists portrayed women & girls, often the eligible daughters of the patrons commissioning the portraits, near a fountain.In these fountain settings, the young lady is often depicted in the mythical realm of Arcady, a fashionable conceit of the time. At the center of Arcady is the Garden of Love, where a figure of Cupid sits atop a fountain. The young lady places her hand in the flowing water...this is a motif much used by Van Dyke & Lely & it makes an allusion to her potential as a wife & mother, recalling Proverbs, Chapter 5, Verse 18 "Let thy fountain be blessed, & rejoice in the wife of thy youth."

Garden fountains were originally purely functional, connected to natural springs or aqueducts & used to provide water for drinking; water for bathing & washing; & water to nourish growing plants. The painting would announce to the viewer that the parent/patron had enough money, taste, & technological expertise to channel the water through an artistic garden fountain. Water was now not just a necessary component of nature, the garden planner could make it an integral component of art both outdoors in his garden & indoors in the paintings on his walls. He could not only interpret nature, he could control it. And in this painting, he could announce his "natural" superiority, & might chose to have the portrait he has commissioned suggest that his young lady might be sexually appealing for the right marriage partner.

Saturday, February 9, 2019

17C Garden Fountains Predict the Perfect, Proper Wife

Style of Caspar Netscher (Dutch artist, 1639-1684) Portrait of a Young Lady at a Fountain

By the 17C & 18C, artists portrayed women & girls, often the eligible daughters of the patrons commissioning the portraits, near a fountain.In these fountain settings, the young lady is often depicted in the mythical realm of Arcady, a fashionable conceit of the time. At the center of Arcady is the Garden of Love, where a figure of Cupid sits atop a fountain. The young lady places her hand in the flowing water...this is a motif much used by Van Dyke & Lely & it makes an allusion to her potential as a wife & mother, recalling Proverbs, Chapter 5, Verse 18 "Let thy fountain be blessed, & rejoice in the wife of thy youth."

Garden fountains were originally purely functional, connected to natural springs or aqueducts & used to provide water for drinking; water for bathing & washing; & water to nurish growing plants. The painting would announce to the viewer that the parent/patron had enough money, taste, & technological expertise to channel the water through an artistic garden fountain. Water was now not just a necessary component of nature, the garden planner could make it an integral component of art both outdoors in his garden & indoors in the paintings on his walls. He could not only interpret nature, he could control it. And in this painting, he could announce his "natural" superiority, & might chose to have the portrait he has commissioned suggest that his young lady was becoming sexually available for the right marriage partner.

Friday, February 8, 2019

17C Garden Fountains Predict the Perfect, Proper Wife

Peter Lely (English artist, 1618-1680) Unknown Lady at Fountain

By the 17C & 18C, artists portrayed women & girls, often the eligible daughters of the patrons commissioning the portraits, near a fountain.In these fountain settings, the young lady is often depicted in the mythical realm of Arcady, a fashionable conceit of the time. At the center of Arcady is the Garden of Love, where a figure of Cupid sits atop a fountain. The young lady places her hand in the flowing water...this is a motif much used by Van Dyke & Lely & it makes an allusion to her potential as a wife & mother, recalling Proverbs, Chapter 5, Verse 18 "Let thy fountain be blessed, & rejoice in the wife of thy youth."

Garden fountains were originally purely functional, connected to natural springs or aqueducts & used to provide water for drinking; water for bathing & washing; & water to nourish growing plants. The painting would announce to the viewer that the parent/patron had enough money, taste, & technological expertise to channel the water through an artistic garden fountain. Water was now not just a necessary component of nature, the garden planner could make it an integral component of art both outdoors in his garden & indoors in the paintings on his walls. He could not only interpret nature, he could control it. And in this painting, he could announce his "natural" superiority, & might chose to have the portrait he has commissioned suggest that his young lady might be sexually appealing for the right marriage partner.

Thursday, February 7, 2019

17C Garden Fountains Predict the Perfect, Proper Wife

1661 Peter Lely (English artist, 1618-1680) Anne Hyde, Duchess of York, 1637 - 1671. Became The First wife of James VII and II.

By the 17C & 18C, artists portrayed women & girls, often the eligible daughters of the patrons commissioning the portraits, near a fountain.In these fountain settings, the young lady is often depicted in the mythical realm of Arcady, a fashionable conceit of the time. At the center of Arcady is the Garden of Love, where a figure of Cupid sits atop a fountain. The young lady places her hand in the flowing water...this is a motif much used by Van Dyke & Lely & it makes an allusion to her potential as a wife & mother, recalling Proverbs, Chapter 5, Verse 18 "Let thy fountain be blessed, & rejoice in the wife of thy youth."

Garden fountains were originally purely functional, connected to natural springs or aqueducts & used to provide water for drinking; water for bathing & washing; & water to nourish growing plants. The painting would announce to the viewer that the parent/patron had enough money, taste, & technological expertise to channel the water through an artistic garden fountain. Water was now not just a necessary component of nature, the garden planner could make it an integral component of art both outdoors in his garden & indoors in the paintings on his walls. He could not only interpret nature, he could control it. And in this painting, he could announce his "natural" superiority, & might chose to have the portrait he has commissioned suggest that his young lady might be sexually appealing for the right marriage partner.

Wednesday, February 6, 2019

17C Garden Fountains Predict the Perfect, Proper Wife

1650 Attributed Henri Gascard (French artist, c 1635-1701) Traditionally identified as Ninon de Lanclos (1620-1705)

Early artists painted their contemporaries somewhat like allegories, & often painters would put the faces of their patrons or sponsors on the bodies of the saints. These came to be called donor portraits. Allegorical portraits remained popular; and as time passed, they expanded to show the sitter as a Greek goddess, or muse, or nymph in in a rustic setting.

By the 17C & 18C, artists portrayed women & girls, often the eligible daughters of the patrons commissioning the portraits, near a fountain.  In these fountain settings, the young lady is often depicted in the mythical realm of Arcady, a fashionable conceit of the time. At the center of Arcady is the Garden of Love, where a figure of Cupid sits atop a fountain. The young lady places her hand in the flowing water...this is a motif much used by Van Dyke & Lely & it makes an allusion to her potential as a wife & mother, recalling Proverbs, Chapter 5, Verse 18 "Let thy fountain be blessed, & rejoice in the wife of thy youth."

Garden fountains were originally purely functional, connected to natural springs or aqueducts & used to provide water for drinking; water for bathing & washing; & water to nourish growing plants. The painting would announce to the viewer that the parent/patron had enough money, taste, & technological expertise to channel the water through an artistic garden fountain.  Water was now not just a necessary component of nature, the garden planner could make it an integral component of art both outdoors in his garden & indoors in the paintings on his walls.  Here the garden owner could not only interpret nature, he could control it.  And in this painting, he could announce his "natural" superiority, & might chose to have the portrait he has commissioned suggest that his young lady might be sexually appealing for the right marriage partner.

17C Garden Fountains Predict the Perfect, Proper Wife

1664 Nicolaes Maes (Dutch artist, 1634-1693) Young Lady by a Fountain

Nicolaes Maes (Dutch artist, 1634-1693) Young Lady by a Fountain (For those who did not like a blond, serious sitter, Maes apparently painted this more cheerful brunette.)

By the 17C & 18C, artists portrayed women & girls, often the eligible daughters of the patrons commissioning the portraits, near a fountain. In these fountain settings, the young lady is often depicted in the mythical realm of Arcady, a fashionable conceit of the time. At the center of Arcady is the Garden of Love, where a figure of Cupid sits atop a fountain. The young lady places her hand in the flowing water...this is a motif much used by Van Dyke & Lely & it makes an allusion to her potential as a wife & mother, recalling Proverbs, Chapter 5, Verse 18 "Let thy fountain be blessed, & rejoice in the wife of thy youth."

Garden fountains were originally purely functional, connected to natural springs or aqueducts & used to provide water for drinking; water for bathing & washing; & water to nurish growing plants. The painting would announce to the viewer that the parent/patron had enough money, taste, & technological expertise to channel the water through an artistic garden fountain.  Water was now not just a necessary component of nature, the garden planner could make it an integral component of art both outdoors in his garden & indoors in the paintings on his walls.  He could not only interpret nature, he could control it.  And in this painting, he could announce his "natural" superiority, & might chose to have the portrait he has commissioned suggest that his young lady might be sexually available for the right marriage partner.

Wednesday, December 26, 2018

English artist Arthur Hughes 1832-1915 The Family Together

Arthur Hughes (English artist, 1832–1915) Music Party 1864

It's funny that no matter how old I get, when I think of family parties, I remember the images of English artist Arthur Hughes, an illustrator for both adults & children. His children remind me of my grandchildren.
Arthur Hughes (English artist, 1832–1915) Mrs Leathart & her Children
Arthur Hughes (English artist, 1832–1915) Of Love and Beauty
Arthur Hughes (English artist, 1832–1915) In the King's Orchard
Arthur Hughes (English artist, 1832–1915) A Birthday Party
Arthur Hughes (English artist, 1832–1915) In the Grass.  
Arthur Hughes (English artist, 1832–1915) Faith

Wednesday, July 25, 2018

Saturday, June 16, 2018

SUMMER Spin -Time to Head Outdoors to Spin the Wool & to Fall in Love

Meeting of Saint Margaret and the Prefect Olibrius by Jean Fouquet. 1452 -60 for Étienne Chevalier.  A common image in medieval manuscripts is a woman spinning while standing, often the lady is depicted spinning wool amongst sheep.

A textile is a fibrous substance, such as wool, cotton, flax, or silk, that can be spun into yarn & woven or knitted into cloth.  Stone Age peoples wove nets, baskets, mats, & belts out of reeds, grasses, & strips of animal hides - and this eventually led to the creation of fabrics to substitute for the animal skins which often served as human clothing. Ancient textiles were made mostly of linen, cotton, wool, & silk. Spinning & weaving were mentioned in the Bible. 
From Exodus 35:25 Every skilled woman spun with her hands & brought ...... All the women who were skilled in sewing & spinning prepared blue, purple, & scarlet thread, & fine linen cloth... 
From Proverbs 31:19 In her hand she holds the distaff...Her hands are busy spinning thread, her fingers twisting fiber. ... She extends her hands to the spinning staff, & her hands hold the spindle...

As civilizations developed, the people, the fibers, & the different methods tools invented for turning the fibers into cloth traveled to different parts of the world, & many ideas on making textiles were exchanged among various peoples. Spinning is the simple process of drawing out a twisting of a few fibers together into a continuous length, & winding them into a ball or onto a stick. There is archaeological evidence to suggest that spinning was practiced in Europe at least as early as 20,000 years ago. In the early days of spinning, the drawing out & twisting of the fibers was done by hand; later the winding stick itself was modified by the addition of a weight, or whorl, at its lower end (which gave increased momentum). Thus a modified winding stick became the spinning implement, or hand spindle.

SUMMER Spin -Time to Head Outdoors to Spin & Tend the Chickens!

Woman carrying a distaff under her arm while feeding chickens. Luttrell Psalter, British Library, London 1300s England


Eons ago just as today, a textile was a fibrous substance, such as wool, cotton, flax, or silk, that can be spun into yarn & woven or knitted into cloth.  Stone Age peoples wove nets, baskets, mats, & belts out of reeds, grasses, & strips of animal hides - and eventually led to the creation of fabrics to substitute for the animal skins which often served as human clothing. Ancient textiles were made mostly of linen, cotton, wool, & silk. Spinning & weaving were mentioned in the Bible. 



From Exodus 35:25 Every skilled woman spun with her hands & brought ...... All the women who were skilled in sewing & spinning prepared blue, purple, & scarlet thread, & fine linen cloth... 

From Proverbs 31:19 In her hand she holds the distaff...Her hands are busy spinning thread, her fingers twisting fiber. ... She extends her hands to the spinning staff, & her hands hold the spindle...

As civilizations developed, the people, the fibers, & the different methods tools invented for turning the fibers into cloth traveled to different parts of the world, & many ideas on making textiles were exchanged among various peoples. Spinning is the simple process of drawing out a twisting of a few fibers together into a continuous length, & winding them into a ball or onto a stick. There is archaeological evidence to suggest that spinning was practiced in Europe at least as early as 20,000 years ago. In the early days of spinning, the drawing out & twisting of the fibers was done by hand; later the winding stick itself was modified by the addition of a weight, or whorl, at its lower end (which gave increased momentum). Thus a modified winding stick became the spinning implement, or hand spindle.

Saturday, December 31, 2016

10-Year-Old Nova Scotia Girl Learning about Proper Tea Ettiquite at Finishing School in Early America


Anna Green Winslow (1759-1779) was born in Halifax, Nova Scotia, the daughter of Joshua Winslow & his wife Anna Green. In 1770, at the age of 10, she was sent south to a finishing school in Boston, where she lived with her aunt & uncle, Sarah & John Deming. During her separation from her family, she kept a diary sporadically from November 1771 to May 1773. Her aunt encouraged the diary as a penmanship exercise & as a running letter to her parents. Most entries detail her daily routine. She writes of sermons; weather; entertainments; current fashions; & family matters. And this 10-year-old girl writes of taking tea with friends & family of all ages. Winslow was reunited with her parents in 1773, when Joshua Winslow moved them to Marshfield, Massachusetts. In 1775, he was exiled as a Tory; but his family remained behind. Before the end of the Revolution, Anna Green Winslow died of tuberculosis in Hingham, Massachusetts. Anna was 20, when she died.

Some excerpts from Anna's diary:

Nov'r 18, 1771 ...Mr. Beacon ask'd a question. What is beauty--or, wherein does true beauty consist? He answer'd, in holiness--and said a great deal about it that I can't remember, & as aunt says she hasnt leisure now to help me any further--so I may just tell you a little that I remember without her assistance, and that I repeated to her yesterday at tea



Jan'y 31, 1772 ... I was at Aunt Sukey's with Mrs Barrett dress'd in a white brocade, & cousin Betsey dress'd in a red lutestring, both adorn'd with past, perlsmarquesett &c. They were after tea escorted by Mr. Newton & Mr Barrett to ye assembly at Concert Hall...



Feb. 18, 1772 ...Saterday I din'd at Unkle Storer's, drank tea at Cousin Barrel's, was entertain'd in the afternoon with scating...



March 9, 1772 ...It's now tea time--as soon as that is over, I shall spend the rest of the evening in reading to my aunt. It is near candle lighting...



April 14, 1772 ...I went a visiting yesterday to Col. Gridley's with my aunt. After tea Miss Becky Gridley sung a minuet. Miss Polly Deming & I danced to her musick...



April 16, 1772 ...I dined with Aunt Storer yesterday & spent the afternoon very agreeably at Aunt Suky's. Aunt Storer is not very well, but she drank tea with us...



April 24, 1772 ...I drank tea at Aunt Suky's. Aunt Storer was there, she seemed to be in charming good health & spirits...



May 11, 1772 ...I had the pleasure of drinking tea with aunt Thomas the same day, the family all well, but Mr G who seems to be near the end of the journey of life...



May 16, 1772 ...Thursday I danc'd a minuet & country dances at school, after which I drank tea with aunt Storer...



May 31, 1772 ...I spent the afternoon at unkle Joshua's. yesterday, after tea, I went to see how aunt Storer did...



Source: Diary of Anna Green Winslow, A Boston School Girl of 1771 (edited by A. M. Earle 1894).