Wednesday, June 15, 2022
Spring at Longwood Gardens in Pennsylvania
Tuesday, June 14, 2022
17C Myths of Spring to Summer - Locus Amoenus Allegories by Jan Brueghel the Elder 1568-1625 & Hendrick van Balen 1575-1632
As in these paintings, allegorical characters in stories & in art of this period were often located in garden settings. The locus amoenus was one of the traditional locations of epic & chivalric literature. As a literary genre of high culture, romance or chivalric romance is a type of prose & verse narrative that was popular in the aristocratic circles of Medieval & Early Modern Europe.
Locus amoenus (Latin for "pleasant place") is a literary term which generally referring to an idealized place of safety or comfort, usually a beautiful, shady parkland or open woods, sometimes with connotations of Eden. A locus amoenus usually has 3 basic elements: trees, grass, & water. In these 2 paintings, Spring is full of flowers & Summer is filled with the practical fruits from Spring's flowers
Often, the locus amoenus garden will be in a remote setting & with only components or suggestions of a more formal, geometric, walled garden, such as the flower pots seen above. The locus amoenus can also be used to highlight the differences between urban & rural life or be a place of refuge from the processes of time & mortality. In some works, such gardens also have overtones of the regenerative powers of human sexuality marked out by flowers, & goddesses of springtime, love, & fertility. Ernst Robert Curtius formulated the concept's definition in his European Literature & the Latin Middle Ages (1953).
Jan Brueghel the Elder 1568-1625 & Hendrick van Balen 1575-1632 Summer, 1616
Monday, June 13, 2022
Spring at Longwood Gardens in Pennsylvania
Sunday, June 12, 2022
1636 Myth & Spring & Cherubs by Jan Brueghel the Younger 1601-1678 & Frans Francken the Younger 1581-1642
Here 4 seated women representing water, air, earth, & fire are surrounded by a lush landscape. The fish flowing from the water jug & the cornucopia of abundance cradled in the arms of the figure on the right correspond to the tactile elements of water & earth. The birds in the sky & trees & the accoutrements of battle in the foreground correspond to the intangible elements of fire & air. The figures, the still life objects, & the landscape work together as a unified scene, yet two different artists worked to create this painting. Frequent collaborators, the skilled figure painter Frans Francken II painted the women & background figures, & Jan Brueghel the Younger described the landscape.
Jan Brueghel the Younger (Flemish, 1601-1678) Frans Francken the Younger (Flemish, 1581-1642) A remote Landscape Setting with an Allegory of Water and Earth
Such collaboration between artists was common in Antwerp during the 1600s, as artists often specialized in either landscape or figure painting. Flemish artists of the time repeatedly painted representations of the 4 elements, suggesting that it was a popular subject with buyers. Brueghel the Younger depicted the senses, the elements, or the seasons as allegories many times throughout his career, either together or individually.
1630s. A remote Landscape Setting with Ceres (Allegory of Earth). Landscape by Jan Brueghel the Younger figures after Hendrick van Balen.
Here, earth is represented by the goddess Ceres, who is surrounded with a satyr, putti, & a figure holding a sheaf of wheat. Ceres, whose name means "creator," was the goddess of agriculture, worshiped over a large part of ancient Italy.
Those winged toddlers over Ceres' head in the painting clutching her crown, are they religious cherubs or secular putti? A putto (pl. putti) is a figure of a human toddler, usually male, often naked with wings, depicted especially in Italian Renaissance & Baroque art. The Latin word "putus" means boy or child. During the early modern period, artist Donatello revived & popularized putti figures in Florence during the 1420s.
Neroccio De' Landi (1447-1500) Two Putti, 1490-1510
In the European culture of the 1400s & 1500s, Cherubs & Putti had distinctly different roles. Biblically, Cherubs & Seraphs (Cherubim & Seraphim) were sacred angels in heaven closest to God. Putti, arose from Greco-Roman classical myths, not the Christian tradition, and were associated with Eros or Cupid as well as with the Muse Erato of lyric & love poetry.
Raphael Raffaello Sanzio da Urbino (1483–1520), Sistine Cherubs
As in these paintings, allegorical characters in stories & in art of this period were often located in garden settings. The locus amoenus was one of the traditional locations of epic & chivalric literature. As a literary genre of high culture, romance or chivalric romance is a type of prose & verse narrative that was popular in the aristocratic circles of Medieval & Early Modern Europe. Locus amoenus (Latin for "pleasant place") is a literary term which generally referring to an idealized place of safety or comfort, usually a beautiful, shady parkland or open woods, sometimes with connotations of Eden. A locus amoenus usually has 3 basic elements: trees, grass, & water.
Often, the locus amoenus garden will be in a remote setting & with only components or suggestions of a more formal, geometric, walled garden. These paintings employ this setting. The locus amoenus can also be used to highlight the differences between urban & rural life or be a place of refuge from the processes of time & mortality. In some works, such gardens also have overtones of the regenerative powers of human sexuality marked out by flowers, & goddesses of springtime, love, & fertility. Ernst Robert Curtius formulated the concept's definition in his European Literature & the Latin Middle Ages (1953).
About these confusing Breughels -
Pieter Bruegel (also Brueghel) 1525-1569 was a Netherlandish Renaissance painter & printmaker known for his landscapes & peasant scenes (later called genre painting). From 1559, he dropped the 'h' from his name & signed his paintings as Bruegel.
Pieter the Elder had 2 sons: Pieter Brueghel the Younger 1564 -1636 & Jan Brueghel the Elder 1568-1625 (both changed their name to Brueghel). Their grandmother, Mayken Verhulst, trained the sons because "the Elder" died when both were very small children. The older brother, Pieter Brueghel, copied his father's style but without the same great talent. Jan was more successful, as he turned to the Baroque style & collaborated with many fine artists.
Pieter Brueghel the Younger or Pieter Bruegel the Younger (before 1616 he signed his name as 'Brueghel' & after 1616 as 'Breughel') 1564 -1636 was a Flemish painter, known for numerous copies after his father Pieter Bruegel the Elder's work as well as his original compositions. The large output of his studio, which produced for the local & export market, contributed to the international spread of his father's imagery.
Jan Brueghel the Elder 1568-1625 was a Flemish painter, son of Pieter Bruegel the Elder & father of Jan Brueghel the Younger 1601-1678. Many of his paintings are collaborations in which figures by other painters were placed in landscapes painted by Jan Brueghel; in other works, Brueghel painted the figures into another artist's landscape or architectural interior. The most famous of his collaborators was Peter Paul Rubens who collaborated on about 25 paintings.
Jan Brueghel the Younger 1601-1678 was a Flemish Baroque painter. Jan the Younger's best works are his extensive landscapes, either under his own name or made for other artists such as Hendrick van Balen as backgrounds. He collaborated with a number of prominent artists including Rubens, Hendrick van Balen (1575–1632), Adriaen Stalbemt (1580–1682), Lucas Van Uden (1596–1672), David Teniers the Younger, and his father-in-law Abraham Janssens. His pupils were his older sons Abraham , 1631-1690, Philips, & Jan Peeter 1628-1664, his nephew Jan van Kessel, & his younger brother Ambrosius.
Saturday, June 11, 2022
Spring at Longwood Gardens in Pennsylvania
Thursday, June 9, 2022
Spring at Longwood Gardens in Pennsylvania
Tuesday, June 7, 2022
Spring at Longwood Gardens in Pennsylvania
Monday, June 6, 2022
Sunday, June 5, 2022
Spring at Longwood Gardens in Pennsylvania
Friday, June 3, 2022
Spring at Longwood Gardens in Pennsylvania
Wednesday, June 1, 2022
Spring at Longwood Gardens in Pennsylvania
Tuesday, May 31, 2022
Presenting a fragrant Spring Rose to a Lady Love by Jeremiasz Falck (active 1656 -1677) engraver
Monday, May 30, 2022
Spring at Longwood Gardens in Pennsylvania
Sunday, May 29, 2022
Taking Peonies from our Garden to the Cemetery
From Decoration Day to Memorial Day
For more than a century, the ritual of visiting cemeteries, memorials & gravesites served as the popular start of summer. It was an annual act of remembrance, clearing away the dirt & grime from those hallowed markers. It was a time to decorate those personal memorials. Until 1971, Memorial Day was known as "Decoration Day."
On the 1st official Decoration Day -- May 30, 1868 -- future president James A. Garfield, a former general, addressed a crowd of 5,000 gathered at Arlington National Cemetery: "our children's children shall come to pay their tribute of grateful homage. For this are we met to-day...assemblies like this are gathering at this hour in every State in the Union.
"Thousands of soldiers are to-day...visiting the silent encampments of dead comrades who once fought by their side. From many thousand homes, whose light was put out when a soldier fell, there go forth today to join these solemn processions of loving kindred & friends."
After Garfield spoke, the 5,000 visitors made their way into the cemetery to visit the tens of thousands of graves in the newly formed Arlington cemetery.
But Decoration Day was not an official holiday. May 30 was a day seen by the Grand Army of the Republic, an association of Union Civil War veterans, as an official day of remembrance for people across the country. The idea was to honor the war's dead by decorating the graves of Union soldiers.
Local municipalities & states adopted resolutions over the following years to make Decoration Day an official holiday in their areas. Each of the former Union states had adopted a Decoration Day by 1890.
As time went on, "Memorial Day" began to supplant "Decoration Day" as the name of the holiday, & it became a day to honor all fallen American troops, not just Union soldiers from the Civil War. After the 2nd World War, Memorial Day was the term in more common usage, & the act of remembering all of America's fallen took on a renewed importance.
In 1968, the U.S. government passed the Uniform Monday Holiday Act, which put major holidays on specific Mondays to give federal employees 3-day weekends. Memorial Day was one of these holidays.
It all went into effect in 1971 &, by then, there were no more Civil War veterans - but there were decades of American vets from later wars.
See: Military.com
Friday, May 27, 2022
Spring at Longwood Gardens in Pennsylvania
Thursday, May 26, 2022
Wednesday, May 25, 2022
Spring at Longwood Gardens in Pennsylvania
Monday, May 23, 2022
Spring at Longwood Gardens in Pennsylvania
Sunday, May 22, 2022
1901 Spring Idyll by George Henry Boughton (1833–1905) - An American 20C Personification
Saturday, May 21, 2022
Spring at Longwood Gardens in Pennsylvania
Friday, May 20, 2022
18C Personification of Spring (with background gardens, of course!) from Robert Sayer London in 1750
Here Spring is once again depicted as a fashionably-dressed young woman with flowers in her hair, picking a rose from a bush on the right, holding others in her apron, She is resting her elbow on a parapet overlooking a garden. In the background, a man is leaning against a garden balustrade, and a couple stand in front of a domed garden temple.