Spring in 19C Europe

Arthur John Elsley (British painter) 1860 - 1952 The Joy of Spring

19C Spring by Franz Xavier Winterhalter (German, 1805-c 1873)

Franz Xavier Winterhalter (German, 1805-c 1873) The Spring

Even though it is chilly today & the weather is mercurial, I can definitely feel spring in the air. Just outside my window this morning, some of the birds are ignoring the seed we put out for them & are heading up to the delicate tips of branches to eat the tender new buds. The sky is bright & clear.

3 Rather Proper Mythical Goddesses Flora - Symbols of Spring by Rembrandt (1606-1669)

Rembrandt Harmenszoon van Rijn (1606-1669) - Portrait of Hendrickje Stofells as Goddess Flora

Rembrandt Harmenszoon van Rijn (1606-1669) - Portrait of Saskia as Goddess Flora

Rembrandt Harmenszoon van Rijn (1606-1669) - Portrait of Saskia as Goddess Flora

In Rome, her festival, the Floralia, was held between April 28 and May 3 and symbolized the renewal of the cycle of life, drinking, and flowers. The festival was first instituted in 240 B.C.E, and on the advice of the Sibylline books, she was also given a temple in 238 B.C.E. At the festival, with the men decked in flowers, and the women wearing normally forbidden gay costumes, five days of farces and mimes were enacted – ithyphallic, and including nudity when called for – followed by a sixth day of the hunting of goats and hares. On May 23 another (rose) festival was held in her honor.  

Flora's Greek equivalent is Chloris, who was a nymph. 

According to myth, Flora is married to Favonius, the wind god also known as Zephyr, and her companion was Hercules.  It is possible that Flora achieved more prominence in the neo-pagan revival of Antiquity among Renaissance humanists than she had enjoyed in ancient Rome.

See:

 Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).

 Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)

 H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)

 William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Earth's Creatures Stop to Smell the Flowers

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.

The expression came into popular modern use in the 1960s & is a rephrasing of a sentiment found in a 1957 autobiography written by the golfer Walter Hagen (1892 - 1969): “Don’t hurry. Don’t worry. And be sure to smell the flowers along the way.”

Spring in 19C Europe

Charles Conder (British painter) 1868 - 1909 The Howe in Spring

17C Mythical Goddess Flora - Symbol of Spring

18C Rosalba Carriera (Italian artist, 1675-1757) The Goddess Flora

Flora in Roman mythology, was goddess of spring-time & flowers, later identified with the Greek Chloris. Her festival at Rome, the Floralia, instituted 238 B.C. by order of the Sibylline books & at first held irregularly, became annual after 173. It lasted 6 days (April 28-May 3), the 1st day being the anniversary of the foundation of her temple. 

The Floralia was a public festival to honor the goodwill of the goddess Flora. Created in the 6th century BC by the Romans, it took place in spring  & lasted 6 days, & consisted of games & theatrical performances. Chariot races & circus games took place & everywhere were the symbols of Flora. It was traditional to have goats & hares scampering about the landscape where flowers of lupines, beans, & vetch were scattered about. The celebrating Romans held bouquets of flowers & wore wreaths of flowers around their necks or in their hair. In art Flora was represented as a beautiful maiden, bedecked with flowers. The term “flora” became used in botany collectively for the plant-growth of an area.

See Primary Sources:

Ovid, Fasti V. 193-212

Macrobius, Saturnalia I.10.11-14

Lactantius, Divinae institutions I.20.6-10

Tacitus, Annals, ii. 49

and

Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).

Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)

H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)

William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Earth's Creatures Stop to Smell the Flowers

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.

The expression came into popular modern use in the 1960s & is a rephrasing of a sentiment found in a 1957 autobiography written by the golfer Walter Hagen (1892 - 1969): “Don’t hurry. Don’t worry. And be sure to smell the flowers along the way.”

Spring in 19C Europe

 Dante Gabriel Rossetti (British, 1828 - 1882 Spring

17C Mythical Goddess Flora - Symbol of Spring

Justus Sustermans (Flemish painter, 1597-1681) Vittoria della Rovere, Grand Duchess of Tuscany as the Goddess Flora

Flora in Roman mythology, was goddess of spring-time & flowers, later identified with the Greek Chloris. Her festival at Rome, the Floralia, instituted 238 B.C. by order of the Sibylline books & at first held irregularly, became annual after 173. It lasted 6 days (April 28-May 3), the 1st day being the anniversary of the foundation of her temple. 

The Floralia was a public festival to honor the goodwill of the goddess Flora. Created in the 6th century BC by the Romans, it took place in spring  & lasted 6 days, & consisted of games & theatrical performances. Chariot races & circus games took place & everywhere were the symbols of Flora. It was traditional to have goats & hares scampering about the landscape where flowers of lupines, beans, & vetch were scattered about. The celebrating Romans held bouquets of flowers & wore wreaths of flowers around their necks or in their hair. In art Flora was represented as a beautiful maiden, bedecked with flowers. The term “flora” became used in botany collectively for the plant-growth of an area.

See Primary Sources:

Ovid, Fasti V. 193-212

Macrobius, Saturnalia I.10.11-14

Lactantius, Divinae institutions I.20.6-10

Tacitus, Annals, ii. 49

and

Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).

Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)

H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)

William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Earth's Creatures Stop to Smell the Flowers

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.

The expression came into popular modern use in the 1960s & is a rephrasing of a sentiment found in a 1957 autobiography written by the golfer Walter Hagen (1892 - 1969): “Don’t hurry. Don’t worry. And be sure to smell the flowers along the way.”

Spring in 19C Europe

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Charles Edward Wilson (British painter) 1854 - 1941 Apple Blossdoms

17C Mythical Goddess Flora - Symbol of Spring

1630s Claude Vignon (1593-1670)  - Goddess Flora

Flora in Roman mythology, was goddess of spring-time & flowers, later identified with the Greek Chloris. Her festival at Rome, the Floralia, instituted 238 B.C. by order of the Sibylline books & at first held irregularly, became annual after 173. It lasted 6 days (April 28-May 3), the 1st day being the anniversary of the foundation of her temple. 

The Floralia was a public festival to honor the goodwill of the goddess Flora. Created in the 6th century BC by the Romans, it took place in spring  & lasted 6 days, & consisted of games & theatrical performances. Chariot races & circus games took place & everywhere were the symbols of Flora. It was traditional to have goats & hares scampering about the landscape where flowers of lupines, beans, & vetch were scattered about. The celebrating Romans held bouquets of flowers & wore wreaths of flowers around their necks or in their hair. In art Flora was represented as a beautiful maiden, bedecked with flowers. The term “flora” became used in botany collectively for the plant-growth of an area.

See Primary Sources:

Ovid, Fasti V. 193-212

Macrobius, Saturnalia I.10.11-14

Lactantius, Divinae institutions I.20.6-10

Tacitus, Annals, ii. 49

and

Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).

Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)

H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908) 

Earth's Creatures Stop to Smell the Flowers

“People ask me what I do in winter when there’s no baseball. I’ll tell you what I do. I stare out the window & wait for Spring.” – Rogers Hornsby

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.

The expression came into popular modern use in the 1960s & is a rephrasing of a sentiment found in an autobiography written by the golfer Walter Hagen: “Don’t hurry. Don’t worry. And be sure to smell the flowers along the way.”

17C Spring Boating Parties - Making Music & Gathering Newly Green Branches

1660 Published by Matthew Collings; After Crispijn de Passe the Elder; After Maarten de Vos. May; boat with two couples collecting green branches, drinking, and making music.   The branches of new leaves decorating the boat celebrate the regeneration of spring & fertility.

Spring in 19C Europe

Arthur Hacker (British painter) 1858 - 1919 Morning Walk

17C Mythical Goddess Flora - Symbol of Spring

1620 Cornelis van Poelenburgh, (1594-1667) Woman Portrayed as Flora

Flora in Roman mythology, was goddess of spring-time & flowers, later identified with the Greek Chloris. Her festival at Rome, the Floralia, instituted 238 B.C. by order of the Sibylline books & at first held irregularly, became annual after 173. It lasted 6 days (April 28-May 3), the 1st day being the anniversary of the foundation of her temple. 

The Floralia was a public festival to honor the goodwill of the goddess Flora. Created in the 6th century BC by the Romans, it took place in spring  & lasted 6 days, & consisted of games & theatrical performances. Chariot races & circus games took place & everywhere were the symbols of Flora. It was traditional to have goats & hares scampering about the landscape where flowers of lupines, beans, & vetch were scattered about. The celebrating Romans held bouquets of flowers & wore wreaths of flowers around their necks or in their hair. In art Flora was represented as a beautiful maiden, bedecked with flowers. The term “flora” became used in botany collectively for the plant-growth of an area.

See Primary Sources:

Ovid, Fasti V. 193-212

Macrobius, Saturnalia I.10.11-14

Lactantius, Divinae institutions I.20.6-10

Tacitus, Annals, ii. 49

and

Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).

Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)

H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)

William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Spring in 19C Europe

Charles William Wyllie (British painter) 1853 – 1923

Earth's Creatures Stop to Smell the Flowers

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.

The expression came into popular modern use in the 1960s & is a rephrasing of a sentiment found in an autobiography written by the golfer Walter Hagen: “Don’t hurry. Don’t worry. And be sure to smell the flowers along the way.”

Earth's Creatures Stop to Smell the Flowers

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.

The expression came into popular modern use in the 1960s & is a rephrasing of a sentiment found in an autobiography written by the golfer Walter Hagen: “Don’t hurry. Don’t worry. And be sure to smell the flowers along the way.”

Spring in 19C Europe

Alf Wallander (Swedish artist, craftsman and designer) 1862 - 1914 Apple Blossoms

17C Mythical Goddess Flora - Symbol of Spring

Justus Sustermans (Flemish painter, 1597-1681) Vittoria della Rovere, Grand Duchess of Tuscany as the Goddess Flora

Flora in Roman mythology, was goddess of spring-time & flowers, later identified with the Greek Chloris. Her festival at Rome, the Floralia, instituted 238 B.C. by order of the Sibylline books & at first held irregularly, became annual after 173. It lasted 6 days (April 28-May 3), the 1st day being the anniversary of the foundation of her temple. 

The Floralia was a public festival to honor the goodwill of the goddess Flora. Created in the 6th century BC by the Romans, it took place in spring  & lasted 6 days, & consisted of games & theatrical performances. Chariot races & circus games took place & everywhere were the symbols of Flora. It was traditional to have goats & hares scampering about the landscape where flowers of lupines, beans, & vetch were scattered about. The celebrating Romans held bouquets of flowers & wore wreaths of flowers around their necks or in their hair. In art Flora was represented as a beautiful maiden, bedecked with flowers. The term “flora” became used in botany collectively for the plant-growth of an area.

See Primary Sources:

Ovid, Fasti V. 193-212

Macrobius, Saturnalia I.10.11-14

Lactantius, Divinae institutions I.20.6-10

Tacitus, Annals, ii. 49

and

Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).

Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)

H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)

William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Earth's Creatures Stop to Smell the Flowers

“Science has never drummed up quite as effective a tranquilizing agent as a 

sunny Spring day.” – W. Earl Hall 

Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty.  Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth.  Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15.

The expression came into popular modern use in the 1960s & is a rephrasing of a sentiment found in an autobiography written by the golfer Walter Hagen: “Don’t hurry. Don’t worry. And be sure to smell the flowers along the way.”

18C Allegory of Spring Love in a Garden

1745 Spring from The Four Seasons Les Quatre Saisons after Nicolas Lancret published in France Herein a garden with a fountain & a birdbath lying on the ground, a young man holding a spade talks to a young woman holding a basket of flowers, while another woman on the right is watering plants.

Spring 19C Europe

Adrien Louis Demont (French painter) 1851 - 1928 Tulip Fields, 1883

15C Mythical Goddess Flora - Symbol of Spring

Detail of Flora from Primavera by Botticelli, c. 1482

Flora in Roman mythology, was goddess of spring-time & flowers, later identified with the Greek Chloris. Her festival at Rome, the Floralia, instituted 238 B.C. by order of the Sibylline books & at first held irregularly, became annual after 173. It lasted 6 days (April 28-May 3), the 1st day being the anniversary of the foundation of her temple. 

The Floralia was a public festival to honor the goodwill of the goddess Flora. Created in the 6th century BC by the Romans, it took place in spring  & lasted 6 days, & consisted of games & theatrical performances. Chariot races & circus games took place & everywhere were the symbols of Flora. It was traditional to have goats & hares scampering about the landscape where flowers of lupines, beans, & vetch were scattered about. The celebrating Romans held bouquets of flowers & wore wreaths of flowers around their necks or in their hair. In art Flora was represented as a beautiful maiden, bedecked with flowers. The term “flora” became used in botany collectively for the plant-growth of an area.

See Primary Sources:

Ovid, Fasti V. 193-212

Macrobius, Saturnalia I.10.11-14

Lactantius, Divinae institutions I.20.6-10

Tacitus, Annals, ii. 49

and

Ovid, Fasti, Book 4; T.P. Wiseman, The Myths of Rome (University of Exeter Press, 2004).

Robert Turcan, The Gods of Ancient Rome (Routledge, 2001; originally published in French 1998)

H.H. Scullard, Festivals and Ceremonies of the Roman Republic (Cornell University Press, 1981)

William Warde Fowler, The Roman Festivals of the Period of the Republic (London, 1908)

Spring

 

Jesus as Gardener - The Risen Christ Reveals Himself to Mary

1368-70, Probably by Jacopo di Cione(c 1325-after 1390) an Italian painter in the Republic of Florence. Resurrection Noli me tangere.   Jesus holds a hoe.

The Gospel of John 20:1-13 (NIV) contains a narrative of an empty garden tomb including the appearance of Jesus: Early on the first day of the week, while it was still dark, Mary Magdalene went to the tomb & saw that the stone had been removed from the entrance. So she came running to Simon Peter & the other disciple, the one Jesus loved, & said, "They have taken the Lord out of the tomb, & we don't know where they have put him!" 

So Peter & the other disciple started for the tomb. Both were running, but the other disciple outran Peter & reached the tomb first. He bent over & looked in at the strips of linen lying there but did not go in. Then Simon Peter, who was behind him, arrived & went into the tomb. He saw the strips of linen lying there, as well as the burial cloth that had been around Jesus' head. The cloth was folded up by itself, separate from the linen. Finally the other disciple, who had reached the tomb first, also went inside. He saw & believed. 

Then the disciples went back to their homes, but Mary stood outside the tomb crying. As she wept, she bent over to look into the tomb & saw two angels in white, seated where Jesus' body had been, one at the head & the other at the foot. They asked her, "Woman, why are you crying?" "They have taken my Lord away," she said, "& I don't know where they have put him." At this, she turned around & saw Jesus standing there, but she did not realize that it was Jesus. He asked her, "Woman, why are you crying? Who is it you are looking for?" Thinking he was the gardener, she said, "Sir, if you have carried him away, tell me where you have put him, & I will get him."  Jesus said to her, "Mary." She turned toward him & cried out, "Rabboni!" ("Teacher"). Jesus said, "Touch me not; for I am not yet ascended to my Father: but go to my brethren, & say unto them, I ascend unto my Father, & your Father; & to my God, & your God." 

Mary Magdalene went to the disciples with the news: "I have seen the Lord!" And she told them that he had said these things to her.

13C Fresco - in Lower Basilica in Assisi Noli Me Tangere

Giotto di Bondone (c. 1267 - 1337). Resurrection Noli me tangere - on North wall of Scrovegni (Arena) Chapel, Padua. 1305-1306

1460 The Meister des Göttinger Barfüßeraltars Resurrection Noli me tangere. Jesus holds a shovel. The wattle fenced flowery mead follows Boccaccio's model.

Fra Angelico, Noli Me Tangere 1440-42 Jesus and Mary Magdalene in a walled Garden

1460-90s Master of the Martyrdom of the Ten Thousand (German; 1460 - 1470; fl. c.) Christ appearing as a gardener to St Mary Magdalene within a garden with wattle fencing. Jesus holds a shovel.

1469 Noli me tangere in Prayer Book of Charles the Bold, Lieven van Lathem. J. Paul Getty Museum, Ms. 37, fol. 46v. Jesus holds a shovel in a wattle-fenced mead.

Martin Schongauer German, c. 1450-1491. Noli me tangere. Here Jesus holds a staff but the garden is surrounded by a wattle fence.

1473 Martin Schongauer (1450–1491) Noli Me Tangere. This garden appears to be enclosed with a wattle fence, and roses grow in the background. Birds perch in the trees.

c 1500 Perugino, Pietro di Cristoforo Vannucci 1445-1523) Resurrection Noli me tangere. Here Jesus holds a garden tool. Art Institute of Chicago

1506 Fra Bartolomeo (1472–1517) Noli Me Tangere. Depicted at the tomb with Christ holding a garden tool.

c 1500 by Master of the Chronique scandaleuse, illuminator (French, active about 1493 - 1510), Noli me tangere, French. Here Jesus & Mary Magdalene meet on a garden path.

1512 Titian (1490–1576) Noli Me Tangere. Christ appears holding a garden tool.

1500s Greek Icon Μη μου άπτου Crete Resurrection - Noli me tangere. Here Jesus & Mary Magdalene are in a flowery mead.

1526 Hans Holbein the Younger (1498–1543) Noli Me Tangere. Depicted at the tomb on a flowery mead.

1534 Antonio da Correggio (1489-1534) Noli Me Tangere. Christ appears as a gardener holding a hoe.

1548-53 Lambert Sustris (Dutch artist, c.1515-1520-c.1584) Noli Me Tangere
This image includes formal gardens used as the background for a Biblical scene. These gardens are primarily from the Italian Renaissance.  The trellis walkways & arbors were built to provide both shade & privacy. Planners raised beds to prevent plants becoming waterlogged. Gardens were used for recreation, relaxation, & sport. The garden consists of geometric beds of interlacing patterns designed to be seen from windows & hills above & is filled with herbs & favorite flowers. A fountain sits in the farthest parterre. Statues & symbolic ornaments are spread throughout the grounds.

1560-70 Unknown German artist. Christ appears here as a gardener to Mary Magdalene; part of a town beyond the garden & three crosses on the hill behind at left. Jesus holds a garden shovel in a bedded garden surrounded by a wooden fence.

Agnolo di Cosimo usually known as Bronzino or Agnolo Bronzino, Italian Mannerist painter, 1503-72) Resurrection, Noli Me Tangere Jesus holds a shovel, and a walled garden of flowers blooms just behind them.

1581 Lavinia Fontana Resurrection Noli me tangere. Jesus holds a shovel in a defined garden area.

1620 Abraham Janssens (1567–1632) painted figures & Jan Wildens (15841586–1653) painted the landscape Resurrection Noli me tangere. Jesus holds a shovel & the fruits of the garden are on the earth.

1630-35 Pedro Núñez del Valle (Spanish, 1597-1649)Noli me tangere. A garden of formal beds defined by a wattle wall appears to be growing food.

Ciro Ferri 1670-80s (1634-1689) Resurrection Noli me tangere. Jesus holds a shovel in a garden protected by a wood fence.

1539 Hans Baldung (c.1484 - 1545) Resurrection Noli me tangere. Jesus holds a garden shovel.